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I recently began working with oil pastels. After decades of creating highly detailed artwork with coloured pencils and acrylics, I wanted to try out a different medium that allows for greater flexibility and expressiveness, offering a complement to my traditional emphasis on realism. While my passion remains rooted in capturing realism, my oil pastel paintings reflect this focus, albeit with a different level of intricacy compared to my pencil drawings and acrylic paintings.
What are Oil Pastels?
Oil pastels are a fascinating art medium that consist of vibrant pigments, non-drying oils, and a wax binding agent. Their smooth and creamy texture makes them effortless to apply and blend, allowing for seamless transitions between colours. What sets them apart from traditional pastels is their ability to remain malleable and never fully dry, allowing the flexibility to apply various techniques for blending, shaping, and creating intricate details.
Haze - Black Labrador Oil Pastel Painting on Pastelbord
Featured below is a portrait of my beloved late black Labrador Retriever, Haze. This piece holds a truly special place in my heart, marking it as the very first pet portrait I created using oil pastels. It beautifully illustrates the depth, vibrancy and character that I love about this medium. For Haze's portrait, I chose Ampersand Pastelbord, a durable, archival surface ideal for works that, like this one, are best presented simply framed behind glass, without the need for a mount or additional features.
I find oil pastels offer incredible expressive freedom, creating artwork with both vibrant colour and a gentle way of defining shapes and textures, much like the classic allure of an oil painting. With Haze's comparison above, you can clearly see how this oil pastel painting goes beyond a simple copy of the photograph, instead highlighting and interpreting his unique features.
Storm - Oil Pastel Painting of a Yellow Labrador in a Field of Wheat
I painted a second oil pastel portrait of my much-missed yellow Labrador, Storm, specifically to hang alongside Haze's painting. Though its composition is notably different and carries a softer vibrancy, Storm's chosen stance truly complements his warm colouring and beautifully conveys the gentle nature of both him and the Labrador breed. This portrait, too, was created on the archival Ampersand Pastelbord. For their presentation, both Haze's and Storm's portraits are housed in matching wide, cream frames, complete with a protective spacer to keep the painting safely separated from the glass.
The History of the Oil Pastels
My Essential Art Supplies for Oil Pastel Painting
My oil pastel work relies on a blend of Sennelier and Caran d'Ache Neopastel oil pastels, plus a few essential blending tools and accessories. This approach enables the fine details that are difficult to achieve with pastels alone. The soft, creamy texture of Sennelier oil pastels is perfectly suited for foundational layers and impasto effects. In contrast, the firmer Caran d'Ache Neopastels excel at creating precise lines and subtle details. Occasionally, I also use coloured pencils for exceptionally fine details like whiskers or individual strands of hair.
My selection of painting surfaces depends on the desired framing presentation. I choose Ampersand Pastelbord for portraits designed to be framed similarly to traditional oil paintings, without a mount. For pieces that will be matted and framed like a pencil portrait, Pastelmat is my preferred surface. It's essential to frame all oil pastel paintings under glass, complete with a spacer, as the medium never completely dries, making the artwork vulnerable to dust and smudging.
While I truly enjoy creating pet portraits, my oil pastel paintings aren't limited to just animals. I offer bespoke portraits of many subjects, including cherished landscapes or even people. Every piece of art I create is unique, showing different levels of expressiveness. This is one of the great things about working with oil pastels. My goal isn't just to make a perfect copy. Instead, I aim for a custom result that captures the true character and life of the subject and its surroundings, always with my own artistic touch. Interested in Commissioning Your Own Portrait?
If you're interested in a unique, custom portrait, you can find details and pricing for my oil pastel portraits on the links below. If oil pastels aren't quite what you're looking for, I also create lifelike portraits in coloured pencil and vibrant acrylic paintings. Use the links below to explore my other styles, or feel free to contact me directly to discuss your ideas!
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I’m so excited to share the first piece from my new oil pastel series. In this blog post, I’ll be taking you through the creative process behind this painting, talking more about the medium, and introducing the new portraits I'll be offering. The series itself features a true classic: a vibrant, bright green 1956 Mercury Montclair, with a female driver in authentic 1950s attire to complete the vintage scene.
This particular painting is a personal favourite. It captures that feeling of a long, lazy summer day, with the driver casually dangling her legs out of the car window. The flash of turquoise from her stilettos is a brilliant touch, adding a vibrant detail that sets off the car's colour and contributes to the overall nostalgic feel. Read on to find out more about this piece and the inspiration behind it!
When I began this piece, my intention was to evoke a sense of serenity and positivity. The sunny setting envelops the scene in a golden glow, bathing everything in warmth that is almost tangible; you can feel the sunshine radiating just by gazing at the image. The stiletto heels, elegant and striking, combined with the charming 1950s dress, transport me back in time, conjuring memories of a carefree era filled with joy and simplicity. As someone who grew up in the vibrant 1980s, the mint green high heels hold a special place in my heart, reminding me of a beloved pair from my youth. They add a delightful touch to the overall composition, creating a nostalgic yet fresh visual harmony.
Crafting a Lasting PortraitMy portraits are created using only the finest professional-grade materials. I choose Sennelier oil pastels and Caran d'Ache Neopastels for their rich, vibrant colours that are known for their longevity and resistance to fading. The portrait is created on a dark grey Pastelmat paper, a unique surface with a velvety texture that holds the pigments securely, preventing any smudging. This ensures the artwork stays pristine for years to come. The dark grey tone is a deliberate choice; it provides a perfect background that makes every colour, from the brightest highlights to the deepest shadows, stand out with incredible depth.
It's important to be careful when working with oil pastel drawings since they are never fully dry. To prevent dust and debris from sticking to the pastel, I used a non-stick sheet to protect the surface as I worked. I also used blending tools to avoid unintentional colour transfer and applied the finer details gradually, which can be difficult when working with a soft medium like an oil pastel.
Oil pastels offer a fantastic opportunity for artistic expression. Their opaqueness allows for easy correction and the ability to add more colour as desired. Embracing the freedom to adapt and modify certain aspects of the image can create a captivating and thought-provoking piece. For instance, the open arch symbolises a journey, sparking the imagination to ponder what lies beyond.
This portrait is available to purchase unframed, but as with all my portraits, it will be well-packaged to prevent any damage or dirt. I highly recommend taking it to a trusted framer for secure mounting and framing. Every painting I create includes a certificate of authenticity and aftercare instructions.
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AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
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Images and text within this website are Copyright of Karen M Berisford 2010 - 2026
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No content should be used, copied or distributed in any way without express consent from Karen M Berisford















