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As a coloured pencil artist, I’m always curious about new brands entering the market, as well as popular ranges I’ve yet to explore myself. With so many options available, not every pencil suits the way I work. I rely on materials that support realism, whether I’m building soft transitions, refining anatomical detail, or layering for tonal depth. The pencils I choose have a direct impact on the results I can achieve, so I’m selective about what earns a place in my studio.
Alongside this website, I also run a second one that offers a wide range of articles and tutorials for artists at all levels. In early 2025, I revisited one of the most popular articles on that site: an in-depth comparison of coloured pencil brands. I selected 18 ranges, including Derwent, Caran d’Ache and Prismacolor, and put each one through a series of practical tests to see how they perform in areas like blending, layering and opacity. Rather than relying on manufacturer claims or surface-level reviews, I wanted to see how these pencils behave under scrutiny.
The guide is designed for artists who want clarity when choosing materials, whether you're looking for the brand that offers the most suitable range for building soft transitions, refining detail, or working with complex layering. It’s not about picking a single winner, but about understanding which pencils suit which techniques. I’ve tested both well-known and lesser-known ranges on consistent surfaces, so you can see how they stack up across key criteria. If you're expanding your pencil collection or starting from scratch, this guide offers clear, practical insight from an artist with over 40 years' experience working in coloured pencil and includes the following brands:
You’ll also find links in this article to other content on the Step by Step Art website, including guides, tutorials and resources. It’s a good way to explore what’s available. If you find it useful, feel free to bookmark the site and check back from time to time as new material is added regularly.
Pigmentation and Coverage on Dark Surfaces
One of the first tests looks at pigmentation and coverage on black paper. This reveals how strong each colour appears when applied over a dark base, and how the core texture, whether soft or firm, affects opacity and control. For artists who rely on contrast or work on toned surfaces, this section is especially useful.
Article of interest: If you're looking to improve your coloured pencil technique or want to learn how to build realistic detail on textured paper, the Snow Leopard Eye tutorial walks you through it step by step. Click the image above to give it a go.
How Well Do These Pencils Blend?
The blendability test focuses on how smoothly each pencil transitions between tones. Using a heavyweight paper, I assessed how the core softness influences blending and whether the pencils allow for seamless tonal shifts. If you work with fur, skin, or subtle gradients, this test offers practical insight.
Article of interest: Need help with blending coloured pencils? This article breaks down the products designed to help you achieve smoother blends in your pencil work. Click the image above to read more.
Opacity and Core Strength Under Layered Applications
Opacity and core strength are also examined. I tested how well white pigment holds up when layered over darker tones, and how much smudging occurs during blending. A neutral grey base was used to ensure both light and dark pigments were fairly represented. This section is ideal for artists who need clean transitions or who prefer pencils that resist smudging during fine detail work.
Article of interest: Need practical storage for your coloured pencils? The KX Pencil Rack by Creations by Rod (Kent, UK) offers a smart, space-saving solution. Click the image above to read the article and find out how you can purchase one.
Which Brands Handle Layering Best?
Layering capacity is another key area. I trialled each brand to see how well they perform under multiple applications. Some pencils build beautifully without breaking down, while others struggle to maintain clarity after several layers. If you rely on layering to achieve depth and realism, this test will help you identify which brands support that approach.
Article of interest: Just starting out with coloured pencils? This beginners guide covers the essentials to help you get started. Click the image above to read more.
Finding the Whitest White for High-Contrast Work
The Whitest White test stands out for good reason. I used a black 300gsm paper to see which pencils produce the strongest results without any adjustments. What you see is exactly what the pencil puts down. The contrast is deliberately low to show how each one performs in real use. If you rely on white for highlights, fur texture or sharp accents, this section is worth a look.
Article of interest: With the right approach, even low-cost, unbranded pencils can produce strong results, especially when paired with the brightest white. The WHSmith colouring pencil article shows how. Click the image above to read more.
Click the image below to go to the full Comparing Coloured Pencils article. It covers the results in detail, showing how each pencil performed across the tests. If you're weighing up options or just curious to see how your favourites held up, it's worth a look.
Click through to read the article
As you read through, you’ll find links to individual articles for each pencil brand, so you can explore further a particular range catches your interest. It’s about finding the pencils that suit your way of working, ones that deliver when you need quality and strong, reliable colour. The resource will keep expanding as more brands are added, so feel free to bookmark it and check back now and then.
You can also visit the main pages on the www.stepbystepart.co.uk website, by clicking any of the images below. 
Do you have a go-to pencil for blending or layering?
Or maybe a favourite that’s not on the list? What makes your favourite brand stand out from the rest? Feel free to share your thoughts, questions or favourites in the comments below.
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When I first wrote this article, it marked three decades of working with coloured pencils. Time has moved on, and I now look back on over forty years with the medium. Four decades of practice have given me the chance to test countless tools, papers, and techniques, and to refine my approach through both successes and mistakes. This update brings those extra years of experience into focus, sharing what has endured, what has changed, and the lessons I would pass on to anyone serious about coloured pencil art.
Alongside my own practice, I also run Step by Step Art, a website created for artists looking for practical help and advice. While it leans strongly towards coloured pencils, it also offers articles covering graphite pencils, soft pastels, oil pastels and acrylics. It’s designed as a resource for anyone wanting to explore different mediums with clear, approachable guidance.
As I look ahead, I’m excited to continue exploring new materials and sharing what I learn, both here and through Step by Step Art, while remembering that the most valuable lessons are often the simplest ones: to slow down, to observe closely, and to enjoy the process. 
Coloured pencils have been my constant companion for more than forty years. The tools have evolved, the papers have diversified, and my own methods have matured, but the fundamentals remain the same: patience, experimentation, and respect for the medium. Every drawing is still a challenge and a joy, and that is what keeps me returning to the pencils day after day.
I dedicate a significant portion of my time to creating custom made portraits for clients both in the UK and internationally, in addition to running my Step by Step Art website that focus on a range of mediums such as pastels, paints and graphite pencils, as well as coloured pencils. About the art products I use
For my coloured pencil artwork, I consistently use heavyweight, acid-free, and archival paper. A weight of around 300gsm is ideal as it accommodates multiple layers and guarantees durability. Initially, I exclusively utilised tonal papers, particularly the grey and tan tones, because they provide a neutral starting point that enhances both highlights and shadows. Black paper is also a favourite, as it contributes to an atmospheric finish and necessitates fewer layers for a significant effect. For larger works, I opt for a robust heavyweight paper like Colourfix, which is more widely used by pastel artists.
A coloured pencil drawing of a Snow Leopard created on black Colourfix paper
This Snow Leopard was created on black Colourfix paper, known for its texture and typically reserved for pastel works. For this drawing, I used a variety of coloured pencils from ranges such as Karismacolor, Derwent Coloursoft, and Caran d'Ache Luminance.
I find Colourfix paper to be a fascinating medium for coloured pencils. While the texture of the paper limits the number of layers I can apply compared to standard cotton papers, a few layers are enough to attain a comparable level of realism. It was delightful to work on this piece, and although its larger dimensions of 20" x 30" exceed my usual scope, I enjoyed the challenge.
Coarse paper may cause pencils to wear down more rapidly, especially those with softer cores like Prismacolor. However, its textured surface holds pigment well, reducing the need for multiple layers to achieve similar levels of detail. Moreover, it allows for the incorporation of mixed media, like acrylics. Adapting to different paper textures can be a challenge if you're accustomed to smooth surfaces. I would recommend that you experiment with the paper before committing your artwork to it.
Handcrafted Pencil Storage Chest - Discover more and where to purchase yours.
Previously, I owned a vast collection of coloured pencils, many of them lacked the quality of todays brands and currently use just two brands: Caran d'Ache Luminance and Derwent Coloursoft. The Luminance pencils exhibit a slightly firm texture, making them well-suited for intricate details. In contrast, the Derwent Coloursoft pencils feature softer cores, making them ideal for creating soft backgrounds and layered tones.
TIP: Before investing in a new range of pencils, I always test the black and white ones first. This allows me to assess their opacity, application, and how they compare against other favoured brands. If they meet my standards, I'll either purchase individual pencils from open stock, choosing colours I frequently use, or opt for a starter set. The white pencil holds significant importance in my artwork as it must provide the luminosity needed for catchlights and highlights. Additionally, it serves as a tool to lighten other colours, thereby expanding the range of my colour palette.
Free Tutorials: Learn Realistic Drawing Techniques with Coloured Pencils
The concluding section of this article provides a brief overview of how I crafted this Snow Leopard's eye using coloured pencils on black Art Spectrum Colourfix paper. I maintain a specialised website featuring this tutorial, among others, covering various subjects and mediums for artists to explore. To access the page and attempt the tutorial, click on the image above.
I'd love to hear about your own individual insights and approaches to work. In the comments section, please share your own preferred products that contribute to your most successful outcomes. I’ve recently completed a commissioned portrait of Dougal, a Red Fox Labrador, and I’m delighted with the result. Pet portraits are the cornerstone of my work, and this particular piece was commissioned by a returning client who wanted to give a thoughtful birthday gift to a family member. As with every commission, I approached Dougal’s portrait with care and attention to detail, working to reflect not only his physical markings but the personality that shines through them. It’s always a privilege to be entrusted with such a task, knowing how much these portraits mean to the families who request them.  The primary reference photograph provided had a strong composition, with Dougal looking every inch the proud Labrador, but it lacked natural colour and detail. Fortunately, the client supplied additional photographs, which proved invaluable for teasing out the finer details, such as the warmth in Dougal’s eyes and the rich, russet hues of his coat. I chose to omit the leash from the final portrait, as it distracted from his presence and added little to the overall effect. Living in Northumberland, Labradors are a common sight, and as the owner of two myself, I regularly see Red Fox Labradors while walking my dogs. Their distinctive reddish coats are a hallmark of the breed, and this familiarity helped me ensure Dougal’s portrait was authentic. The original photograph’s unnatural hue required careful adjustment to reflect the true vibrancy of his colouring. To ensure accuracy, I supplemented this with online research, studying images of other Red Fox Labradors to capture the breed’s unique characteristics.  For me, a pet portrait is never just a copy of a photograph, it’s a study in character. Capturing the essence of a Labrador means honouring that quiet loyalty, gentle warmth, and the subtle expressions that make them such cherished companions. This particular commission was a genuine pleasure to undertake, from the initial reference selection to the final pencil strokes. I aimed to reflect not only the physical likeness but the personality so well known and loved by the family and I hope the portrait brings joy to the recipient for many years to come. Not long after delivery, I received this thoughtful testimonial from the client:
Accompanying the testimonial is Dougal’s portrait, expertly framed by a local artisan in a style that matches the earlier portraits of Seamus and Rua, Dougal’s sister. While I do not provide framing as part of my pencil portrait service due to the potential risk of damage during transit, it is always gratifying to see the finished artwork beautifully presented and ready to be cherished in its new home. It’s always lovely to receive feedback from clients. Every commission is created with care, and it’s impossible not to become attached to the pet you're portraying. You know you’ll likely never meet them in person, yet after hours spent studying their features, every tiny marking and (im)perfection, you could pick them out in a crowd.  The photograph above shows all three Labrador portraits I created for Mike and his family. The top two feature Rua and Seamus, completed last year as a birthday gift for Mike’s father. Although each was drawn independently from individual reference images, it’s rewarding to see them displayed together as a complete trio. If you're interested in commissioning a pet portrait, the image links below will take you to the relevant pages. Each section offers a different route, whether you're browsing more of my work, exploring portrait options, or wish to request a quote or make a booking, or get in touch direct. 22nd November 2015 " Hi Karen, I have just been looking at some of your work on your website and I am looking for someone to do a portrait of my dog for a Christmas present. What kind of prices do you charge please? I will attach some pictures as an idea of which one I would choose. Thank you :) " A lady contacted me about a pet portrait of her Jack Russell, Tia, intended as a Christmas present for her mum. The lady, named Justine, sent three large digital photos of Tia. While any of the three could have served as the primary reference, Justine chose the third image.
Among the photographs provided by the commissioner, there is often one that stands out. As an artist, I possess an eye for the ideal pose that I believe would result in the finest portrait. However, the customer's choice is paramount. While I can provide guidance, I always encourage the customer to select their favorite photo of their pet, the one that they feel best captures their pet's personality. This portrait will adorn their wall long after their cherished pet has passed, making the choice of reference photo crucial. My selections are based solely on composition, lighting and photo quality, which, while important, do not necessarily contribute to capturing the pet's character.
The bright blue mosaic background was too distracting and lacked any connection or significance to the family, leading to the decision to opt for a portrait without a background. If a background was required, the options are endless. Here, a cherished photo of BuBu the Boxer dog, which was captured indoors, was seamlessly merged with a photo of a nearby park, where he and his family spent countless moments together. This unique addition enriches the final artwork with personal significance and meaning. Archival qualities of my artworkJustine had a question that she thought may be trivial, yet it is a very important point to mention here. " Do the pencil pictures keep? They don't fade or anything do they? " I've spent numerous years sourcing the finest quality, archival, and lightfast art materials to ensure the durability of my portraits. The Caran d'Ache Luminance pencils I use in my coloured pencil drawings are lightfast, ensuring they don't fade like regular pencils. The colours stay vivid for over a century, and the use of archival paper additionally prolongs the life of the portraits. I always provide an after care sheet with my portraits, which offers advice regarding framing. When you take it to a framer, the glass you choose with the frame can help to add extra protection to the portrait too. This can extend the lifespan of your portrait even more. Thinking about commissioning a portrait? Take a look through the galleries below to see how the process works and browse some of my past work. You can also request a no-pressure quote or Get In Touch here. |
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Images and text within this website are Copyright of Karen M Berisford 2010 - 2026
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