Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer24/11/2024 This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process. Jet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process. It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality. As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas. Both images above demonstrate the layering technique that I utilise in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others. The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications. Time-lapse videos of the creation of MaggotTime-lapse videos serve as an effective means to illustrate the process involved in the creation of my coloured pencil portraits. Although these videos condense several hours of work into just a few seconds, they provide a clear view of the artistic journey. The first video represents 90 minutes of work, while the second showcases a 75 minute period. The third video provides a comprehensive overview of the entire process involved in creating the left ear, including the application of colour and the final detailing.
At this stage, I am merely applying colours and providing some definition; however, I will return to these areas for further refinement, typically by adding highlights to eliminate the visibility of the paper grain, thereby enhancing the appearance to be more realistic and soft, akin fur. After an additional two and a half hours, the fur appears shiny and more defined. Significantly, it now resembles actual fur in terms of realism.
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In October 2023, my friend Jet asked me to create four coloured pencil portraits. One portrait was intended as a gift for Jet's friend, another for her mother, and the other two were portraits of her beloved Boxer dogs. I have known Jet for over three decades, and during this time, I have had the pleasure of creating pencil portraits of her dogs on several occasions. Here are all four portraits displayed with additional information about each individual. You can access a link below each image to learn more. CarrotCreating a drawing of a white dog on white paper may seem challenging at first, but it's quite easy. Since white fur is composed of shades of grey, white paper provides the perfect base for such a portrait. Drawing this particular portrait of a white boxer dog required a bit of creative problem-solving regarding the body. Still, I was able to use a different dog's body to complete the portrait. If you're interested in learning more about this portrait, you can click on the link below. WatsonThe reference photo for the portrait depicted Watson wearing a thick blue collar. However, the photo was cropped short, leaving little of his body visible. Additional images were required, particularly in a similar pose, to complete the body and ensure accuracy. I also used some artistic license too. If you want to learn more about this portrait, please follow the link below. FungusJet's reference photo of Fungus was ideal. The image was a large, high-resolution file with incredible detailing that remained sharp even when zooming in. Taken outdoors, it had a perfect balance of light thanks to natural daylight, which is always the best option for pet photos. The collar, which was present in the photo but not included in the drawing, covered the throat area. To ensure accuracy, I referenced a second image of Fungus. Also, the chest area was not fully visible in the photo, so I had to extend it to complete the image. Click the link below to read more. This video shows the three drawings side by side. There is no sound. Kudu (Left) and MasudaCreating this drawing was difficult, especially Kudu, the little grey dog. In the reference image, Kudu was wearing a harness that covered most of his body, so much of the details were missing. To ensure precision, I had to use other reference photos. Ordinarily, I may research a breed before embarking on such a challenging drawing. However, in this case, both dogs were mixed breeds, which made it even more difficult. Despite this, my friend was aware of the difficulties involved and graciously accepted that the final result may not be an accurate representation. THE PROBLEMS WITH REMOVING COLLARSAll the dogs in the photos wore either a collar or a harness, which were removed in the drawing as per Jet's request. Fortunately, Jet provided me with a collection of photos of each dog to make the process relatively easy. The photos were incredibly helpful as they provided me with a clear view of the intricate details that were obscured by the collars in the reference photos. However, there may be instances where the removal of collars, especially harnesses, is a difficult task, especially if they hide crucial details. In such a scenario, removing them can only be considered if additional photographs are made available. If you're interested in a custom coloured pencil portrait of your pet, a loved one, or any other subject, you can visit my commissions page or send me an email at: [email protected] to share your ideas for the portrait.
In 2017, I began receiving Christmas orders as early as September, which kept me occupied for the entire season. Starting in mid-October, I dedicated 10-12 hours daily to work, organizing a daily schedule to guarantee the timely completion of all portraits. With some orders coming from overseas, it was crucial to secure any needed frames well ahead of time, considering the high demand framers face during the holidays. My aim was to complete all orders a week before my trip to Chesterfield, yet I found myself working late into the night preceding my departure. Everything proceeded without a hitch, and the individual who commissioned the piece met me at the Chesterfield train station to pick up the portrait of Star the Chow Chow. The painting travelled with me for six hours via various modes of transport, safely tucked inside my suitcase. The lady who requested the painting presented me with a beautiful bouquet of flowers. It was heartwarming to read the recipients' joyful remarks on Christmas Day upon receiving the portrait of their cherished pet. You can view the progress of Star's portrait on this page. I've completed all the Christmas commissions and took a well-deserved break to recharge. Now, I'm back in the studio, creating new articles for my Step by Step Art website. There are numerous tasks to accomplish behind the scenes. If you're interested in booking a personalised commission or are an artist searching for helpful articles, and mini-tutorials, click on the links below to visit my website.
Here's hoping 2018 is a wonderful year for you! Karen OBIEPortrait size: 11" x 14" |
AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
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