Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer24/11/2024
This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process.
Planning the Composition for a Coloured Pencil DrawingJet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process. It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality. As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas. Techniques & Colour PaletteBoth images above demonstrate the layering technique that I use in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others.
The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications.
At this stage, I am merely applying colours and providing some definition; however, I will return to these areas for further refinement, typically by adding highlights to eliminate the visibility of the paper grain, thereby enhancing the appearance to be more realistic and soft, akin fur.
After an additional two and a half hours, the fur appears shiny and more defined. Significantly, it now resembles actual fur in terms of realism.
If you're considering a unique, hand-drawn portrait created with coloured pencils, I'd love to hear from you! To learn more about commissioning your own portrait, please click on any of the links below. You'll find detailed information about the process, pricing, and what to expect.
I also offer acrylic paintings, which offer vibrant, bold colours and dynamic textures for a painterly finish, providing a distinct alternative to the detailed precision of coloured pencils. You can discover more about them in my acrylics gallery. There's absolutely no obligation to book, so why not drop me a line with your query? Simply email me at: [email protected]
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In October 2023, my friend Jet asked me to create four coloured pencil portraits. One portrait was intended as a gift for Jet's friend, another for her mother, and the other two were portraits of her beloved Boxer dogs. I have known Jet for over three decades, and during this time, I have had the pleasure of creating pencil portraits of her dogs on several occasions. Here are all four portraits displayed with additional information about each individual. You can access a link below each image to learn more. A Coloured Pencil Drawing of a White Boxer DogFor this particular portrait, I had to be a little creative with the dog's body. Since the reference photo had limited detail, I used a photo from a gallery I've built up over the years of the client's other white Boxer dogs. This approach allowed me to complete the piece accurately and create a final portrait that was a true representation of the subject. It's a technique I've used successfully on a number of pet portraits to ensure the finished artwork is as complete and detailed as possible. While the concept of drawing a white dog on white paper may appear challenging, the key lies in understanding that white fur is not a singular tone, but a composition of subtle grey shades and shadows. The white paper itself serves as the highlight, providing the perfect foundation to build upon. A Coloured Pencil Drawing of a Brindle Boxer DogThe reference photo for this portrait of Watson showed him wearing a thick blue collar, but it was cropped tightly, leaving very little of his body visible. To fulfil the client's request to have the collar removed and to create a complete and accurate portrait, I needed additional reference material. I was able to use a second photo of Watson, taken from a similar pose, which provided the necessary detail to accurately capture his body's form and extend the composition beyond the original image. While it is possible to remove a collar during the portrait creation process, it adds a layer of complexity. The best way to ensure a seamless and accurate final piece is for the client to take the reference photograph without the collar if they do not wish for it to be included in the portrait. A clear, collar-free photo allows me to focus on the fine details of the dog's fur and form, resulting in a more natural and authentic piece of art from the very beginning. A Coloured Pencil Drawing of a Fawn Boxer DogThe reference photo of Fungus provided by his owner, Jet, was ideal for this portrait. It was a large, high-resolution file with incredible detailing that remained sharp even when zoomed in. Taken outdoors in natural daylight, it had a perfect balance of light and shadow, which is always the best option for capturing a pet's true likeness. Although the photo was excellent, I needed to get creative with a few areas. Fungus was wearing a collar, so his chest wasn't fully visible. To ensure the finished portrait was as accurate as possible, I used a second image of him to fill in these missing details, as I did with the other portraits. This video offers a rare, behind-the-scenes look at three Boxer dog portraits, displayed side-by-side on the studio shelf. Without any sound or commentary, the focus is entirely on the finished artwork. The video invites you to simply observe the details of each piece, and showcasing them together highlights the unique character of each dog while also displaying the consistent style and meticulous detail applied across all three drawings. A Coloured Pencil Drawing of two Mixed Breed Rescue DogsCreating this portrait presented a unique challenge, particularly with the smaller, grey dog, Kudu. The main reference photo showed him wearing a full harness that obscured a significant portion of his body, leaving many of the details of his fur and form to be filled in. To ensure as much accuracy as possible, I had to use a variety of other photos to complete the drawing. This was made even more difficult by the fact that both dogs were mixed breeds, meaning I couldn't rely on typical breed-specific research to inform the details. I discussed these challenges with my friend beforehand, and she understood that the final piece may not be a perfect representation of Kudu due to the lack of clear reference material. Jet allowed me to approach the portrait with a bit more artistic freedom, and ultimately, I was able to create a piece that captures the spirit of both dogs, using the available photos to bring their personalities to life. Final ThoughtsAll the dogs in the photos wore either a collar or a harness, which were removed in the drawing as per Jet's request. Fortunately, Jet provided me with a collection of photos of each dog to make the process relatively easy. The photos were incredibly helpful as they provided me with a clear view of the intricate details that were obscured by the collars in the reference photos. However, there may be instances where the removal of collars, especially harnesses, is a difficult task, especially if they hide crucial details. In such a scenario, removing them can only be considered if additional photographs are made available. If you're interested in a custom coloured pencil portrait, I'd be delighted to discuss your ideas.
Whether you have a beloved pet, a cherished family member, or another subject in mind, please get in touch! You can learn more by visiting my commissions page, or feel free to email me directly at to start the conversation. |
AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
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