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As a coloured pencil artist, I’m always curious about new brands entering the market, as well as popular ranges I’ve yet to explore myself. With so many options available, not every pencil suits the way I work. I rely on materials that support realism, whether I’m building soft transitions, refining anatomical detail, or layering for tonal depth. The pencils I choose have a direct impact on the results I can achieve, so I’m selective about what earns a place in my studio.
Alongside this website, I also run a second one that offers a wide range of articles and tutorials for artists at all levels. In early 2025, I revisited one of the most popular articles on that site: an in-depth comparison of coloured pencil brands. I selected 18 ranges, including Derwent, Caran d’Ache and Prismacolor, and put each one through a series of practical tests to see how they perform in areas like blending, layering and opacity. Rather than relying on manufacturer claims or surface-level reviews, I wanted to see how these pencils behave under scrutiny.
The guide is designed for artists who want clarity when choosing materials, whether you're looking for the brand that offers the most suitable range for building soft transitions, refining detail, or working with complex layering. It’s not about picking a single winner, but about understanding which pencils suit which techniques. I’ve tested both well-known and lesser-known ranges on consistent surfaces, so you can see how they stack up across key criteria. If you're expanding your pencil collection or starting from scratch, this guide offers clear, practical insight from an artist with over 40 years' experience working in coloured pencil and includes the following brands:
You’ll also find links in this article to other content on the Step by Step Art website, including guides, tutorials and resources. It’s a good way to explore what’s available. If you find it useful, feel free to bookmark the site and check back from time to time as new material is added regularly.
Pigmentation and Coverage on Dark Surfaces
One of the first tests looks at pigmentation and coverage on black paper. This reveals how strong each colour appears when applied over a dark base, and how the core texture, whether soft or firm, affects opacity and control. For artists who rely on contrast or work on toned surfaces, this section is especially useful.
Article of interest: If you're looking to improve your coloured pencil technique or want to learn how to build realistic detail on textured paper, the Snow Leopard Eye tutorial walks you through it step by step. Click the image above to give it a go.
How Well Do These Pencils Blend?
The blendability test focuses on how smoothly each pencil transitions between tones. Using a heavyweight paper, I assessed how the core softness influences blending and whether the pencils allow for seamless tonal shifts. If you work with fur, skin, or subtle gradients, this test offers practical insight.
Article of interest: Need help with blending coloured pencils? This article breaks down the products designed to help you achieve smoother blends in your pencil work. Click the image above to read more.
Opacity and Core Strength Under Layered Applications
Opacity and core strength are also examined. I tested how well white pigment holds up when layered over darker tones, and how much smudging occurs during blending. A neutral grey base was used to ensure both light and dark pigments were fairly represented. This section is ideal for artists who need clean transitions or who prefer pencils that resist smudging during fine detail work.
Article of interest: Need practical storage for your coloured pencils? The KX Pencil Rack by Creations by Rod (Kent, UK) offers a smart, space-saving solution. Click the image above to read the article and find out how you can purchase one.
Which Brands Handle Layering Best?
Layering capacity is another key area. I trialled each brand to see how well they perform under multiple applications. Some pencils build beautifully without breaking down, while others struggle to maintain clarity after several layers. If you rely on layering to achieve depth and realism, this test will help you identify which brands support that approach.
Article of interest: Just starting out with coloured pencils? This beginners guide covers the essentials to help you get started. Click the image above to read more.
Finding the Whitest White for High-Contrast Work
The Whitest White test stands out for good reason. I used a black 300gsm paper to see which pencils produce the strongest results without any adjustments. What you see is exactly what the pencil puts down. The contrast is deliberately low to show how each one performs in real use. If you rely on white for highlights, fur texture or sharp accents, this section is worth a look.
Article of interest: With the right approach, even low-cost, unbranded pencils can produce strong results, especially when paired with the brightest white. The WHSmith colouring pencil article shows how. Click the image above to read more.
Click the image below to go to the full Comparing Coloured Pencils article. It covers the results in detail, showing how each pencil performed across the tests. If you're weighing up options or just curious to see how your favourites held up, it's worth a look.
Click through to read the article
As you read through, you’ll find links to individual articles for each pencil brand, so you can explore further a particular range catches your interest. It’s about finding the pencils that suit your way of working, ones that deliver when you need quality and strong, reliable colour. The resource will keep expanding as more brands are added, so feel free to bookmark it and check back now and then.
You can also visit the main pages on the www.stepbystepart.co.uk website, by clicking any of the images below. 
Do you have a go-to pencil for blending or layering?
Or maybe a favourite that’s not on the list? What makes your favourite brand stand out from the rest? Feel free to share your thoughts, questions or favourites in the comments below.
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In this article, I am pleased to share my latest artworks. Three new acrylic paintings, which include a touching moment of a father embracing his son on his wedding day, a young girl named Lois riding her grey horse Vinnie, and Lois's sweet little black Cockapoochon. Additionally, I unveil my latest coloured pencil portraits, featuring a Golden Retriever surrounded by vibrant pink Hydrangeas, and two Boxer dogs that complement last Christmas's portraits. Each piece is crafted with meticulous attention to detail to capture the essence and personality of the subjects and each one was commissioned for friends and family members for various special occasions, including Christmas. Discover the inspiration behind each unique creation and watch how these portraits were brought to life through the time-lapse videos. For those interested in commissioning a personal portrait, more information can be found on my Commissions page. Jimmy & Craig - Portrait in AcrylicsGifted by Daniel to a friend after the recent loss of his father Daniel made a formal request for an acrylic painting measuring 12" by 16", depicting a heartfelt moment of a friend embracing his father during his wedding ceremony. This artwork was commissioned as a thoughtful gift to commemorate his friend's birthday in December. Daniel's initial request is detailed below: " I am considering getting a portrait commissioned (30x40 acrylic) on behalf of my friend whose father has recently passed. The picture I have is taken indoors, although well lit, when his father surprised us all by making it to his wedding day despite being critically ill. It was a pivotal moment in his life and I would love it captured by yourself and I think it would help him through the grieving process. "  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Portraiture is among my favourite subjects to create. As an artist, I find inspiration in challenges, and I consider portraits to be particularly demanding. While the majority of my work focuses on pets, I greatly appreciate the opportunity to diversify my portfolio when clients inquire about portrait commissions. Although I generally refrain from incorporating text into my paintings, I recognised the significance of this phrase to the recipient. As a result, I was able to integrate it in a way that maintains both cohesiveness and visual appeal.  'Jimmy & Craig' Below are two time-lapse videos that highlight two key stages of the painting process. The first video illustrates the detailing of the jackets, while the second video focuses on the completion of the face and head. Although the videos are brief, they each represent around 2 hours of work.
" Hi Karen, I have reviewed the painting and it's exactly how you promised it would be. I'm sure he'll love it." Daniel Merseyside, UK If you’d like to dive deeper into the process, feel free to visit the dedicated page for Jimmy & Craig’s portrait, where I share my personal insights and an in-depth overview. Two Acrylic Paintings of a Young Girl and her Horse plus her Cockapoochon dogGifted by Joan to her great-grand-daughter Lois The two portraits displayed below were commissioned by my lovely neighbour, Joan, as a thoughtful gift for her great-granddaughter, Lois, who is 13 years old. Initially, the request included Tux being featured in the portrait with Lois and her horse; however, it was ultimately decided to create two separate paintings.  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Both of these portraits were developed from physical photographs, which presents a greater challenge compared to digital images due to limited editing capabilities. While it is possible to adjust brightness and contrast in the scanned photo, extracting additional detail as one would with a digital file is not feasible, which added complexity to the process. Additionally, I designed a new background, as the original photo lacked visual appeal.  In this case, the original image presented a concrete road, a few sparse trees, and a dreary overcast sky, which inspired me to explore ways to improve the scene. By transforming the background with lush greenery and a brighter sky, I turned a rather mundane setting into a more visually appealing landscape.  For Tux's portrait, the 8" x 10" size was most appropriate. However, the reference photo was relatively small and lacked detail in several key areas. Since I only had the single photo to work from, I had to rely on online images of black Cockapoo dogs to enhance my understanding of the details in the eyes and to help differentiate the fur on the face, forehead, and ears. While this approach carries some risk of deviating from Tux's actual appearance, it was the only viable option.  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Both portraits were presented in matching silver-gold frames. I experimented with several ornate frames available in my studio; however, I realised that they did not enhance the paintings as intended and, in fact, detracted from their overall impact. Consequently, a simpler molding was more effective in this case. For further information regarding these paintings, please visit the dedicated page for Lois, Vinnie, and Tux, where I provide an in-depth overview of the process. A Coloured Pencil Memorial Drawing of Elsa, the Golden RetrieverIn memory of Elsa - October 2024 This was gifted from Melvin and Kay to two dear friends in honour of their cherished Golden Retriever (and ex guide dog), Elsa, who recently passed away. Due to the nature of this presentation as a surprise gift for the two recipients, the commissioner was only able to supply a limited selection of photos of Elsa. Although the available details were minimal, I was able to create a new composition based on one of the photos, featuring Elsa in a recognisable area of the garden, positioned beneath the Hydrangea bush with a tennis ball in front of her. " We are looking to place a commission for a portrait of a dog and we are very impressed with your body of work. The subject doesn’t belong to us but is very dear to us. The dog is named Elsa and she is a retired guide dog and she lives with two very special friends of ours. Very sadly, Elsa is coming to the end of her life and we are hoping a portrait will give our friends a lasting memory of Elsa."  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Elsa frequently found comfort beneath the hydrangea bush, highlighting the importance of creating a composition that would serve as a lasting tribute to her in her favourite spot in the garden. The portrait was developed using two distinct images, as the client was unable to provide a suitable photo of her in a lying position. I combined a photograph of Elsa's head with an image of the body from a different Golden Retriever to achieve a realistic representation of the desired pose. Additionally, I used other photographs of Elsa to ensure that the colouration accurately reflected her likeness, while also omitting any white hairs typical of her youthful age of eight years, in accordance with the client's request.  As you might expect, the most time-consuming aspect of the portrait was meticulously crafting the leaves and petals of the flowers. I found myself consistently underestimating the amount of time this intricate detail required, often losing track of how many hours I dedicated to perfecting the background detail. To give you a sense of the labour involved, I’ve included a couple of time-lapse videos. These clips capture the painstaking process and reveal the hours of effort that went into each stage of the artwork, with each video spanning approximately two and a half to three hours of my work. As previously mentioned, I have a deep passion for tackling challenges, and I found immense satisfaction in the process.
" We cannot thank you enough for the amazing portrait you have produced and we are in awe of your artistic skill. It is a beautiful composition and it truly encapsulates Elsa in a very typical pose we have all witnessed many times." Melvin & Kay West Midlands, UK Maggot the Boxer dog in Coloured PencilsLast year, Jet commissioned coloured pencil portraits of her Boxer dogs. However, two additional Boxer dogs belonging to Jet and her friend Mark had not reached maturity at that time. To ensure their portraits could be displayed alongside the previously commissioned pieces, Jet decided it would be prudent to wait an extra year. Maggot is Jet's third Boxer dog, joining her other two, Carrot and Fungus. The framed examples are presented as a simulation for display purposes, but have yet to be framed. The portraits of all three dogs together are also showcased further down the page.  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Although the reference photograph was of exceptional detail, I used an additional reference image to make adjustments to the left ear, which was protruding and could potentially disrupt the balance of the overall presentation. It is uncommon for me to produce a portrait based solely on a single photograph; typically, I incorporate a combination of elements from multiple images to achieve the desired outcome. During certain periods in my creative process, I capture time-lapse recordings that provide viewers with an insight into the methodology behind my portrait creation. This video features a series of time-lapse recordings captured during key stages of my creative process, offering a detailed look at how my coloured pencil portraits are developed. Using Maggot as the subject, it illustrates the techniques and structure behind my approach to lifelike portraiture.  The image above was taken during the final stages of completing Maggot's portrait. This process involved the meticulous addition of whiskers and final adjustments to ensure the artwork’s completion. At this stage, I proceed to sign the portrait, followed by the application of two to three layers of fixative spray to provide enhanced protection for the finished piece.  This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app. The three portraits are showcased here through a simulation application that allows you to visualise how they may appear when framed and displayed together. To ensure consistency in size among the portraits, particularly since two of them were completed a year ago, I always maintain a printed reference image that allows me to accurately evaluate and align the dimensions of any subsequent portraits. Rooster the Boxer dog in Coloured PencilsThis Christmas, my friend Jet commissioned a second portrait as a gift for her friend Mark. This piece features Mark's now-matured male Boxer dog, Rooster, and is designed to complement the previously commissioned portrait of his brindle Boxer, Watson, which was created last year. The framed examples presented are simulations for display purposes, as the actual portraits have yet to be framed. Additionally, further down the page, both portraits of the dogs are showcased together.  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Throughout various stages of my creative process, I capture time-lapse recordings that give viewers a deeper understanding of the techniques involved in my portrait creation. The two videos featured here, though they are only a few seconds long, encapsulate a considerable amount of time and effort; each represents approximately 2 to 3 hours of meticulous work. These recordings serve not only to showcase the final product but also to highlight the intricate steps taken and the evolution of the artwork from initial concept to completion.
I began my first commission in July, and as I received more requests, I effectively adapted my schedule, working on each project every other day. This approach allowed me to prioritise those with upcoming deadlines and ensure timely completion. I coordinated the ordering of acrylic paintings and their frames at the same time as starting each portrait, which proved to be a smart strategy for ensuring everything was ready for the final varnishing.  By mid-November, I was fully booked, leaving no room for additional commissions until Jet reached out to me with a photo of Rooster at the end of November. Drawing from my experience in creating Boxer dog illustrations, I was able to efficiently integrate this new project into my workflow and remarkably finished it in just eight days! The constrained timeframe presented an intriguing challenge, leading to the surprising realisation that I was able to complete a large 10" x 12" coloured pencil portrait in a remarkably short period. Typically, I would not work at such a pace for a piece of this size, making this experience a notable exception.  This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app. If you are interested in commissioning a lifelike, custom-made coloured pencil portrait or an acrylic painting of your pet, a loved one, or any other subject, you can find out more on my commissions page or contact me via email at: [email protected] to discuss your ideas for the portrait. Additionally, I offer oil pastel portraits for those seeking a more expressive interpretation of your chosen subject. Welcome to my latest blog post, where I document the progress of another of my coloured pencil drawing of a Boxer dog called Rooster. This blog showcases the process I use to create my lifelike pencil portrait of a Boxer dog, from the early stages to completion. I always begin my portrait process by meticulously rendering the eyes, as they are crucial for capturing the subject's unique personality and lifelike expression. From there, I move on to the nose, the progressively work outwards, building the portrait through a series of carefully applied layers of colour. My focus at this stage is on creating realistic depth and dimension. Each subsequent layer is precisely added to achieve the desired texture and tone, with particular attention paid to intricate details like Rooster's distinctive markings and individual strands of fur.  Capturing the Boxer's Unique CharacterAs I begin to build up the layers, I employ a diverse palette of colours to meticulously sculpt the distinctive creases and contours of a Boxer's facial features. This intricate layering is essential for rendering their unique facial structure with accuracy and depth. One of the most enjoyable aspects of portraying a Boxer is creating the mouth. The significant definition around this area is crucial, as it profoundly contributes to revealing the true character and expression of the dog. With years of experience and numerous Boxer portraits under my belt, these techniques have become second nature, allowing me to fully capture each personality.  My Artistic Process in MotionI enjoy recording time-lapse videos during my creative process; they effectively demonstrate how my coloured pencil drawings come to life. While seemingly brief, the two videos below condense just over three hours of drawing time, offering a comprehensive look at the intricate layering involved. My process typically begins with the eyes. This has become both an ingrained habit and a strategic choice developed over 40 years of working with coloured pencils. This initial focus allows for precision from the outset, making the rest of the portrait much easier to complete.
Crafting with Coloured Pencil: My Preferred Brands:I create my coloured pencil portraits using a carefully curated selection of lightfast pencils, predominantly Caran d'A'che Luminance, alongside Derwent's Lightfast, Coloursoft, and Drawing ranges. These are layered onto Bockingford hot-pressed paper, a high-quality, heavyweight British-made support specifically chosen for its capacity to handle numerous layers of pigment. This unique combination allows me to achieve the high level of detail you see in my art. Curious about how Caran d'Ache Luminance pencils contribute to the intricate detail in my work? Read the full article on my other website, www.stepbystepart.com. This is a website by artists, for artists, with articles, guides, hints and tips plus tutorials, aimed at artists of all calibre.  Thanks for reading! If you're looking for a unique and personal piece of art, I create custom, lifelike portraits in both coloured pencil and acrylics, perfect for capturing the spirit of your pet, a loved one, or any other significant subject. Discover more about the commissioning process on my Commissions page, request a quote, or feel free to reach out directly via email to share your vision. For a more expressive artistic approach, consider my oil pastel portraits. Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer24/11/2024 
This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process.
Planning the Composition for a Coloured Pencil DrawingJet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process. It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality. 
The early stages of the layering process with more layers yet to add.
As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas.
Techniques & Colour PaletteBoth images above demonstrate the layering technique that I use in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others.
The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications.
Time-lapse video showing the creation of Maggot
Time-lapse videos serve as an effective means to illustrate the process involved in the creation of my coloured pencil portraits. Although these videos condense several hours of work into just a few seconds, they provide a clear view of the artistic journey.
At this stage, I am merely applying colours and providing some definition; however, I will return to these areas for further refinement, typically by adding highlights to eliminate the visibility of the paper grain, thereby enhancing the appearance to be more realistic and soft, akin fur.
After an additional two and a half hours, the fur appears shiny and more defined. Significantly, it now resembles actual fur in terms of realism.
If you're considering a unique, hand-drawn portrait created with coloured pencils, I'd love to hear from you! To learn more about commissioning your own portrait, please click on any of the links below. You'll find detailed information about the process, pricing, and what to expect.
I also offer acrylic paintings, which offer vibrant, bold colours and dynamic textures for a painterly finish, providing a distinct alternative to the detailed precision of coloured pencils. You can discover more about them in my acrylics gallery. There's absolutely no obligation to book, so why not drop me a line with your query? Simply email me at: [email protected] 
For an artist, there is always a high level of excitement that comes with unwrapping a package filled with freshly acquired art supplies. However, the opportunity to receive a package containing coloured pencils from a discontinued line dating back to 2005 dwindles with each passing year, making it increasingly unlikely to acquire such coveted items.
Fortunately, auction sites like eBay occasionally list Berol Karismacolor pencils, and I was extremely fortunate to discover a couple of sellers who are currently selling off stock from a craft supply clearance, allowing me to acquire some brand new stock. It was quite a surprise to discover some of the rarer colours in the collection as well. Pencils, both coded and non-coded, plus some discontinued colours can be found through these sellers. Links can be found in the article link at the bottom of this page.
What are Karismacolor pencils?Karismacolor pencils were the European counterpart to the widely favoured Prismacolor Premier pencils. The original Prismacolor pencils debuted in 1938, while Karismacolor emerged in the late 1980s in England. In 1995, ownership of the company transferred and production shifted to the USA. The emergence of new European pencil brands likely contributed to the dwindling sales of Karismacolor pencils, and coupled with elevated shipping costs, led to their discontinuation in 2005. 
The Karismacolor pencils were originally offered in 72 colours, with each pencil prominently showcasing the designated colour name on the barrel. Over time, the colour palette expanded, and colour codes were introduced to align with the Prismacolor range. Throughout the production period, a total of 129 colours were created, but due to discontinuations, the largest available set consisted of 108 colours.
Can you still buy the Berol Karismacolor pencils?Should you wish to acquire some of these pencils, the links that direct to the sellers of the Karismacolor pencils can be found below. I have written a comprehensive article about these pencils, which can be accessed on my Step by Step Art website by clicking this link.
Please be aware that I am not affiliated with these sellers. I am aware of the challenges in finding these pencils, and having had a positive buying experience myself, I wanted to pass on this information to others.
If you have fond memories of the Berol Karismacolor pencils, please leave me a comment below. I would love to hear from you! I’ve recently completed a commissioned portrait of Dougal, a Red Fox Labrador, and I’m delighted with the result. Pet portraits are the cornerstone of my work, and this particular piece was commissioned by a returning client who wanted to give a thoughtful birthday gift to a family member. As with every commission, I approached Dougal’s portrait with care and attention to detail, working to reflect not only his physical markings but the personality that shines through them. It’s always a privilege to be entrusted with such a task, knowing how much these portraits mean to the families who request them.  The primary reference photograph provided had a strong composition, with Dougal looking every inch the proud Labrador, but it lacked natural colour and detail. Fortunately, the client supplied additional photographs, which proved invaluable for teasing out the finer details, such as the warmth in Dougal’s eyes and the rich, russet hues of his coat. I chose to omit the leash from the final portrait, as it distracted from his presence and added little to the overall effect. Living in Northumberland, Labradors are a common sight, and as the owner of two myself, I regularly see Red Fox Labradors while walking my dogs. Their distinctive reddish coats are a hallmark of the breed, and this familiarity helped me ensure Dougal’s portrait was authentic. The original photograph’s unnatural hue required careful adjustment to reflect the true vibrancy of his colouring. To ensure accuracy, I supplemented this with online research, studying images of other Red Fox Labradors to capture the breed’s unique characteristics.  For me, a pet portrait is never just a copy of a photograph, it’s a study in character. Capturing the essence of a Labrador means honouring that quiet loyalty, gentle warmth, and the subtle expressions that make them such cherished companions. This particular commission was a genuine pleasure to undertake, from the initial reference selection to the final pencil strokes. I aimed to reflect not only the physical likeness but the personality so well known and loved by the family and I hope the portrait brings joy to the recipient for many years to come. Not long after delivery, I received this thoughtful testimonial from the client:
Accompanying the testimonial is Dougal’s portrait, expertly framed by a local artisan in a style that matches the earlier portraits of Seamus and Rua, Dougal’s sister. While I do not provide framing as part of my pencil portrait service due to the potential risk of damage during transit, it is always gratifying to see the finished artwork beautifully presented and ready to be cherished in its new home. It’s always lovely to receive feedback from clients. Every commission is created with care, and it’s impossible not to become attached to the pet you're portraying. You know you’ll likely never meet them in person, yet after hours spent studying their features, every tiny marking and (im)perfection, you could pick them out in a crowd.  The photograph above shows all three Labrador portraits I created for Mike and his family. The top two feature Rua and Seamus, completed last year as a birthday gift for Mike’s father. Although each was drawn independently from individual reference images, it’s rewarding to see them displayed together as a complete trio. If you're interested in commissioning a pet portrait, the image links below will take you to the relevant pages. Each section offers a different route, whether you're browsing more of my work, exploring portrait options, or wish to request a quote or make a booking, or get in touch direct. Creating Realistic Pet Portraits: Dougal A Red Fox Labrador in Coloured Pencils - Private Commission4/3/2022 The latest commission on the easel is this stunning Red Fox Labrador called Dougal. For this 10" x 12" drawing of Dougal, I am using the lightfast coloured pencils, Caran d'Ache Luminance on Strathmore Bristol Vellum paper.  I create my drawings using a layering process, which help to create the depth and realism that can be seen in all my work. This process starts from the lighter tones and builds up to heavy and bold applications. The realism is created at the end, when I use both light and dark tones to manipulate the layers and create the final pieces you see within the pages of my website.  Creating a drawing like this can take many hours and to ensure I stay fully focused on each piece, I work on other drawings and paintings in between sessions. The length of time it takes to create a portrait depends entirely on the complexity of the composition, but a 4 - 6 week timescale is normal, unless a specific timeframe is requested.  This is the current stage of Dougal's portrait. There is still much to do on the colouration, but you can see how soft his fur now looks from the first post above, after numerous layers have been applied. You can view Dougal's progress page HERE. I also completed a portrait of a Red Fox Labrador last year. This is Rua, who is Dougal's sister. You can view her portrait HERE. Interested in commissioning a portrait? Browse the galleries below for details and examples of my work, or request a no-obligation quote. You can also get in touch direct through my Contact page. I was recently commissioned to create a stunning coloured pencil drawing of an English Bulldog for a client. This client, Carol, had previously asked me to create two beautiful portraits of her beloved pets: a red English Bulldog named Buster and a white English Bulldog named Reggie. Now, she has another adorable Bulldog named Rufus, and she wanted a third portrait to join the collection, creating a lovely trio of coloured pencil portraits to display in her home.  Prior to working on the portraits of Buster and Reggie, I had not had the opportunity to create a pet portrait of an English Bulldog. Their unique character is truly remarkable, with the distinctive wrinkles and folds in their faces that are somewhat reminiscent of those of the Boxer dog. Having completed over 40 portraits of the Boxer dog breed, I have always thoroughly enjoyed the creative process for each one. My extensive experience in creating Boxer dog portraits, coupled with the excellent reference photograph provided, greatly simplified the process.  The realism of my coloured pencil portraits is greatly influenced by the quality of the photographs provided. High-resolution images enable me to capture even the minutest details by zooming in. Working from subjects photographed in natural light is significantly easier, as it eliminates the need to interpret details lost to overexposure or distortion from artificial lighting conditions. The precision of my pencil work will reveal the areas in the photograph that may lack essential detail, which can lead to a less refined portrait. With more than 35 years of experience in working with coloured pencils, I gravitate towards high realism because I relish the challenge it presents.  If you're considering commissioning a custom pet portrait of your English Bulldog or another breed, I will provide useful links for you to learn more about the process before contacting me. You're welcome to reach out directly as your initial inquiry, but if you're just looking to gather information before deciding, feel free to explore my pencil gallery and/or pet portraits gallery to view the range of portraits I've crafted over the years. In addition to Coloured Pencils, I also work with Acrylics and Oil Pastels, each providing unique finishes. You can visit each gallery by clicking on the provided links below. JETSON Newfoundland Pup Coloured Pencil Portrait PORTRAIT COMPLETED: November 2018 Portrait size: 11" x 14" I was recently contacted by a client named Mel, who was asked by a close friend to facilitate the creation of a pencil portrait of their nine-month-old Newfoundland puppy, Jetson, as a Christmas gift from husband to wife. Mel kindly provided several photographs of Jetson, allowing me to select the most suitable reference image. One particular photo prominently featured a charming detail of Jetson with his tongue playfully sticking out, which I felt would make an excellent choice for the portrait.
Photographing dogs with dark fur can present significant challenges, primarily due to issues related to contrast. Often, the shadows lack detail, and overexposure can occur when adjustments are made to enhance the image. However, utilising a high-resolution digital image proved to be highly beneficial in overcoming these issues. As a result, I used several photographs to guarantee that the portrait I created had the proper balance of highlights and contrasts. I utilise Caran d'Ache Luminance coloured pencils for all my pencil portraits. Employing professional-grade pencils is crucial due to their high pigmentation, which enables effective layering. This technique enables me to overlay highlights on darker base tones, which helps maintain accurate perspectives, especially in compositions that feature extensive dark pigmentation.  " Aww Karen... You wonderful, lovely girl. He’s gorgeous. Must confess, might have shed a little tear... THANK YOU SO SO much " Should you consider commissioning a portrait, whatever the subject may be, you can find out more by clicking any of the links below or drop me an email at: [email protected] I provide three mediums: Coloured Pencils, Acrylics, and Oil Pastels, each offering a distinctive finish.
In this article, I am pleased to share my latest commissions, completed as gifts for Christmas. Four new acrylic paintings, which include a double portrait of two mixed breed dogs, a Chow Chow dog, a boxer dog and a Cocker Spaniel. Additionally, I also had three coloured pencil commissions, featuring a Boxer dog and two individual portraits gifted by a mother to her two children of a Cocker Spaniel and a Tabby cat.
In 2017, I started receiving Christmas orders as early as September, which kept me busy throughout the entire season. Since my work is highly detailed, I can only take on a limited number of portraits in the lead-up to Christmas. Beginning in mid-October, I needed to dedicate 10 to 12 hours each day to ensure I could complete all the portraits on time. To navigate this intense workload and ensure that each portrait was completed on schedule, I had to organise a daily schedule, to manage my workload effectively.
Early December marks the final varnish before this portrait travels to the USA.
Given that some of the orders originated from overseas, it was imperative to ensure that the portraits were finished promptly, as the shipping process typically takes between 5 to 7 working days. Additionally, I needed to proactively arrange for the frames well ahead of time, particularly considering the surge in demand that framers often face during the holiday season. This careful planning would help guarantee that each piece arrive in time for Christmas.
My objective was to complete all outstanding orders one week ahead of my trip back to Chesterfield, where I could enjoy quality time with my family. Despite the challenges of this busy period, I found myself needing to work late into the night before my departure, ensuring that everything completed. Star - Acrylic Painting of a Chow Chow dogCommissioned as a Christmas gift for the client's parents, this portrait of their Chow Chow was created with careful attention to detail. Executed in acrylic on a 16" x 20" canvas, the composition features a scenic background thoughtfully selected to complement the Chow's unique colouring without detracting from the focal subject. The portrait provided an opportunity to engage with texture and tonal layering, particularly in capturing the complexity of the coat. It was a time-intensive process, but one that allowed for a more nuanced and considered result, both technically and emotionally. 
The completed acrylic portrait, shown in a simulated frame created with Artstage to visualise presentation.
This portrait was commissioned by a lady from Chesterfield, where I am originally from. As I planned to return to Chesterfield for the Christmas holiday, it was arranged for her to collect the painting at the Chesterfield train station. The portrait of Star the Chow Chow was carefully transported in my suitcase, ensuring its safety during a six-hour journey. Upon our meeting, Rachel thoughtfully presented me with a beautiful bouquet of flowers, which added a lovely touch to our exchange.
For those interested in how this portrait of Star the Chow Chow came together, you can follow the full progression on his dedicated page. It offers a closer look at the layering process, and the techniques used to bring his painting to life.
Ben - Acrylic Painting of a Cocker SpanielThis Christmas commission was arranged by an aunt as a gift for her niece. Kathleen, the client, was only able to provide a couple of printed photographs rather than high-resolution digital images. While I generally advise against working from physical prints due to the lack of fine detail, I asked her to send what she had. I scanned them carefully and, using supplementary references of Cocker Spaniels sourced online, was able to gather the key anatomical and tonal information needed to build an accurate portrait. 
Ben the Cocker Spaniel, shown in the completed acrylic portrait with the chosen teak frame, previewed in a simulated display setting.
One of the photographs captured an ideal pose, though the colour and image quality was less than perfect. Nevertheless, I worked diligently to enhance the image, keeping the client informed throughout the process via a dedicated webpage where she could monitor progress and request adjustments. We selected a vibrant landscape background that beautifully complemented the dog, and the client chose a teak-coloured frame to complete the painting, resulting in a polished and meaningful gift.
" Portrait arrived safely and I am delighted with it. The likeness is amazing and I know my niece is going to love it. Here's wishing you a very Happy Christmas and a peaceful and healthy New Year! "
If you’d like to learn more about how this portrait of Ben developed, from initial reference to final brushwork, you can view the full process here.
BuBu - A Coloured Pencil Drawing of a Boxer dogJoanne commissioned this portrait of BuBu as a Christmas gift for her husband, following the recent loss of their much-loved Boxer. The chosen 12" x 12" format allowed for greater precision and offered space to include a scenic background, a park they had often walked in together. It was important that the composition felt personal and accurate, not just visually pleasing. 
Before the drawing could begin, the first task was to build a reference image that reflected BuBu’s natural proportions. The most suitable photo had been taken indoors, with uneven lighting and an ear position that didn’t reflect his usual stance. Several adjustments were made to correct these issues, combining elements from the original photo with anatomical reference to ensure the final portrait felt true to him.
" Just wanted to let you know that I absolutely love BuBu. He has now gone for framing and I will send a picture to you when I get him back next week. Once Christmas is over and Shane has received the gift, you are more than welcome to Bu's progress and final image online. It is just amazing. "
Joanne later shared a photo of BuBu’s portrait after it had been framed. She selected an ivory mount paired with a slim white frame, choices that kept the focus on BuBu and complemented the artwork without distraction.
To see more images and read about how the portrait came together, you can visit BuBu's blog here. Tank - An Acrylic Painting of a Boxer dogDavid discovered my work through mutual friends and contacted me to create a portrait of his dog, Tank. He shared several reference photos, but one stood out as ideal. The digital format allowed me to zoom in and capture fine details with clarity, and because it was taken in natural daylight, it accurately reflected Tank’s colouring. With this image, no further references were needed to achieve the level of realism and tonal accuracy required. 
For head and shoulder portraits like Tank’s, 9" x 12" is a popular format. It provides enough space to capture fine detail while keeping the composition focused. Although I had access to multiple images, the final result depended on the strength of the chosen reference. A well-lit, high-resolution photo makes all the difference. I always recommend providing a range of images and selecting the most suitable one to ensure the best possible outcome.
" Hello Karen, I just received the painting, it is absolutely beautiful. It arrived unscathed, and thank you so much, this will be hung on my wall, with great pride. You have a god given talent, that is heartfelt. You make a lot of people happy, so we can keep our beautiful babies forever in our hearts and we can see them every day and give us a smile. Chaz & Lucy - An Acrylic Painting of two mixed breed dogsA lady contacted me about a Christmas portrait of her sister’s two dogs, Chaz and Lucy, both of whom had sadly passed away. With only a few reference photos available, it was difficult to gather enough detail to meet my usual standards. Luckily, I was able to create an ideal composition that honours their memory and offers a heartfelt tribute to these much-loved companions. 
To paint Lucy, the larger dog, I combined two photos, one for the body and one for the head. This method can work well, but it depends heavily on the clarity of the images. When references are limited or unclear, it becomes harder to ensure accuracy. Including the customer in the process helps guide decisions and improves the final result.
Taz & Benny - Two Coloured Pencil Drawings of a Tabby Cat and a Black Cocker SpanielI was recently contacted by a client named Pat, who was looking to commission two small pencil portraits as Christmas gifts for their son and daughter, one of a dog named Benny and one of a cat named Taz. The requested size was 8" x 10", though she was open to advice, especially for Taz’s portrait. Due to the composition, it was decided that a 7" x 11" would fit better. 
Pat had limited reference photos and wasn’t sure if they would be suitable. For Benny, a head and shoulders pose was preferred, showing him as he often appeared, wet from swimming, with a slight brown tinge likely caused by sunlight on his black coat. For Taz, she favoured a full-body image and included an extra photo in case it better showed his eye colour. She were open to guidance throughout to ensure the portraits captured each pet accurately.
"Just received the portraits. They are stunning and so lifelike. I've just left them to be framed and they will be ready for Christmas. Thanks again, you are so talented."
Once I completed all the Christmas commissions, I took a well-deserved break to recharge. Now, I'm back in the studio, creating new articles for my Step by Step Art website. There are numerous tasks to accomplish behind the scenes. If you're interested in booking a personalised commission or are an artist searching for helpful articles, and mini-tutorials, click on the links below to visit my website.
Here's hoping 2018 is a wonderful year for you! Karen
This Christmas, I was inundated with commissions. I had to complete five within six weeks, presenting a significant challenge. Typically, a single portrait takes three to five weeks, so this period was exceptionally hectic. Nevertheless, all commissions were finished and dispatched to customers well within the deadline. Below, I have provided the details of each commission, the final portraits, and the accompanying customer testimonials.
Discover three bespoke commissions: two vibrant Springer Spaniels in acrylics and a heartwarming triple portrait featuring a couple and their adorable French Bulldog, meticulously rendered in coloured pencils. Buddy - Springer Spaniel Portrait in AcrylicsThe client, Esther, commissioned a portrait of her Springer Spaniel, Buddy, as a Christmas gift for her husband, Steve. She selected a favourite photo, and I created several mock-ups for her to choose from. The final reference was a composite of five images, body, head, tail, background, and flowers, all merged to form a cohesive scene. Balancing lighting across these sources was challenging, but the high-quality photos provided enough detail to achieve a natural, unified result. 
The grass alone took the most time, with each blade applied in three layers to build depth. The chosen size allowed for a full-body portrait, which gave the piece its intended impact. For commissions with scenic backgrounds, I begin by painting the landscape in detail, then refine the areas where subject and setting meet. In Buddy’s portrait, I aimed for a richly textured foreground with a softly blurred background to draw focus to the subject.
You can discover more about the process of Buddy's portrait here.
"I'm sitting looking at Buddy in pride of place on the wall, photo attached! It is absolutely lovely and it had the desired effect on Steve when he unwrapped - there were tears!! Everyone that has seen it has said how amazing it is with the amount of fine detail and so Buddy. If I manage to get a decent photo of Buddy next to it I will send it on! Thank you once again, it is lovely to have a painting of Buddy forever." Dudley - Springer Spaniel Portrait in AcrylicsThe client, Andrea, commissioned a portrait of Dudley as a Christmas gift for her mother. Although they provided a favourite photo, it was too small and pixelated to support the level of detail required. However, she was able to provide additional images which was taken in natural light, which allowed me to accurately capture Dudley's distinctive features, rich brown tones, and subtle markings. These references were essential in achieving a realistic and characterful result. 
The early stages of an acrylic painting often appear chaotic. Acrylics dry quickly, which can be challenging at first, but with experience and control, this quality becomes an advantage. I find their fast drying time ideal for building detail with precision, allowing me to work efficiently and layer complex textures without delay. In Dudley's portrait, I spent particular care on the blades of grass, layering them to ensure the sunlight fell naturally and enhanced the warmth of the scene.
To learn more about how Dudley’s portrait came together, visit his page here.
"Just wanted to let you know that mum loves her portrait and we all cried our eyes out when we first saw it. What you've done is so special and we couldn't have asked for a better painting to remember him by. It captures his brilliant personality so well. I'll definitely be recommending you to my spaniel loving friends! Diarmid, Max & Kyla - A Couple and their French Bulldog Drawing in Coloured PencilsDiarmid kindly sent over a lovely reference photo featuring himself, his partner Max, and their charming French Bulldog, Kyla, captured during a visit to Pennan in Aberdeenshire. They were standing in front of the iconic red telephone box made famous by the film Local Hero, a well-known landmark that adds a touch of cinematic history to the village. While the phone box itself was a strong compositional element, the remainder of the background offered little visual value, so we agreed to simplify the setting. To retain a sense of place without distraction, I inscribed ‘Pennan’ discreetly in the corner of the finished portrait, a subtle nod to the location that keeps the focus on the trio’s character and connection. 
The original image, taken on a mobile phone, lacked clarity in some of the finer details, particularly around facial features and Kyla’s expression. Fortunately, the precision afforded by coloured pencils allowed me to restore the sharpness and bring out the individuality of each subject with care. I thoroughly enjoyed working on this piece, it was a pleasure to create such a meaningful moment into a highly realistic portrait. I always welcome a challenge, especially when it involves capturing the warmth and personality of both people and pets in a way that feels true to life.
"Hi Karen , Hope you had a lovely Christmas. Wanted to drop you a note to say that Max absolutely loved the portrait! She couldn't believe how well you'd captured the detail from the photo and was thrilled to pieces! We've already recommended you to friends and family and am sure we'll use your amazing skills again in the the future. Have a great New Year!! Diarmid" Pyppa & William - Bearded Collies in Coloured pencilsThis portrait was commissioned by my friend Jet as a Christmas gift for her mum, Ann. At 11" x 17", it was a custom size chosen to accommodate a double portrait of her two Bearded Collies, Pyppa & William. Given the density and length of their coats, along with the need for anatomical accuracy, a larger format was essential to preserve detail and proportion. 
For every portrait I create, I retain a printed outline of the composition. If a client later requests a second piece to match an earlier one, I can use that outline to ensure the sizing and layout remain consistent. This portrait was designed to match a second portrait of Ann’s two dogs, 8 years apart, created after she lost Pyppa and William. The two portraits are shown below in a virtual room setting created using the ArtStage app.
Kita - Akita dog in Acrylics
This Christmas commission was created from very limited reference material. Most of the photos were taken with flash, which distorted the colour and obscured finer details. Although the pose was strong, the image lacked clarity, so I researched the breed and used careful interpretation to guide the painting. Drawing on years of experience in pet portraiture, I added detail beyond what the photo provided. Each hair was painted with a fine brush, and through layered brushwork, I was able to enhance the realism and bring Kita’s likeness to life.
You can read more about his portrait and how it came together here. 
If you're considering a commission, whether it's a portrait of your pet, a loved one, or a landscape that holds meaning, for a special moment or event, you can explore each option by clicking the images below to learn more about what’s involved.
To request a no-obligation quote or book a portrait, you’re welcome to fill in the form or contact me directly. The editor of 'Colored Pencil Magazine' approached me to write an article about my involvement with 'Paws For Charity'* over the past three years. I enthusiastically embraced the opportunity, which culminated in an extensive four-page article. It encompasses a segment detailing my identity as an artist, provides valuable tips and product recommendations, and presents a detailed, step-by-step guide on crafting a Snow Leopard eye. *Paws For Charity is no longer operational.  I wanted to share some insights from the article that could offer valuable content, guidance, and practical advice, which may be beneficial to coloured pencil artists, particularly those who are just beginning their creative journey. Throughout my life, art has been my passion and driving force. In 2011, I embraced this calling fully, establishing myself as a self-employed professional artist and art tutor. I originated from Chesterfield in the UK, which is situated close to the Peak District in Derbyshire. In May 2015, I relocated to Newbiggin by the Sea, Northumberland, to join my partner and fellow artist, John Graham.  Both being artists, John transformed the spare room into a studio, providing ample space for me to work and create freely. Additionally, it provides the essential storage for my extensive collection of art supplies. I dedicate a significant portion of my time to creating custom made portraits for clients both in the UK and internationally, in addition to running art workshops that focus on a range of mediums, but primarily coloured pencils.  Bluebell woods acrylic painting inspired by a photograph captured by Mike Barber Being an artist is a journey, and for me, it's an integral part of my identity. I always emphasise to my art students the value of savouring the artistic journey, rather than hastening through it. If we reached our peak abilities overnight, the incentive for improvement would vanish. What would be the purpose? The joy and challenge would be lost. In every artwork I create, I aim for excellence, while recognising that art is subjective and not everyone will resonate with the same style. This acceptance grants me the freedom to relish in my work without the pressure to satisfy everyone's taste. About the art products I useFor my coloured pencil artwork, I consistently use heavyweight, acid-free, and archival paper. A weight of around 300gsm is ideal as it accommodates multiple layers and guarantees durability. Initially, I exclusively utilised tonal papers, particularly the grey and tan tones, because they provide a neutral starting point that enhances both highlights and shadows. Black paper is also a favourite, as it contributes to an atmospheric finish and necessitates fewer layers for a significant effect. For larger works, I opt for a robust heavyweight paper like Colourfix, which is more widely used by pastel artists.  A coloured pencil drawing of a Snow Leopard created on black Colourfix paper This Snow Leopard was created on black Colourfix paper, known for its texture and typically reserved for pastel works. For this drawing, I used a variety of coloured pencils from ranges such as Karismacolor, Derwent Coloursoft, and Caran d'Ache Luminance. I find Colourfix paper to be a fascinating medium for coloured pencils. While the texture of the paper limits the number of layers I can apply compared to standard cotton papers, a few layers are enough to attain a comparable level of realism. It was delightful to work on this piece, and although its larger dimensions of 20" x 30" exceed my usual scope, I enjoyed the challenge. Coarse paper may cause pencils to wear down more rapidly, especially those with softer cores like Prismacolor. However, its textured surface holds pigment well, reducing the need for multiple layers to achieve similar levels of detail. Moreover, it allows for the incorporation of mixed media, like acrylics. Adapting to different paper textures can be a challenge if you're accustomed to smooth surfaces. I would recommend that you experiment with the paper before committing your artwork to it.  Handcrafted Pencil Storage Chest - Discover more and where to purchase yours. Previously, I owned a vast collection of coloured pencils, many of them lacked the quality of todays brands and currently use just two brands: Caran d'Ache Luminance and Derwent Coloursoft. The Luminance pencils exhibit a slightly firm texture, making them well-suited for intricate details. In contrast, the Derwent Coloursoft pencils feature softer cores, making them ideal for creating soft backgrounds and layered tones.  Click the image to read about the Karismacolor pencils - Link recently added Before investing in a new range of pencils, I always test the black and white ones first. This allows me to assess their opacity, application, and how they compare against other favoured brands. If they meet my standards, I'll either purchase individual pencils from open stock, choosing colours I frequently use, or opt for a starter set. The white pencil holds significant importance in my artwork as it must provide the luminosity needed for catchlights and highlights. Additionally, it serves as a tool to lighten other colours, thereby expanding the range of my colour palette.  The concluding section of this article provides a brief overview of how I crafted this Snow Leopard's eye using coloured pencils on black Art Spectrum Colourfix paper. I maintain a specialised website featuring this tutorial, among others, covering various subjects and mediums for artists to explore. To access the page and attempt the tutorial, click on the image above.
I'd love to hear about your own individual insights and approaches to work. In the comments section, please share your own preferred products that contribute to your most successful outcomes. |
AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
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Images and text within this website are Copyright of Karen M Berisford 2010 - 2025
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No content should be used, copied or distributed in any way without express consent from Karen M Berisford