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In October 2023, my friend Jet asked me to create four coloured pencil portraits. One portrait was intended as a gift for Jet's friend, another for her mother, and the other two were portraits of her beloved Boxer dogs. I have known Jet for over three decades, and during this time, I have had the pleasure of creating pencil portraits of her dogs on several occasions. Here are all four portraits displayed with additional information about each individual. You can access a link below each image to learn more. A Coloured Pencil Drawing of a White Boxer DogFor this particular portrait, I had to be a little creative with the dog's body. Since the reference photo had limited detail, I used a photo from a gallery I've built up over the years of the client's other white Boxer dogs. This approach allowed me to complete the piece accurately and create a final portrait that was a true representation of the subject. It's a technique I've used successfully on a number of pet portraits to ensure the finished artwork is as complete and detailed as possible.  A coloured pencil drawing of a white Boxer dog called Carrot - Framing is simulated using the ArtStage app While the concept of drawing a white dog on white paper may appear challenging, the key lies in understanding that white fur is not a singular tone, but a composition of subtle grey shades and shadows. The white paper itself serves as the highlight, providing the perfect foundation to build upon. If you'd like to learn more about the process or see more of the finished piece, just click the link below! A Coloured Pencil Drawing of a Brindle Boxer DogThe reference photo for this portrait of Watson showed him wearing a thick blue collar, but it was cropped tightly, leaving very little of his body visible. To fulfil the client's request to have the collar removed and to create a complete and accurate portrait, I needed additional reference material. I was able to use a second photo of Watson, taken from a similar pose, which provided the necessary detail to accurately capture his body's form and extend the composition beyond the original image.  A coloured pencil drawing of a brindle Boxer dog presented in a simulated display using the ArtStage app While it is possible to remove a collar during the portrait creation process, it adds a layer of complexity. The best way to ensure a seamless and accurate final piece is for the client to take the reference photograph without the collar if they do not wish for it to be included in the portrait. A clear, collar-free photo allows me to focus on the fine details of the dog's fur and form, resulting in a more natural and authentic piece of art from the very beginning. A Coloured Pencil Drawing of a Fawn Boxer DogThe reference photo of Fungus provided by his owner, Jet, was ideal for this portrait. It was a large, high-resolution file with incredible detailing that remained sharp even when zoomed in. Taken outdoors in natural daylight, it had a perfect balance of light and shadow, which is always the best option for capturing a pet's true likeness. Although the photo was excellent, I needed to get creative with a few areas. Fungus was wearing a collar, so his chest wasn't fully visible. To ensure the finished portrait was as accurate as possible, I used a second image of him to fill in these missing details, as I did with the other portraits.  A coloured pencil drawing of a fawn Boxer dog in a walnut frame, presented in a simulated display using the ArtStage app This video offers a rare, behind-the-scenes look at three Boxer dog portraits, displayed side-by-side on the studio shelf. Without any sound or commentary, the focus is entirely on the finished artwork. The video invites you to simply observe the details of each piece, and showcasing them together highlights the unique character of each dog while also displaying the consistent style and meticulous detail applied across all three drawings. A Coloured Pencil Drawing of two Mixed Breed Rescue DogsCreating this portrait presented a unique challenge, particularly with the smaller, grey dog, Kudu. The main reference photo showed him wearing a full harness that obscured a significant portion of his body, leaving many of the details of his fur and form to be filled in. To ensure as much accuracy as possible, I had to use a variety of other photos to complete the drawing. This was made even more difficult by the fact that both dogs were mixed breeds, meaning I couldn't rely on typical breed-specific research to inform the details.  A coloured pencil drawing of two mixed breed dogs in a white frame, presented in a simulated display using the ArtStage app I discussed these challenges with my friend beforehand, and she understood that the final piece may not be a perfect representation of Kudu due to the lack of clear reference material. Jet allowed me to approach the portrait with a bit more artistic freedom, and ultimately, I was able to create a piece that captures the spirit of both dogs, using the available photos to bring their personalities to life. Final ThoughtsAll the dogs in the photos wore either a collar or a harness, which were removed in the drawing as per Jet's request. Fortunately, Jet provided me with a collection of photos of each dog to make the process relatively easy. The photos were incredibly helpful as they provided me with a clear view of the intricate details that were obscured by the collars in the reference photos. However, there may be instances where the removal of collars, especially harnesses, is a difficult task, especially if they hide crucial details. In such a scenario, removing them can only be considered if additional photographs are made available.  All four coloured pencil drawings in a grey wood frames, presented in a simulated display using the ArtStage app PHOTO TIPS For advice on selecting the best reference photos for your own bespoke portrait, or for tips on conducting a mini photoshoot to gather suitable images, please visit my 'Photography Tips' page. I offer simple guidance to help ensure your photos will result in a high-quality portrait that you'll cherish for years to come. If you're interested in a custom coloured pencil portrait, I'd be delighted to discuss your ideas. Whether you have a beloved pet, a cherished family member, or another subject in mind, please get in touch! You can learn more by visiting my commissions page, or feel free to email me directly at to start the conversation.
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I’ve just completed an oil pastel portrait of our black Labrador, Haze, which gave me the chance to explore a medium that has become one of my favourites. Alongside my long-standing work with coloured pencils and acrylics, I’ve come to value oil pastels for their versatility. They allow me to build rich layers of colour with a real sense of energy, while also refining them into subtle marks that bring out texture and detail. This balance between strength and delicacy makes oil pastels an ideal medium for capturing the individuality of a subject. Here I share the stages of creating an oil pastel portrait, from materials and techniques to protection during the process and the finishing touch of framing. It offers an insight for those thinking about commissioning a pet portrait in this medium.  In loving memory of Haze - 03.05.23 My latest oil pastel portrait is of our much-loved black Labrador, Haze. I had always admired this photograph of him, knowing it would make a strong composition. As my first pet portrait in this medium, I was especially curious to see how oil pastels would handle the challenge of black fur, which is notoriously difficult to capture. To my delight, their blendability made the task easier than expected and allowed me to portray Haze’s silky coat with real depth and softness. Through Haze’s portrait, you’ll see how an oil pastel painting grows, from early foundations to the final frame. For my oil pastel portraits, I rely on a combination of professional-grade materials and carefully chosen surfaces. I usually work on either Ampersand Pastelbord, a rigid archival board that is simply framed with protective glass, or Clairfontaine Pastelmat, a high-quality paper designed to be mounted and framed in a more traditional style. For the pastels themselves, I favour leading brands such as Sennelier and Caran d’Ache.  An oil pastel work in its early stage, where the base is built prior to refining the details This is where an oil pastel portrait begins. The first priority is always the eyes, as their placement establishes the likeness and sets the character of the subject. Once that anchor point is in place, using the soft Sennelier oil pastels, I apply a loose base of pigment to block in the main shapes, highlights, and values. Sennelier’s soft pastels are renowned for their rich pigmentation and smooth application, perfect for layering vibrant tones and building the depth needed in fur or skin. At this stage the work looks rough and unfinished, but these early marks are essential for building structure. The background is generally left untouched until the foundational layers of the subject are established, providing a framework on which the rest of the portrait can grow.  At this stage the portrait begins to take on a more defined appearance. With the base layers established, I use the firmer Neopastels to introduce finer details, which help to define the contours of the face and body. These marks lay the groundwork for the next step, careful blending with paper stumps, which allows me to create the texture of fur, smooth out the background and sharpen the details that bring realism to the portrait. The combination of controlled pastel application and blending ensures the portrait develops depth, balance, and character.  I use a variety of blending tools, but I find that paper stumps and the smaller tortillions offer an effective and inexpensive way to soften oil pastels. I simply wipe the tips clean as I work so they can be reused, and if they become too worn or dirty they are easily replaced. More recently I’ve also introduced silicone-tipped tools, which are especially useful for creating very fine lines when blended with care.  Here is the portrait so far, with Haze keeping a watchful eye. At this stage I’ve begun to build up the background, which is now giving the piece a greater sense of depth and setting the subject more firmly within the scene. It's useful to start with a darker base layer for the background, as this provides contrast and makes the brighter tones stand out more vividly. In this case, the rich greens of the grass begin to glow against the darker foundation, adding both atmosphere and three-dimensionality to the portrait. Framing and protecting oil pastel artworks require a bit of extra care, as the medium never fully dries. I always store my finished pieces in a safe, dust-free spot until they’re ready to be framed. When it comes to framing, I recommend using glass to shield the painting from dust, pet hair, or other debris that could stick to the surface. Without glass, attempting to clean the artwork risks smudging or damaging it. When commissioning a portrait, I always provide the customer with an after-care guide, which can also be shared with your framer to ensure the piece is presented and protected in the best possible way.
A key detail in framing oil pastels on Ampersand Pastelbord, is including a spacer between the artwork and the glass. This thin strip creates a small gap to prevent the pastel from sticking to the glass, which could otherwise cause permanent damage. The spacer is discreet, barely noticeable unless you’re inspecting the frame up close, and it ensures the artwork stays pristine. For Haze’s portrait, I chose acrylic glass for its durability and lower risk of shattering compared to traditional glass. It’s a practical choice that doesn’t compromise on clarity, making it ideal for showcasing the rich textures of an oil pastel piece. For oil pastel paintings created on Pastelmat, a spacer is unnecessary because the mount serves as a protective barrier between the artwork and the glass. Oil pastels are a wonderful medium for creating heartfelt, striking portraits that truly reflect the character of your subject. Whether it’s a pet, a loved one or a cherished memory, I welcome the chance to create a portrait in oil pastels that feels both personal and lasting. If you’re interested in commissioning a portrait or would simply like to find out more about the process, please don’t hesitate to get in touch. I’m always happy to answer questions and to create something personal and meaningful. I’ve recently completed a commissioned portrait of Dougal, a Red Fox Labrador, and I’m delighted with the result. Pet portraits are the cornerstone of my work, and this particular piece was commissioned by a returning client who wanted to give a thoughtful birthday gift to a family member. As with every commission, I approached Dougal’s portrait with care and attention to detail, working to reflect not only his physical markings but the personality that shines through them. It’s always a privilege to be entrusted with such a task, knowing how much these portraits mean to the families who request them.  The primary reference photograph provided had a strong composition, with Dougal looking every inch the proud Labrador, but it lacked natural colour and detail. Fortunately, the client supplied additional photographs, which proved invaluable for teasing out the finer details, such as the warmth in Dougal’s eyes and the rich, russet hues of his coat. I chose to omit the leash from the final portrait, as it distracted from his presence and added little to the overall effect. Living in Northumberland, Labradors are a common sight, and as the owner of two myself, I regularly see Red Fox Labradors while walking my dogs. Their distinctive reddish coats are a hallmark of the breed, and this familiarity helped me ensure Dougal’s portrait was authentic. The original photograph’s unnatural hue required careful adjustment to reflect the true vibrancy of his colouring. To ensure accuracy, I supplemented this with online research, studying images of other Red Fox Labradors to capture the breed’s unique characteristics.  For me, a pet portrait is never just a copy of a photograph, it’s a study in character. Capturing the essence of a Labrador means honouring that quiet loyalty, gentle warmth, and the subtle expressions that make them such cherished companions. This particular commission was a genuine pleasure to undertake, from the initial reference selection to the final pencil strokes. I aimed to reflect not only the physical likeness but the personality so well known and loved by the family and I hope the portrait brings joy to the recipient for many years to come. Not long after delivery, I received this thoughtful testimonial from the client:
Accompanying the testimonial is Dougal’s portrait, expertly framed by a local artisan in a style that matches the earlier portraits of Seamus and Rua, Dougal’s sister. While I do not provide framing as part of my pencil portrait service due to the potential risk of damage during transit, it is always gratifying to see the finished artwork beautifully presented and ready to be cherished in its new home. It’s always lovely to receive feedback from clients. Every commission is created with care, and it’s impossible not to become attached to the pet you're portraying. You know you’ll likely never meet them in person, yet after hours spent studying their features, every tiny marking and (im)perfection, you could pick them out in a crowd.  The photograph above shows all three Labrador portraits I created for Mike and his family. The top two feature Rua and Seamus, completed last year as a birthday gift for Mike’s father. Although each was drawn independently from individual reference images, it’s rewarding to see them displayed together as a complete trio. If you're interested in commissioning a pet portrait, the image links below will take you to the relevant pages. Each section offers a different route, whether you're browsing more of my work, exploring portrait options, or wish to request a quote or make a booking, or get in touch direct.
This Christmas, I was inundated with commissions. I had to complete five within six weeks, presenting a significant challenge. Typically, a single portrait takes three to five weeks, so this period was exceptionally hectic. Nevertheless, all commissions were finished and dispatched to customers well within the deadline. Below, I have provided the details of each commission, the final portraits, and the accompanying customer testimonials.
Discover three bespoke commissions: two vibrant Springer Spaniels in acrylics and a heartwarming triple portrait featuring a couple and their adorable French Bulldog, meticulously rendered in coloured pencils. Buddy - Springer Spaniel Portrait in AcrylicsThe client, Esther, commissioned a portrait of her Springer Spaniel, Buddy, as a Christmas gift for her husband, Steve. She selected a favourite photo, and I created several mock-ups for her to choose from. The final reference was a composite of five images, body, head, tail, background, and flowers, all merged to form a cohesive scene. Balancing lighting across these sources was challenging, but the high-quality photos provided enough detail to achieve a natural, unified result. 
The grass alone took the most time, with each blade applied in three layers to build depth. The chosen size allowed for a full-body portrait, which gave the piece its intended impact. For commissions with scenic backgrounds, I begin by painting the landscape in detail, then refine the areas where subject and setting meet. In Buddy’s portrait, I aimed for a richly textured foreground with a softly blurred background to draw focus to the subject.
You can discover more about the process of Buddy's portrait here.
"I'm sitting looking at Buddy in pride of place on the wall, photo attached! It is absolutely lovely and it had the desired effect on Steve when he unwrapped - there were tears!! Everyone that has seen it has said how amazing it is with the amount of fine detail and so Buddy. If I manage to get a decent photo of Buddy next to it I will send it on! Thank you once again, it is lovely to have a painting of Buddy forever." Dudley - Springer Spaniel Portrait in AcrylicsThe client, Andrea, commissioned a portrait of Dudley as a Christmas gift for her mother. Although they provided a favourite photo, it was too small and pixelated to support the level of detail required. However, she was able to provide additional images which was taken in natural light, which allowed me to accurately capture Dudley's distinctive features, rich brown tones, and subtle markings. These references were essential in achieving a realistic and characterful result. 
The early stages of an acrylic painting often appear chaotic. Acrylics dry quickly, which can be challenging at first, but with experience and control, this quality becomes an advantage. I find their fast drying time ideal for building detail with precision, allowing me to work efficiently and layer complex textures without delay. In Dudley's portrait, I spent particular care on the blades of grass, layering them to ensure the sunlight fell naturally and enhanced the warmth of the scene.
To learn more about how Dudley’s portrait came together, visit his page here.
"Just wanted to let you know that mum loves her portrait and we all cried our eyes out when we first saw it. What you've done is so special and we couldn't have asked for a better painting to remember him by. It captures his brilliant personality so well. I'll definitely be recommending you to my spaniel loving friends! Diarmid, Max & Kyla - A Couple and their French Bulldog Drawing in Coloured PencilsDiarmid kindly sent over a lovely reference photo featuring himself, his partner Max, and their charming French Bulldog, Kyla, captured during a visit to Pennan in Aberdeenshire. They were standing in front of the iconic red telephone box made famous by the film Local Hero, a well-known landmark that adds a touch of cinematic history to the village. While the phone box itself was a strong compositional element, the remainder of the background offered little visual value, so we agreed to simplify the setting. To retain a sense of place without distraction, I inscribed ‘Pennan’ discreetly in the corner of the finished portrait, a subtle nod to the location that keeps the focus on the trio’s character and connection. 
The original image, taken on a mobile phone, lacked clarity in some of the finer details, particularly around facial features and Kyla’s expression. Fortunately, the precision afforded by coloured pencils allowed me to restore the sharpness and bring out the individuality of each subject with care. I thoroughly enjoyed working on this piece, it was a pleasure to create such a meaningful moment into a highly realistic portrait. I always welcome a challenge, especially when it involves capturing the warmth and personality of both people and pets in a way that feels true to life.
"Hi Karen , Hope you had a lovely Christmas. Wanted to drop you a note to say that Max absolutely loved the portrait! She couldn't believe how well you'd captured the detail from the photo and was thrilled to pieces! We've already recommended you to friends and family and am sure we'll use your amazing skills again in the the future. Have a great New Year!! Diarmid" Pyppa & William - Bearded Collies in Coloured pencilsThis portrait was commissioned by my friend Jet as a Christmas gift for her mum, Ann. At 11" x 17", it was a custom size chosen to accommodate a double portrait of her two Bearded Collies, Pyppa & William. Given the density and length of their coats, along with the need for anatomical accuracy, a larger format was essential to preserve detail and proportion. 
For every portrait I create, I retain a printed outline of the composition. If a client later requests a second piece to match an earlier one, I can use that outline to ensure the sizing and layout remain consistent. This portrait was designed to match a second portrait of Ann’s two dogs, 8 years apart, created after she lost Pyppa and William. The two portraits are shown below in a virtual room setting created using the ArtStage app.
Kita - Akita dog in Acrylics
This Christmas commission was created from very limited reference material. Most of the photos were taken with flash, which distorted the colour and obscured finer details. Although the pose was strong, the image lacked clarity, so I researched the breed and used careful interpretation to guide the painting. Drawing on years of experience in pet portraiture, I added detail beyond what the photo provided. Each hair was painted with a fine brush, and through layered brushwork, I was able to enhance the realism and bring Kita’s likeness to life.
You can read more about his portrait and how it came together here. 
If you're considering a commission, whether it's a portrait of your pet, a loved one, or a landscape that holds meaning, for a special moment or event, you can explore each option by clicking the images below to learn more about what’s involved.
To request a no-obligation quote or book a portrait, you’re welcome to fill in the form or contact me directly. This Christmas season has been exceptionally hectic with commissions, and I fear I may have taken on more than I could handle. Today, I completed the final commission of the year, feeling rather tired after many early mornings and late nights spent crafting beautiful dog portraits for their loving owners.  This Christmas commission is one I can share since it was presented early, allowing Kita's owner to select the frame for her beloved dogs' memorial portrait. With years of experience in pet portraiture, I was able to incorporate more into the painting than the photograph revealed. Given that Kita's owners had limited photos of him, and considering the exquisite detail that acrylic portraits can achieve, each hair was meticulously painted with a very fine brush to achieve the desired level of detail.
The customer had only a handful of photographs of Kita, having recently lost him, and I was restricted to using photographs taken with flash. Although the reference image captured a good pose, the flash altered his colour and limited important details, so I conducted online research on the breed and applied some artistic interpretation. Although the image was slightly out of focus, I discovered that by intensively working on the fur, I found that I could enhance the details by meticulously refining the fur, resulting in a final portrait that was more lifelike than I had anticipated. The completed painting was set in a black frame called Brockwell.  The progress of Kita's portrait can be viewed here. After finishing the portrait, I applied two layers of satin varnish, framed it with 'Brockwell' moulding, packaged it, and dispatched it to its new home. Upon its arrival, Kita's owner sent me the following message: "I just wanted you to know that I absolutely love my painting of Kita. You have done the most amazing portrait of him, he was my best friend and my little boy. I love him so much and the painting of him has been put up in the living room so we can all admire him everyday!!! Receiving such feedback is always special, and I eagerly wait to hear how my other portraits have been received this Christmas. I would like to take this opportunity to wish everyone a Merry Christmas and a Happy New Year! How to book your own bespoke portrait: For those interested in commissioning a custom portrait of your pet, a loved one, or any other subject, information on the commission process, or to see more examples of my work, click on any of the links below. In addition to acrylics, I also create pieces using coloured pencils and oil pastels. I recently completed this stunning portrait of Willow the Springer Spaniel, as a surprise gift from a husband to his wife for their first wedding anniversary. The reference photo was excellently composed, which made the painting process even more enjoyable.  My acrylic paintings are designed to exude vibrancy and, where possible, texture. For the tennis ball at the forefront of the painting, I incorporated a moulding paste into the paints to replicate the ball's fluffy texture. Similarly, I used the moulding paste to add texture to Willow's fur, creating an intriguing effect when the painting is viewed from various angles.  The image above represents the preliminary phase of the artwork, where I establish the foundational colour tones. At this juncture, the appearance may seem quite chaotic, which can be somewhat disconcerting, particularly for the customer, but it does improve as the image below shows. Observe how the details have been further refined and the contrasts are now also being established.   Fine detail in the face The Ampersand Gessobord's smooth surface is ideal for the fine detail I prefer in my acrylic portraits. This portrait was created on a 22mm Gessobord, designed for frameless displaying. The edges have also been painted edges so it can be displayed without a frame. It has been preserved with multiple coats of Satin Varnish and enhanced with two wall protector feet on the reverse side's lower corners for extra protection.
The beauty of these 22mm board portraits is the flexibility they offer; you can decide to frame them later for a classic look or leave them unframed for a modern aesthetic. Crafting this portrait was a joy, and learning that Willow's owner was delighted with her unexpected gift made it even more rewarding.  Northumberland artist Karen M Berisford with her painting of Willow Karen, I was the lucky one to receive this beautiful painting. I can't tell you what a lovely gift it is, thank you so much for capturing Willow's character so well. I absolutely love it, it's beautiful and one to be treasured for many years to come. Are you looking to commission a custom-made portrait?For those interested in commissioning a custom-made portrait of their pet or another subject, further details are available on the commissions page. Additionally, you are invited to view my collection of pet portraits and the art gallery featuring a variety of subjects. Available mediums for portraits include acrylics, coloured pencils, and oil pastels.
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AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
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Images and text within this website are Copyright of Karen M Berisford 2010 - 2025
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No content should be used, copied or distributed in any way without express consent from Karen M Berisford