Latest News for the UK Artist Karen M Berisford

As a coloured pencil artist, I’m always curious about new brands entering the market, as well as popular ranges I’ve yet to explore myself. With so many options available, not every pencil suits the way I work. I rely on materials that support realism, whether I’m building soft transitions, refining anatomical detail, or layering for tonal depth. The pencils I choose have a direct impact on the results I can achieve, so I’m selective about what earns a place in my studio.

Northumberland artist Karen M Berisford working on a lifelike coloured pencil drawing of her late Springer Spaniel Casper

Alongside this website, I also run a second one that offers a wide range of articles and tutorials for artists at all levels. In early 2025, I revisited one of the most popular articles on that site: an in-depth comparison of coloured pencil brands. I selected 18 ranges, including Derwent, Caran d’Ache and Prismacolor, and put each one through a series of practical tests to see how they perform in areas like blending, layering and opacity. Rather than relying on manufacturer claims or surface-level reviews, I wanted to see how these pencils behave under scrutiny.

Coloured pencil brands: Caran d'Ache, Derwent, Royal Talens, Prismacolor, Lyra and Faber Casstell

The guide is designed for artists who want clarity when choosing materials, whether you're looking for the brand that offers the most suitable range for building soft transitions, refining detail, or working with complex layering. It’s not about picking a single winner, but about understanding which pencils suit which techniques. I’ve tested both well-known and lesser-known ranges on consistent surfaces, so you can see how they stack up across key criteria. If you're expanding your pencil collection or starting from scratch, this guide offers clear, practical insight from an artist with over 40 years' experience working in coloured pencil and includes the following brands:

Caran d’Ache (Pablo, Luminance & Museum Aquarelle)
Derwent (Chromaflow, Coloursoft, Drawing, Lightfast & Procolour)
Prismacolor (Premier, Verithin & Berol Karismacolor)
Faber-Castell (Polychromos & Colour Grip)
Plus: WH Smith, Arteza Expert, Royal Talens Van Gogh & Lyra Rembrandt Polycolor

You’ll also find links in this article to other content on the Step by Step Art website, including guides, tutorials and resources. It’s a good way to explore what’s available. If you find it useful, feel free to bookmark the site and check back from time to time as new material is added regularly.

Pigmentation and Coverage on Dark Surfaces

One of the first tests looks at pigmentation and coverage on black paper. This reveals how strong each colour appears when applied over a dark base, and how the core texture, whether soft or firm, affects opacity and control. For artists who rely on contrast or work on toned surfaces, this section is especially useful.

Snow leopard eye coloured pencils on black Art Spectrum Colourfix art tutorial

Article of interest: If you're looking to improve your coloured pencil technique or want to learn how to build realistic detail on textured paper, the Snow Leopard Eye tutorial walks you through it step by step. Click the image above to give it a go.

How Well Do These Pencils Blend?

The blendability test focuses on how smoothly each pencil transitions between tones. Using a heavyweight paper, I assessed how the core softness influences blending and whether the pencils allow for seamless tonal shifts. If you work with fur, skin, or subtle gradients, this test offers practical insight.

Blender pencils for coloured pencils and Zest-it blender

Article of interest: Need help with blending coloured pencils? This article breaks down the products designed to help you achieve smoother blends in your pencil work. Click the image above to read more.

Opacity and Core Strength Under Layered Applications

Opacity and core strength are also examined. I tested how well white pigment holds up when layered over darker tones, and how much smudging occurs during blending. A neutral grey base was used to ensure both light and dark pigments were fairly represented. This section is ideal for artists who need clean transitions or who prefer pencils that resist smudging during fine detail work.

Coloured pencils in Creations by Rod KX Pencil Racks

Article of interest: Need practical storage for your coloured pencils? The KX Pencil Rack by Creations by Rod (Kent, UK) offers a smart, space-saving solution. Click the image above to read the article and find out how you can purchase one.

Which Brands Handle Layering Best?

Layering capacity is another key area. I trialled each brand to see how well they perform under multiple applications. Some pencils build beautifully without breaking down, while others struggle to maintain clarity after several layers. If you rely on layering to achieve depth and realism, this test will help you identify which brands support that approach.

Glass jars full of branded and non-branded coloured pencils

Article of interest: Just starting out with coloured pencils? This beginners guide covers the essentials to help you get started. Click the image above to read more.

Finding the Whitest White for High-Contrast Work

The Whitest White test stands out for good reason. I used a black 300gsm paper to see which pencils produce the strongest results without any adjustments. What you see is exactly what the pencil puts down. The contrast is deliberately low to show how each one performs in real use. If you rely on white for highlights, fur texture or sharp accents, this section is worth a look.

How to create vibrant pigments on black paper with non-branded, cheap pencils - Barn Owl on black paper

Article of interest: With the right approach, even low-cost, unbranded pencils can produce strong results, especially when paired with the brightest white. The WHSmith colouring pencil article shows how. Click the image above to read more.

Click the image below to go to the full Comparing Coloured Pencils article. It covers the results in detail, showing how each pencil performed across the tests. If you're weighing up options or just curious to see how your favourites held up, it's worth a look.

Click through to read the article

As you read through, you’ll find links to individual articles for each pencil brand, so you can explore further a particular range catches your interest. It’s about finding the pencils that suit your way of working, ones that deliver when you need quality and strong, reliable colour. The resource will keep expanding as more brands are added, so feel free to bookmark it and check back now and then.

You can also visit the main pages on the www.stepbystepart.co.uk website, by clicking any of the images below.

Do you have a go-to pencil for blending or layering?
Or maybe a favourite that’s not on the list?
What makes your favourite brand stand out from the rest?

Feel free to share your thoughts, questions or favourites in the comments below.

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Commission A Hand-Painted Oil Pastel Portrait Of Your Pet

19/3/2025

discover the story behind this oil pastel painting

I recently began working with oil pastels. After decades of creating highly detailed artwork with coloured pencils and acrylics, I wanted to try out a different medium that allows for greater flexibility and expressiveness, offering a complement to my traditional emphasis on realism. While my passion remains rooted in capturing realism, my oil pastel paintings reflect this focus, albeit with a different level of intricacy compared to my pencil drawings and acrylic paintings.

Oil pastel paintings of yellow and black labrador retrievers in cream frames

An oil pastel painting of a Cavalier King Charles Spaniel - click the image to view progress of this portrait.

What are Oil Pastels?

Oil pastels are a fascinating art medium that consist of vibrant pigments, non-drying oils, and a wax binding agent. Their smooth and creamy texture makes them effortless to apply and blend, allowing for seamless transitions between colours. What sets them apart from traditional pastels is their ability to remain malleable and never fully dry, allowing the flexibility to apply various techniques for blending, shaping, and creating intricate details.

Haze - Black Labrador Oil Pastel Painting on Pastelbord

Featured below is a portrait of my beloved late black Labrador Retriever, Haze. This piece holds a truly special place in my heart, marking it as the very first pet portrait I created using oil pastels. It beautifully illustrates the depth, vibrancy and character that I love about this medium. For Haze's portrait, I chose Ampersand Pastelbord, a durable, archival surface ideal for works that, like this one, are best presented simply framed behind glass, without the need for a mount or additional features.

Sennelier and Neopastel oil pastels alongside an oil pastel painting of a black labrador and his squeaky raspberry

An oil pastel painting of a black Labrador Retriever with his squeaky raspberry toy and the reference photograph for comparison.

Comparing an oil pastel painting (left) to the original photograph (right)

I find oil pastels offer incredible expressive freedom, creating artwork with both vibrant colour and a gentle way of defining shapes and textures, much like the classic allure of an oil painting. With Haze's comparison above, you can clearly see how this oil pastel painting goes beyond a simple copy of the photograph, instead highlighting and interpreting his unique features.

Storm - Oil Pastel Painting of a Yellow Labrador in a Field of Wheat

I painted a second oil pastel portrait of my much-missed yellow Labrador, Storm, specifically to hang alongside Haze's painting. Though its composition is notably different and carries a softer vibrancy, Storm's chosen stance truly complements his warm colouring and beautifully conveys the gentle nature of both him and the Labrador breed. This portrait, too, was created on the archival Ampersand Pastelbord. For their presentation, both Haze's and Storm's portraits are housed in matching wide, cream frames, complete with a protective spacer to keep the painting safely separated from the glass.

Yellow Labrador oil pastel painting by Northumberland artist

The completed portrait of Storm - An oil pastel painting of a Yellow Labrador in a wheat field

Blending an oil pastel painting of a yellow labrador called Storm

Oil pastel painting of a yellow Labrador called Storm stood in a wheat field framed in a cream frame - Plus Sennelier and Neopastel oil pastels

The History of the Oil Pastels

Oil pastels were first developed in the early 1920s by the Japanese company Sakura. Initially designed for educational purposes, these pastels quickly gained popularity for their vibrant colours and ease of use.
In 1947, the renowned artist Pablo Picasso collaborated with Henri Sennelier, a French art supply manufacturer, to create a professional-grade oil pastel. Sennelier’s oil pastels, introduced in 1949, featured superior wax viscosity, texture, and pigment quality, making them ideal for professional artists.
Other notable artists, such as Henri Goetz, also embraced oil pastels, delving into their distinctive characteristics and expressive capabilities.
In contemporary practice, oil pastels are highly regarded for their flexibility and capacity to yield vibrant, durable artworks.

My Essential Art Supplies for Oil Pastel Painting

My oil pastel work relies on a blend of Sennelier and Caran d'Ache Neopastel oil pastels, plus a few essential blending tools and accessories. This approach enables the fine details that are difficult to achieve with pastels alone. The soft, creamy texture of Sennelier oil pastels is perfectly suited for foundational layers and impasto effects. In contrast, the firmer Caran d'Ache Neopastels excel at creating precise lines and subtle details. Occasionally, I also use coloured pencils for exceptionally fine details like whiskers or individual strands of hair.

An oil pastel painting of a Cavalier King Charles Spaniel on Pastelmat

My selection of painting surfaces depends on the desired framing presentation. I choose Ampersand Pastelbord for portraits designed to be framed similarly to traditional oil paintings, without a mount. For pieces that will be matted and framed like a pencil portrait, Pastelmat is my preferred surface. It's essential to frame all oil pastel paintings under glass, complete with a spacer, as the medium never completely dries, making the artwork vulnerable to dust and smudging.

Oil pastel painting of Sycamore Gap tree in a white mock frame

The 'Sycamore Gap' tree oil pastel painting on Pastelmat

While I truly enjoy creating pet portraits, my oil pastel paintings aren't limited to just animals. I offer bespoke portraits of many subjects, including cherished landscapes or even people. Every piece of art I create is unique, showing different levels of expressiveness. This is one of the great things about working with oil pastels. My goal isn't just to make a perfect copy. Instead, I aim for a custom result that captures the true character and life of the subject and its surroundings, always with my own artistic touch.

Interested in Commissioning Your Own Portrait?

If you're interested in a unique, custom portrait, you can find details and pricing for my oil pastel portraits on the links below. If oil pastels aren't quite what you're looking for, I also create lifelike portraits in coloured pencil and vibrant acrylic paintings. Use the links below to explore my other styles, or feel free to contact me directly to discuss your ideas!

A collection of oil pastel paintings including a black Labrador, Sycamore Gap tree, green shoes and a 1956 Mercury Montclair and a pink flamingo

oil pastels gallery & pricing

The progression of a King Charles Spaniel oil pastel painting

photography tips

Young girl and her grey horse acrylic painting

ACRYLIC PAINTINGS GALLERY

A coloured pencil drawing of an English Bulldog

COLOURED PENCILS GALLERY

Please note that you can find all my other news blogs on the news blog archives page. This feature simplifies navigation, enabling you to choose the blogs that interest you. To view the archives, click on this link.

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Studio Showcase: Unveiling New Art and Christmas Commissions

1/1/2025

COMMISSION DETAILS & PRICING

In this article, I am pleased to share my latest artworks. Three new acrylic paintings, which include a touching moment of a father embracing his son on his wedding day, a young girl named Lois riding her grey horse Vinnie, and Lois's sweet little black Cockapoochon. Additionally, I unveil my latest coloured pencil portraits, featuring a Golden Retriever surrounded by vibrant pink Hydrangeas, and two Boxer dogs that complement last Christmas's portraits. Each piece is crafted with meticulous attention to detail to capture the essence and personality of the subjects and each one was commissioned for friends and family members for various special occasions, including Christmas.

Discover the inspiration behind each unique creation and watch how these portraits were brought to life through the time-lapse videos. For those interested in commissioning a personal portrait, more information can be found on my Commissions page.

Jimmy & Craig - Portrait in Acrylics

Gifted by Daniel to a friend after the recent loss of his father

Daniel made a formal request for an acrylic painting measuring 12" by 16", depicting a heartfelt moment of a friend embracing his father during his wedding ceremony. This artwork was commissioned as a thoughtful gift to commemorate his friend's birthday in December.

Daniel's initial request is detailed below:

" I am considering getting a portrait commissioned (30x40 acrylic) on behalf of my friend whose father has recently passed. The picture I have is taken indoors, although well lit, when his father surprised us all by making it to his wedding day despite being critically ill. It was a pivotal moment in his life and I would love it captured by yourself and I think it would help him through the grieving process. "

An acrylic painting of a father and son embracing at the son's wedding framed in a white frame

This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app.

Portraiture is among my favourite subjects to create. As an artist, I find inspiration in challenges, and I consider portraits to be particularly demanding. While the majority of my work focuses on pets, I greatly appreciate the opportunity to diversify my portfolio when clients inquire about portrait commissions. Although I generally refrain from incorporating text into my paintings, I recognised the significance of this phrase to the recipient. As a result, I was able to integrate it in a way that maintains both cohesiveness and visual appeal.

An acrylic painting of a father and so embracing at his wedding

'Jimmy & Craig'

Below are two time-lapse videos that highlight two key stages of the painting process. The first video illustrates the detailing of the jackets, while the second video focuses on the completion of the face and head. Although the videos are brief, they each represent around 2 hours of work.

" Hi Karen, I have reviewed the painting and it's
exactly how you promised it would be.
I'm sure he'll love it."

Daniel
Merseyside, UK

If you’d like to dive deeper into the process, feel free to visit the dedicated page for Jimmy & Craig’s portrait, where I share my personal insights and an in-depth overview.

Two Acrylic Paintings of a Young Girl and her Horse plus her Cockapoochon dog

Gifted by Joan to her great-grand-daughter Lois

The two portraits displayed below were commissioned by my lovely neighbour, Joan, as a thoughtful gift for her great-granddaughter, Lois, who is 13 years old. Initially, the request included Tux being featured in the portrait with Lois and her horse; however, it was ultimately decided to create two separate paintings.

A young girl called Lois sat on a grey horse called Vinnie in a grass field with four trees in the background

This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app.

Both of these portraits were developed from physical photographs, which presents a greater challenge compared to digital images due to limited editing capabilities. While it is possible to adjust brightness and contrast in the scanned photo, extracting additional detail as one would with a digital file is not feasible, which added complexity to the process. Additionally, I designed a new background, as the original photo lacked visual appeal.

A close look at the details of an acrylic painting of a young girl and her grey horse Vinnie

In this case, the original image presented a concrete road, a few sparse trees, and a dreary overcast sky, which inspired me to explore ways to improve the scene. By transforming the background with lush greenery and a brighter sky, I turned a rather mundane setting into a more visually appealing landscape.

An acrylic painting of a black Cockapoochon dog named Tux

For Tux's portrait, the 8" x 10" size was most appropriate. However, the reference photo was relatively small and lacked detail in several key areas. Since I only had the single photo to work from, I had to rely on online images of black Cockapoo dogs to enhance my understanding of the details in the eyes and to help differentiate the fur on the face, forehead, and ears. While this approach carries some risk of deviating from Tux's actual appearance, it was the only viable option.

An acrylic painting of a black Cockapoochon dog in a silver frame within an illustrative setting

This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app.

Both portraits were presented in matching silver-gold frames. I experimented with several ornate frames available in my studio; however, I realised that they did not enhance the paintings as intended and, in fact, detracted from their overall impact. Consequently, a simpler molding was more effective in this case.

For further information regarding these paintings, please visit the dedicated page for Lois, Vinnie, and Tux, where I provide an in-depth overview of the process.

A Coloured Pencil Memorial Drawing of Elsa, the Golden Retriever

In memory of Elsa - October 2024

This was gifted from Melvin and Kay to two dear friends in honour of their cherished Golden Retriever (and ex guide dog), Elsa, who recently passed away. Due to the nature of this presentation as a surprise gift for the two recipients, the commissioner was only able to supply a limited selection of photos of Elsa. Although the available details were minimal, I was able to create a new composition based on one of the photos, featuring Elsa in a recognisable area of the garden, positioned beneath the Hydrangea bush with a tennis ball in front of her.

" We are looking to place a commission for a portrait of a dog and we are very impressed with your body of work. The subject doesn’t belong to us but is very dear to us. The dog is named Elsa and she is a retired guide dog and she lives with two very special friends of ours. Very sadly, Elsa is coming to the end of her life and we are hoping a portrait will give our friends a lasting memory of Elsa."

Coloured pencil drawing of a Golden Retriever laid beneath a pink Hydrangea bush in the garden with a yellow tennis ball at her feet. Displayed in a mock grey frame within a Christmas set up of tree and ornaments

This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app.

Elsa frequently found comfort beneath the hydrangea bush, highlighting the importance of creating a composition that would serve as a lasting tribute to her in her favourite spot in the garden. The portrait was developed using two distinct images, as the client was unable to provide a suitable photo of her in a lying position. I combined a photograph of Elsa's head with an image of the body from a different Golden Retriever to achieve a realistic representation of the desired pose. Additionally, I used other photographs of Elsa to ensure that the colouration accurately reflected her likeness, while also omitting any white hairs typical of her youthful age of eight years, in accordance with the client's request.

A coloured pencil drawing in progress of a Golden Retriever called Elsa laid beneath pink Rhododendron flowers

As you might expect, the most time-consuming aspect of the portrait was meticulously crafting the leaves and petals of the flowers. I found myself consistently underestimating the amount of time this intricate detail required, often losing track of how many hours I dedicated to perfecting the background detail. To give you a sense of the labour involved, I’ve included a couple of time-lapse videos. These clips capture the painstaking process and reveal the hours of effort that went into each stage of the artwork, with each video spanning approximately two and a half to three hours of my work. As previously mentioned, I have a deep passion for tackling challenges, and I found immense satisfaction in the process.

" We cannot thank you enough for the amazing portrait you have produced and we are in awe of your artistic skill. It is a beautiful composition and it truly encapsulates Elsa in a very typical pose we have all witnessed many times."

Melvin & Kay
West Midlands, UK

Maggot the Boxer dog in Coloured Pencils

Last year, Jet commissioned coloured pencil portraits of her Boxer dogs. However, two additional Boxer dogs belonging to Jet and her friend Mark had not reached maturity at that time. To ensure their portraits could be displayed alongside the previously commissioned pieces, Jet decided it would be prudent to wait an extra year.
Maggot is Jet's third Boxer dog, joining her other two, Carrot and Fungus. The framed examples are presented as a simulation for display purposes, but have yet to be framed. The portraits of all three dogs together are also showcased further down the page.

Framed illustration of a coloured pencil drawing of a fawn coloured Boxer dog

This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app.

Although the reference photograph was of exceptional detail, I used an additional reference image to make adjustments to the left ear, which was protruding and could potentially disrupt the balance of the overall presentation. It is uncommon for me to produce a portrait based solely on a single photograph; typically, I incorporate a combination of elements from multiple images to achieve the desired outcome.

During certain periods in my creative process, I capture time-lapse recordings that provide viewers with an insight into the methodology behind my portrait creation. This video features a series of time-lapse recordings captured during key stages of my creative process, offering a detailed look at how my coloured pencil portraits are developed. Using Maggot as the subject, it illustrates the techniques and structure behind my approach to lifelike portraiture.

A coloured pencil drawing in progress of a female Boxer dog

The image above was taken during the final stages of completing Maggot's portrait. This process involved the meticulous addition of whiskers and final adjustments to ensure the artwork’s completion. At this stage, I proceed to sign the portrait, followed by the application of two to three layers of fixative spray to provide enhanced protection for the finished piece.

A illustrated mock up of three Boxer dogs created in coloured pencils

This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app.

The three portraits are showcased here through a simulation application that allows you to visualise how they may appear when framed and displayed together. To ensure consistency in size among the portraits, particularly since two of them were completed a year ago, I always maintain a printed reference image that allows me to accurately evaluate and align the dimensions of any subsequent portraits.

Rooster the Boxer dog in Coloured Pencils

This Christmas, my friend Jet commissioned a second portrait as a gift for her friend Mark. This piece features Mark's now-matured male Boxer dog, Rooster, and is designed to complement the previously commissioned portrait of his brindle Boxer, Watson, which was created last year. The framed examples presented are simulations for display purposes, as the actual portraits have yet to be framed. Additionally, further down the page, both portraits of the dogs are showcased together.

Coloured pencil drawing of a Boxer dog in a brown frame

This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app.

Throughout various stages of my creative process, I capture time-lapse recordings that give viewers a deeper understanding of the techniques involved in my portrait creation. The two videos featured here, though they are only a few seconds long, encapsulate a considerable amount of time and effort; each represents approximately 2 to 3 hours of meticulous work. These recordings serve not only to showcase the final product but also to highlight the intricate steps taken and the evolution of the artwork from initial concept to completion.

I began my first commission in July, and as I received more requests, I effectively adapted my schedule, working on each project every other day. This approach allowed me to prioritise those with upcoming deadlines and ensure timely completion. I coordinated the ordering of acrylic paintings and their frames at the same time as starting each portrait, which proved to be a smart strategy for ensuring everything was ready for the final varnishing.

Coloured pencil drawing in progress of a male fawn coloured Boxer dog

By mid-November, I was fully booked, leaving no room for additional commissions until Jet reached out to me with a photo of Rooster at the end of November. Drawing from my experience in creating Boxer dog illustrations, I was able to efficiently integrate this new project into my workflow and remarkably finished it in just eight days! The constrained timeframe presented an intriguing challenge, leading to the surprising realisation that I was able to complete a large 10" x 12" coloured pencil portrait in a remarkably short period. Typically, I would not work at such a pace for a piece of this size, making this experience a notable exception.

Two coloured pencil drawings of a fawn boxer dog and a brindle boxer dog

This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app.

If you are interested in commissioning a lifelike, custom-made coloured pencil portrait or an acrylic painting of your pet, a loved one, or any other subject, you can find out more on my commissions page or contact me via email at: [email protected] to discuss your ideas for the portrait. Additionally, I offer oil pastel portraits for those seeking a more expressive interpretation of your chosen subject.

COLOURED PENCIL GALLERY

ACRYLIC PAINTINGS GALLERY

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Capturing Rooster: A Photorealistic Pencil Portrait of a Boxer dog in Coloured Pencil

15/12/2024

COMMISSION DETAILS & PRICING

Welcome to my latest blog post, where I document the progress of another of my coloured pencil drawing of a Boxer dog called Rooster. This blog showcases the process I use to create my lifelike pencil portrait of a Boxer dog, from the early stages to completion.

Finished coloured pencil artwork of a Boxer dog, framed in a simulated brown wood

I always begin my portrait process by meticulously rendering the eyes, as they are crucial for capturing the subject's unique personality and lifelike expression. From there, I move on to the nose, the progressively work outwards, building the portrait through a series of carefully applied layers of colour. My focus at this stage is on creating realistic depth and dimension. Each subsequent layer is precisely added to achieve the desired texture and tone, with particular attention paid to intricate details like Rooster's distinctive markings and individual strands of fur.

Layering of fur to create realistic texture on a Boxer dog's face, coloured pencil artwork.

Capturing the Boxer's Unique Character

As I begin to build up the layers, I employ a diverse palette of colours to meticulously sculpt the distinctive creases and contours of a Boxer's facial features. This intricate layering is essential for rendering their unique facial structure with accuracy and depth.

One of the most enjoyable aspects of portraying a Boxer is creating the mouth. The significant definition around this area is crucial, as it profoundly contributes to revealing the true character and expression of the dog. With years of experience and numerous Boxer portraits under my belt, these techniques have become second nature, allowing me to fully capture each personality.

Meticulously sculpting the distinctive creases and contours of a Boxer's facial features using Caran d'Ache Luminance pencils

My Artistic Process in Motion

I enjoy recording time-lapse videos during my creative process; they effectively demonstrate how my coloured pencil drawings come to life. While seemingly brief, the two videos below condense just over three hours of drawing time, offering a comprehensive look at the intricate layering involved.
My process typically begins with the eyes. This has become both an ingrained habit and a strategic choice developed over 40 years of working with coloured pencils. This initial focus allows for precision from the outset, making the rest of the portrait much easier to complete.

Crafting with Coloured Pencil: My Preferred Brands:

I create my coloured pencil portraits using a carefully curated selection of lightfast pencils, predominantly Caran d'A'che Luminance, alongside Derwent's Lightfast, Coloursoft, and Drawing ranges. These are layered onto Bockingford hot-pressed paper, a high-quality, heavyweight British-made support specifically chosen for its capacity to handle numerous layers of pigment. This unique combination allows me to achieve the high level of detail you see in my art.

Curious about how Caran d'Ache Luminance pencils contribute to the intricate detail in my work? Read the full article on my other website, www.stepbystepart.com. This is a website by artists, for artists, with articles, guides, hints and tips plus tutorials, aimed at artists of all calibre.

Close-up of a hand meticulously adding finishing touches to a detailed Boxer dog drawing.

Thanks for reading!
If you're looking for a unique and personal piece of art, I create custom, lifelike portraits in both coloured pencil and acrylics, perfect for capturing the spirit of your pet, a loved one, or any other significant subject. Discover more about the commissioning process on my Commissions page, request a quote, or feel free to reach out directly via email to share your vision. For a more expressive artistic approach, consider my oil pastel portraits.

Northumberland artist Karen M Berisford working at the easel completing a coloured pencil drawing of an English Bulldog

Coloured pencil drawing of a black Labrador Retriever cross in a black frame

COLOURED PENCILS GALLERY

Coloured pencil drawing of a Cocker Spaniel and Caran d'Ache Luminance pencils

A framed coloured pencil drawing of an Alaskan Husky by UK artist Karen M Berisford

CUSTOMER TESTIMONIALS

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Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer

24/11/2024

COLOURED PENCIL ART GALLERY

A stunning coloured pencil drawing of a Boxer dog in a mock-up brown-wood frame

This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process.

Photograph of a fawn Boxer dog called Maggot

Planning the Composition for a Coloured Pencil Drawing

Jet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process.

It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality.

The early stages of a coloured pencil drawing

The early stages of the layering process with more layers yet to add.

As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas.

Progress of a Boxer dog eye in coloured pencils

Further progression of a coloured pencil drawing of a Boxer dog

Techniques & Colour Palette

Both images above demonstrate the layering technique that I use in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others.

The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications.

Time-lapse video showing the creation of Maggot

Time-lapse videos serve as an effective means to illustrate the process involved in the creation of my coloured pencil portraits. Although these videos condense several hours of work into just a few seconds, they provide a clear view of the artistic journey.

At this stage, I am merely applying colours and providing some definition; however, I will return to these areas for further refinement, typically by adding highlights to eliminate the visibility of the paper grain, thereby enhancing the appearance to be more realistic and soft, akin fur.

Building up the fur on the face of a Boxer dog created in coloured pencils

The details so far of a coloured pencil drawing of a Boxer dog

After an additional two and a half hours, the fur appears shiny and more defined. Significantly, it now resembles actual fur in terms of realism.

Finalising the small details on a coloured pencils drawing of a fawn Boxer dog called Maggot

If you're considering a unique, hand-drawn portrait created with coloured pencils, I'd love to hear from you! To learn more about commissioning your own portrait, please click on any of the links below. You'll find detailed information about the process, pricing, and what to expect.
I also offer acrylic paintings, which offer vibrant, bold colours and dynamic textures for a painterly finish, providing a distinct alternative to the detailed precision of coloured pencils. You can discover more about them in my acrylics gallery.
There's absolutely no obligation to book, so why not drop me a line with your query? Simply email me at: [email protected]

Three coloured pencil drawings of Red Fox Labradors and black Labrador Retrievers in mock wooden frames

A family portrait and a French Bulldog created in coloured pencils

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Coloured pencil commission of a Dachshund dog and Caran d'Ache Luminance pencils

Northumberland artist Karen M Berisford working on a coloured pencil drawing of a Rottweiler dog

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Spectres of the Past: My Acrylic Painting of The Lion Tower at Warkworth Castle, Northumberland, UK

22/9/2024

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I am pleased to share one of my recent acrylic paintings entitled 'Keeper of The Castle'. This piece showcases the 'Lion Tower' located at Warkworth Castle in Northumberland, UK.

In this blog post, I provide historical insights related to the subject of my painting, describe the creative process involved in its development, and discuss the reasons behind my choice of this captivating theme. Additionally, this painting is currently available for purchase through my Art Store.

Nestled along the banks of the River Coquet, Warkworth Castle stands as a silent sentinel—a testament to centuries past. Its ancient stones echo with whispers of battles, love, and intrigue.
And there, on the little stair, a Jackdaw perches—a spectral observer bridging the gap
between now and then.

Acrylic painting of a Jackdaw stood upon the old winding stone steps of the Little Stair Tower at Warkworth Castle, Northumberland, UK

About 'Keeper of the Castle' Acrylic Painting of Warkworth Castle

As an artist with a focus on birds, I find myself fascinated by the rich history embodied in locations such as Warkworth Castle. The feet that have walked those steps through the centuries, and the wildlife that has traversed those grounds over time, have both played a role. It is this intertwining of history and nature that inspired the creation of this specific composition. You can read more about the creation of this painting by following this link.

Northumberland artist Karen M Berisford applying paint to a canvas board depicting a Jackdaw sat upon the stone steps of the Little Stair Tower at warkworth Tower in Northumberland, UK

My goal is not only to express texture through the brushstrokes but also to incorporate detailed textures into my paintings by enriching compositions that require such intricacy. The ancient stone steps, weathered by time, were depicted with an added layer of textured medium. This technique allows you to not only see the stonework within the paint but also to perceive it through the painting's tactile, raised surfaces.

Texture medium added to an acrylic painting depicting the little stair tower steps at Warkworth Castle, Northumberland, UK

The Enigmatic Jackdaw

And then there’s the Jackdaw, a bird steeped in symbolism. Intelligent, curious, and mysterious, it perches on the stair, its coal-black feathers catching the light. While the bird is the central figure in the painting, the artwork primarily depicts the history of the castle and its adjacent structures. The Jackdaw appeared to trail me as I took photographs of the weathered stone steps and the window, thus becoming a symbol of a ghostly spectre of bygone days.

A photograph of a Jackdaw upon the old stone staircase of the Little Stair Tower taken at Warkworth Castle in Northumberland, UK

A second photo of a Jackdaw sat in the stone window at the Little Stair Tower, Warkworth, UK

A Brief History of Warkworth Castle

Warkworth Castle, with its imposing keep and curtain walls, stands as a medieval masterpiece, perched atop a hill overlooking the River Coquet. It is one of northern England’s largest and most impressive castles. The castle’s origins are veiled in antiquity, possibly dating back to the Iron Age. The exact founding date remains uncertain, but its current form, including the 'Lion Tower', the subject of my latest acrylic painting, emerged in the 14th century under the patronage of the formidable Percy family.

The exact founding date remains uncertain. Traditionally, it’s attributed to Prince Henry of Scotland, Earl of Northumbria, in the mid-12th century.
Alternatively, King Henry II of England may have overseen its construction when he gained control of England’s northern counties.
The first documented mention of Warkworth Castle appears in a charter from 1157–1164, when Henry II granted it to Roger fitz Richard.
‘Harry Hotspur’, the legendary knight immortalized by Shakespeare, once called it home.

Warkworth Castle grounds and The Lion Tower and The Little Stair Tower

Overview of the Lion Tower and its Historical Significance

The Lion Tower at Warkworth Castle boasts a captivating history. Constructed circa 1480 by the 4th Earl of Northumberland, it functioned as the principal entry to the newly established bailey residence. The tower is distinguished by its remarkable heraldic sculptures, featuring a striking lion that represents the Percy family's power and prestige. The Lion Tower was intended as a majestic gateway, leading to the great hall where the household would convene. This hall was a 15th-century renovation of a pre-existing edifice dating back to around 1200. The architectural and ornamental features of the tower were designed to display the family's dynastic achievements and elevated status.

For those fascinated by the history of Warkworth Castle in Northumberland, a valuable video from the YouTube channel Castles and Legends. has been included. Spanning 12 minutes, it delves into the captivating history of the castle.

" Warkworth Castle, a once majestic fortress steeped in drama and history located in Northumberland, England. Its story is one of power, betrayal, and enduring legacy. "

Did You Know?
Northumberland is renowned for its impressive collection of over 70 castle sites, the highest in the UK. This abundance is a testament to the region's rich history and its strategic position near the Scottish border, which has led to the construction of numerous fortifications over the years.

Keeper of the Castle - The Little Stair Tower acrylic painting

Visualisation sample only

If you are looking to purchase this painting, please contact me direct. You can also discover more original paintings featuring the birds and wildlife of Northumberland, alongside pieces on various other subjects. Consider dropping by to see if something catches your eye, particularly with Christmas on the horizon.

To commission a personal portrait, please visit my Commissions page for more information. For a custom pet portrait, explore my work on the Pet Portraits page.

Feel free to share your stories about your own trip to Warkworth Castle in the comments below.

Acrylic paintings of birds and wildlife by Northumberland artist Karen M Berisford

Acrylic painting of a European Bullfinch by Northumberland artist

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Northumberland's Warkworth Castle - Jackdaw on the Lion Tower steps acrylic painting

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Acrylic painting in progress of a Tawny Owl in the nook of a tree

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Aquiring Rare Berol Karismacolor Pencils: A Journey from Past to Present

22/7/2024

berol Karismacolor article

A collection of Berol Karismacolor pencils in numerous colours showing pencil logos

For an artist, there is always a high level of excitement that comes with unwrapping a package filled with freshly acquired art supplies. However, the opportunity to receive a package containing coloured pencils from a discontinued line dating back to 2005 dwindles with each passing year, making it increasingly unlikely to acquire such coveted items.

New stock of the Berol Karismacolor coloured pencils made in England between late 1980's and 2005

Fortunately, auction sites like eBay occasionally list Berol Karismacolor pencils, and I was extremely fortunate to discover a couple of sellers who are currently selling off stock from a craft supply clearance, allowing me to acquire some brand new stock. It was quite a surprise to discover some of the rarer colours in the collection as well. Pencils, both coded and non-coded, plus some discontinued colours can be found through these sellers. Links can be found in the article link at the bottom of this page.

Vintage Prismacolor pencils from the 1980's Empire era

What are Karismacolor pencils?

Karismacolor pencils were the European counterpart to the widely favoured Prismacolor Premier pencils. The original Prismacolor pencils debuted in 1938, while Karismacolor emerged in the late 1980s in England. In 1995, ownership of the company transferred and production shifted to the USA. The emergence of new European pencil brands likely contributed to the dwindling sales of Karismacolor pencils, and coupled with elevated shipping costs, led to their discontinuation in 2005.

Non-coded Berol Karismacolor pencils and the original 72 colour chart.

The Karismacolor pencils were originally offered in 72 colours, with each pencil prominently showcasing the designated colour name on the barrel. Over time, the colour palette expanded, and colour codes were introduced to align with the Prismacolor range. Throughout the production period, a total of 129 colours were created, but due to discontinuations, the largest available set consisted of 108 colours.

Vintage Berol Karismacolor pencils including some rare colours; Marine Green, Light Yellow Green, Bright Violet and Cold Grey Medium

Can you still buy the Berol Karismacolor pencils?

Should you wish to acquire some of these pencils, the links that direct to the sellers of the Karismacolor pencils can be found below.
I have written a comprehensive article about these pencils, which can be accessed on my Step by Step Art website by clicking this link.

Litana_9838

aapa8559

Please be aware that I am not affiliated with these sellers. I am aware of the challenges in finding these pencils, and having had a positive buying experience myself, I wanted to pass on this information to others.

If you have fond memories of the Berol Karismacolor pencils, please leave me a comment below. I would love to hear from you!

A collection of coloured pencil brands including Derwent, Caran d'Ache ad Faber Castell, for a comparison article

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A snow leopard eye coloured pencil drawing for a tutorial on black colourfix paper

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Please note; You can access all my other news blogs on the news blog archives page. This makes navigation easier allowing you to select the blogs that may interest you. Please click this link to view the archives.

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My Latest Lifelike Coloured Pencil Art Celebrating Four Canine Companions

7/1/2024

Visit the 'Behind the Scenes'

In October 2023, my friend Jet asked me to create four coloured pencil portraits. One portrait was intended as a gift for Jet's friend, another for her mother, and the other two were portraits of her beloved Boxer dogs. I have known Jet for over three decades, and during this time, I have had the pleasure of creating pencil portraits of her dogs on several occasions.

Here are all four portraits displayed with additional information about each individual. You can access a link below each image to learn more.

A Coloured Pencil Drawing of a White Boxer Dog

For this particular portrait, I had to be a little creative with the dog's body. Since the reference photo had limited detail, I used a photo from a gallery I've built up over the years of the client's other white Boxer dogs. This approach allowed me to complete the piece accurately and create a final portrait that was a true representation of the subject. It's a technique I've used successfully on a number of pet portraits to ensure the finished artwork is as complete and detailed as possible.

A coloured pencil drawing of a white Boxer dog called Carrot - Framing is simulated using the ArtStage app

While the concept of drawing a white dog on white paper may appear challenging, the key lies in understanding that white fur is not a singular tone, but a composition of subtle grey shades and shadows. The white paper itself serves as the highlight, providing the perfect foundation to build upon. If you'd like to learn more about the process or see more of the finished piece, just click the link below!

Working on a lifelike coloured pencil drawing of a white Boxer dog

The reference image

See How It Was Made

White Boxer dog custom-made coloured pencil drawing

A Coloured Pencil Drawing of a Brindle Boxer Dog

The reference photo for this portrait of Watson showed him wearing a thick blue collar, but it was cropped tightly, leaving very little of his body visible. To fulfil the client's request to have the collar removed and to create a complete and accurate portrait, I needed additional reference material. I was able to use a second photo of Watson, taken from a similar pose, which provided the necessary detail to accurately capture his body's form and extend the composition beyond the original image.

A coloured pencil drawing of a male brindle Boxer dog called Watson, in a grey mock frame

A coloured pencil drawing of a brindle Boxer dog presented in a simulated display using the ArtStage app

While it is possible to remove a collar during the portrait creation process, it adds a layer of complexity. The best way to ensure a seamless and accurate final piece is for the client to take the reference photograph without the collar if they do not wish for it to be included in the portrait. A clear, collar-free photo allows me to focus on the fine details of the dog's fur and form, resulting in a more natural and authentic piece of art from the very beginning.

Reference image of a brindle boxer dog used for a coloured pencil drawing

The reference image

Explore the Process

Boxer dog custom-made coloured pencil drawing

A Coloured Pencil Drawing of a Fawn Boxer Dog

The reference photo of Fungus provided by his owner, Jet, was ideal for this portrait. It was a large, high-resolution file with incredible detailing that remained sharp even when zoomed in. Taken outdoors in natural daylight, it had a perfect balance of light and shadow, which is always the best option for capturing a pet's true likeness. Although the photo was excellent, I needed to get creative with a few areas. Fungus was wearing a collar, so his chest wasn't fully visible. To ensure the finished portrait was as accurate as possible, I used a second image of him to fill in these missing details, as I did with the other portraits.

A coloured pencil drawing of a fawn Boxer dog in a walnut frame, presented in a simulated display using the ArtStage app

Boxer dog reference image for a coloured pencil portrait

The reference image

Explore the Making Of

Fawn Boxer dog custom-made coloured pencil drawing

This video offers a rare, behind-the-scenes look at three Boxer dog portraits, displayed side-by-side on the studio shelf. Without any sound or commentary, the focus is entirely on the finished artwork. The video invites you to simply observe the details of each piece, and showcasing them together highlights the unique character of each dog while also displaying the consistent style and meticulous detail applied across all three drawings.

A Coloured Pencil Drawing of two Mixed Breed Rescue Dogs

Creating this portrait presented a unique challenge, particularly with the smaller, grey dog, Kudu. The main reference photo showed him wearing a full harness that obscured a significant portion of his body, leaving many of the details of his fur and form to be filled in. To ensure as much accuracy as possible, I had to use a variety of other photos to complete the drawing. This was made even more difficult by the fact that both dogs were mixed breeds, meaning I couldn't rely on typical breed-specific research to inform the details.

A coloured pencil drawing of two mixed breed dogs in a white frame, presented in a simulated display using the ArtStage app

I discussed these challenges with my friend beforehand, and she understood that the final piece may not be a perfect representation of Kudu due to the lack of clear reference material. Jet allowed me to approach the portrait with a bit more artistic freedom, and ultimately, I was able to create a piece that captures the spirit of both dogs, using the available photos to bring their personalities to life.

Photographic images of two small mixed breed rescue dogs

Double portrait of two mixed breed dogs custom-made coloured pencil drawing

Final Thoughts

All the dogs in the photos wore either a collar or a harness, which were removed in the drawing as per Jet's request. Fortunately, Jet provided me with a collection of photos of each dog to make the process relatively easy. The photos were incredibly helpful as they provided me with a clear view of the intricate details that were obscured by the collars in the reference photos. However, there may be instances where the removal of collars, especially harnesses, is a difficult task, especially if they hide crucial details. In such a scenario, removing them can only be considered if additional photographs are made available.

4 coloured pencil drawings of boxer dogs and mixed breed dogs in a simulated display

All four coloured pencil drawings in a grey wood frames, presented in a simulated display using the ArtStage app

PHOTO TIPS
For advice on selecting the best reference photos for your own bespoke portrait, or for tips on conducting a mini photoshoot to gather suitable images, please visit my 'Photography Tips' page. I offer simple guidance to help ensure your photos will result in a high-quality portrait that you'll cherish for years to come.

If you're interested in a custom coloured pencil portrait, I'd be delighted to discuss your ideas.
Whether you have a beloved pet, a cherished family member, or another subject in mind, please get in touch! You can learn more by visiting my commissions page, or feel free to email me directly at to start the conversation.

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Coloured pencil drawing of an English Bulldog in a mock wooden frame

COLOURED PENCIL GALLERY

coloured pencil drawing of a Golden Retriever sat amongst Pink Rhododendrons

Caran d'Ache Luminance pencils and a black Labrador retriever cross coloured pencil drawing

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Creating an Oil Pastel Portrait of Storm -A Yellow Labrador Retriever

21/8/2023

oil pastels gallery & pricing

After completing an oil pastel portrait of our beloved late black Labrador, Haze, I knew it was time to create one for our beautiful yellow Labrador, Storm. At 14 years old, every day with him is precious, and I wanted to capture his likeness in a piece of art that I could cherish forever. As Storm is very photogenic, we have so many stunning references of him, and finding the perfect photo was a challenge, but I thought this particular composition would make an ideal portrait, showcasing his gentle nature and unique character.

Read on and discover the step-by-step process behind my oil pastel painting of Storm. You'll gain a better understanding of how everything comes together and the techniques I use to achieve my results, particularly insightful if you are looking to book a portrait of your own.

In loving memory of Storm
20th of October 2023

A Look at My Artistic Style

When it comes to my oil pastel paintings, I prefer a loose style that is reminiscent of traditional oil paintings. These highly pigmented pastels boast a vibrant and striking colour palette, and help to create a textured finish that adds depth and character to the overall composition. My aim is always to bring the subject to life by accentuating their unique features through careful layering and definition, resulting in a piece that is both authentic and captivating.

An oil pastel painting of a yellow labrador in progress

Building up the foundations - adding the base tones before blending on an oil pastel painting

The Foundation of the Painting

The artistic process begins with a loose application of base colours. To manipulate the soft pastels and achieve soft backgrounds with seamless blends, I rely on essential tools such as paper stumps and silicone blending tools, which are invaluable assets in my studio. I work with both standard and large oil pastels from the Sennelier brand, which allows me to cover expansive areas, effortlessly, with rich colour. For more intricate details and enhanced precision, I turn to the Caran d'Ache Neopastel pastels, which offer a firmer application. I occasionally use coloured pencils when detailed work is required.

Here are several images that showcase the progress of the oil pastel painting and how it came together.

Adding the base layers to an oil pastel painting of a yellow Labrador retriever in a field of wheat

Refining the detail of a yellow labrador in a wheat field

blending an oil paste; painting of a yellow labrador retriever with a paper stump

photograph for the oil pastel painting of a yellow labrador in a field of wheat

reference image

Considering a Portrait of Your Own?

By sharing my process, I hope to provide you with a deeper understanding of the thought and care that goes into an oil pastel portrait. From selecting the perfect composition to choosing the highest quality materials, every step is taken to ensure that the final piece is a beautiful and lasting tribute. This insight can be especially helpful if you're considering commissioning a portrait of your own cherished companion.

Oil pastel painting of a Yellow Labrador in a wheat field

Completed oil pastel painting of Storm

Understanding the techniques and materials I use can give you confidence in the quality and craftsmanship of my work. If you are interested in commissioning a custom portrait of your pet in oil pastels, visit the gallery below. You can also visit the Pet Portraits gallery to explore my work in coloured pencil and acrylic mediums, allowing you to compare different styles and techniques. Click the links below to visit my portfolio or contact me directly to start the conversation or if you have any questions.

Cavalier King Charles Spaniel oil pastel painting in a walnut mock frame

black labrador retriever in oil pastels and sennelier and neopastels

pet portraits gallery

An oil pastel painting of a dashboard of a two-tone green Mercury Montclair 1956 car

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oil pastels paintings of labrador retrievers

how to commission a portrait

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Capturing the Timeless Beauty: Sycamore Gap Tree Oil Pastel Painting Artwork

28/7/2023

OIL PASTELS GALLERY & PRICING

I recently finished an oil pastel painting of the famous 'Sycamore Gap' tree in Northumberland. This tree has been an iconic landmark in the landscape since the 19th century, as stated by the National Trust, the organisation that owns the land where it stands.

Neopastels and Sennelier oil pastels in wooden trays next to an oil pastel painting of the Sycamore Gap Tree in Northumberland, UK

What subject could be more fitting for an oil pastel painting than the iconic Sycamore Tree beside Hadrian's Wall in Northumberland National Park? The highly abrasive Fisher400 paper enhances the application's effectiveness, creating subtle peaks of texture. The creamy texture of the oil pastels ensures the pigment spreads smoothly and quickly, culminating in a stunning impasto effect.

In this painting, my intention is to apply pastels in a deliberately loose and patchy manner, offering a unique interpretation of the subject. This method gives the artwork a distinct quality that sets it apart from my other pieces created with acrylics and coloured pencils. With oil pastels, I find I can express myself more freely, while still pursuing a degree of realism that presents a challenge, which is my primary goal in any artwork I complete.

White oil pastel from Sennelier resting on an oil pastel painting of the Sycamore tree in Northumberland, UK

As is the case with any form of art, the ultimate judgment of the finish of a piece lies with the viewer. Personally, oil pastels, a relatively recent addition to my artistic repertoire, rank among my preferred mediums due to their versatile manipulability and capacity for expressiveness, especially when working on larger canvases. The drawback of oil pastel artwork is its tendency to attract debris, necessitating a protective cover during non-working periods. While they mimic the polished look of oil paintings, oil pastel works should invariably be displayed behind glass when framed.

Hadrian's Wall

A little background on the tree and surrounding area

The Sycamore Gap Tree, also known as the Robin Hood Tree, is a popular attraction near Crag Lough in Northumberland, England. It stands in a dramatic dip, created by glacial meltwater, next to Hadrian's Wall and is situated within the landscape, surrounded by dramatic cliffs and rising walls. The tree gained its alternative name from its appearance in the 1991 film Robin Hood: Prince of Thieves and the music video for Bryan Adams 'Everything I do, I do it for you' a song from the film's soundtrack. In 2016, it won the England Tree of the Year award. The National Trust owns the wall and the land around the tree, a favourite spot for tourists and photographers. It is visible from the nearby Military Road and is considered one of the most photographed trees in the country, possibly the most photographed point, even in all of Northumberland National Park.

The Felling of the Sycamore Gap Tree

On the 28th of September 2023, during the chaos of Storm Agnes, the Sycamore Gap tree was intentionally felled in an act of vandalism, whilst under the influence of alcohol. In just a few minutes, the tree that had stood for nearly 150 years was cut through with a chainsaw, while the act was recorded on a phone. The felling also caused damage to the section of Hadrian’s Wall where it had stood, adding to the seriousness of the offence. After a lengthy investigation and trial, the two men responsible were convicted of criminal damage both to the tree and to the ancient wall, and each received prison terms of more than four years.

The beauty of the surrounding area of the Sycamore Gap Tree and Hadrian's wall

New growth and preservation efforts

The site itself is showing signs of resilience, with the stump sending out fresh shoots. The National Trust has also been cultivating saplings grown from the tree’s seeds, with the hope that one day they might return to the Gap. Meanwhile, a large section of the trunk has been saved and moved by crane to be displayed at the nearby visitor centre, giving people a chance to reflect on both the loss and the enduring legacy of the iconic tree.

A framed oil pastel painting of a 1950's scene of a green Mercury Montclair car and a lady hanging her legs out of the window wearing green high-heels

A lifelike oil pastel painting of a Cavalier King Charles Spaniel

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An acrylic painting of a Weasel amongst the rocks on Newbiggin by the sea beach

A collection of oil pastel paintings including Sycamore Gap Tree, Black Labrador dog, Pink Flamingo and Green shoes and Mercury Montclair car with Sennelier oil pastels and Caran d'Ache Neopastels

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1956 Mercury Montclair & High-Heels | Oil Pastel Painting

5/7/2023

Looking to purchase? Find out more here >

I’m so excited to share the first piece from my new oil pastel series. In this blog post, I’ll be taking you through the creative process behind this painting, talking more about the medium, and introducing the new portraits I'll be offering. The series itself features a true classic: a vibrant, bright green 1956 Mercury Montclair, with a female driver in authentic 1950s attire to complete the vintage scene.

Oil pastel painting of a green Mercury Montclair car and female driver hanging her legs out of the car window, whilst wearing green stilettos

The oil pastel painting in a mock frame

This particular painting is a personal favourite. It captures that feeling of a long, lazy summer day, with the driver casually dangling her legs out of the car window. The flash of turquoise from her stilettos is a brilliant touch, adding a vibrant detail that sets off the car's colour and contributes to the overall nostalgic feel. Read on to find out more about this piece and the inspiration behind it!

Oil pastel painting of a green two-tone 1956 Mercury Montclair car and green high-heels - Sennelier oil pastels and Caran d'Ache Neopastels

When I began this piece, my intention was to evoke a sense of serenity and positivity. The sunny setting envelops the scene in a golden glow, bathing everything in warmth that is almost tangible; you can feel the sunshine radiating just by gazing at the image. The stiletto heels, elegant and striking, combined with the charming 1950s dress, transport me back in time, conjuring memories of a carefree era filled with joy and simplicity. As someone who grew up in the vibrant 1980s, the mint green high heels hold a special place in my heart, reminding me of a beloved pair from my youth. They add a delightful touch to the overall composition, creating a nostalgic yet fresh visual harmony.

Crafting a Lasting Portrait

My portraits are created using only the finest professional-grade materials. I choose Sennelier oil pastels and Caran d'Ache Neopastels for their rich, vibrant colours that are known for their longevity and resistance to fading. The portrait is created on a dark grey Pastelmat paper, a unique surface with a velvety texture that holds the pigments securely, preventing any smudging. This ensures the artwork stays pristine for years to come. The dark grey tone is a deliberate choice; it provides a perfect background that makes every colour, from the brightest highlights to the deepest shadows, stand out with incredible depth.

It's important to be careful when working with oil pastel drawings since they are never fully dry. To prevent dust and debris from sticking to the pastel, I used a non-stick sheet to protect the surface as I worked. I also used blending tools to avoid unintentional colour transfer and applied the finer details gradually, which can be difficult when working with a soft medium like an oil pastel.

Blending with a Tortillion on an oil pastel painting of a green two-tone 1956 Mercury Montclair car and green high-heels

Oil pastels offer a fantastic opportunity for artistic expression. Their opaqueness allows for easy correction and the ability to add more colour as desired. Embracing the freedom to adapt and modify certain aspects of the image can create a captivating and thought-provoking piece. For instance, the open arch symbolises a journey, sparking the imagination to ponder what lies beyond.

Sennelier and Neopastel oil pastels on an oil pastel painting of a green two-tone 1956 Mercury Montclair car and green high-heels

This portrait is available to purchase unframed, but as with all my portraits, it will be well-packaged to prevent any damage or dirt. I highly recommend taking it to a trusted framer for secure mounting and framing. Every painting I create includes a certificate of authenticity and aftercare instructions.

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Capturing Haze: A Lifelike Oil Pastel Portrait of a black Labrador Retriever

24/4/2023

OIL PASTELS GALLERY & PRICES

I’ve just completed an oil pastel portrait of our black Labrador, Haze, which gave me the chance to explore a medium that has become one of my favourites. Alongside my long-standing work with coloured pencils and acrylics, I’ve come to value oil pastels for their versatility. They allow me to build rich layers of colour with a real sense of energy, while also refining them into subtle marks that bring out texture and detail. This balance between strength and delicacy makes oil pastels an ideal medium for capturing the individuality of a subject.

Here I share the stages of creating an oil pastel portrait, from materials and techniques to protection during the process and the finishing touch of framing. It offers an insight for those thinking about commissioning a pet portrait in this medium.

Neopastels and Sennelier oil pastels and an oil pastels painting of a black labrador with a raspberry squeaky dog toy created on Ampersand Pastelbord

In loving memory of Haze - 03.05.23

My latest oil pastel portrait is of our much-loved black Labrador, Haze. I had always admired this photograph of him, knowing it would make a strong composition. As my first pet portrait in this medium, I was especially curious to see how oil pastels would handle the challenge of black fur, which is notoriously difficult to capture. To my delight, their blendability made the task easier than expected and allowed me to portray Haze’s silky coat with real depth and softness.

Through Haze’s portrait, you’ll see how an oil pastel painting grows, from early foundations to the final frame.

For my oil pastel portraits, I rely on a combination of professional-grade materials and carefully chosen surfaces. I usually work on either Ampersand Pastelbord, a rigid archival board that is simply framed with protective glass, or Clairfontaine Pastelmat, a high-quality paper designed to be mounted and framed in a more traditional style. For the pastels themselves, I favour leading brands such as Sennelier and Caran d’Ache.

Oil pastel painting in progress, showing the first layers of color being applied before details are added.

An oil pastel work in its early stage, where the base is built prior to refining the details

This is where an oil pastel portrait begins. The first priority is always the eyes, as their placement establishes the likeness and sets the character of the subject. Once that anchor point is in place, using the soft Sennelier oil pastels, I apply a loose base of pigment to block in the main shapes, highlights, and values. Sennelier’s soft pastels are renowned for their rich pigmentation and smooth application, perfect for layering vibrant tones and building the depth needed in fur or skin. At this stage the work looks rough and unfinished, but these early marks are essential for building structure. The background is generally left untouched until the foundational layers of the subject are established, providing a framework on which the rest of the portrait can grow.

Progress so far on a black Labrador oil pastel painting

At this stage the portrait begins to take on a more defined appearance. With the base layers established, I use the firmer Neopastels to introduce finer details, which help to define the contours of the face and body. These marks lay the groundwork for the next step, careful blending with paper stumps, which allows me to create the texture of fur, smooth out the background and sharpen the details that bring realism to the portrait. The combination of controlled pastel application and blending ensures the portrait develops depth, balance, and character.

Blending oil pastels with a tortillion on a black Labrador painting

I use a variety of blending tools, but I find that paper stumps and the smaller tortillions offer an effective and inexpensive way to soften oil pastels. I simply wipe the tips clean as I work so they can be reused, and if they become too worn or dirty they are easily replaced. More recently I’ve also introduced silicone-tipped tools, which are especially useful for creating very fine lines when blended with care.

Here is the portrait so far, with Haze keeping a watchful eye. At this stage I’ve begun to build up the background, which is now giving the piece a greater sense of depth and setting the subject more firmly within the scene. It's useful to start with a darker base layer for the background, as this provides contrast and makes the brighter tones stand out more vividly. In this case, the rich greens of the grass begin to glow against the darker foundation, adding both atmosphere and three-dimensionality to the portrait.

Framing and protecting oil pastel artworks require a bit of extra care, as the medium never fully dries. I always store my finished pieces in a safe, dust-free spot until they’re ready to be framed. When it comes to framing, I recommend using glass to shield the painting from dust, pet hair, or other debris that could stick to the surface. Without glass, attempting to clean the artwork risks smudging or damaging it. When commissioning a portrait, I always provide the customer with an after-care guide, which can also be shared with your framer to ensure the piece is presented and protected in the best possible way.

spacer and glass in an oil pastel painting of a black labrador

A key detail in framing oil pastels on Ampersand Pastelbord, is including a spacer between the artwork and the glass. This thin strip creates a small gap to prevent the pastel from sticking to the glass, which could otherwise cause permanent damage. The spacer is discreet, barely noticeable unless you’re inspecting the frame up close, and it ensures the artwork stays pristine. For Haze’s portrait, I chose acrylic glass for its durability and lower risk of shattering compared to traditional glass. It’s a practical choice that doesn’t compromise on clarity, making it ideal for showcasing the rich textures of an oil pastel piece. For oil pastel paintings created on Pastelmat, a spacer is unnecessary because the mount serves as a protective barrier between the artwork and the glass.

Oil pastels are a wonderful medium for creating heartfelt, striking portraits that truly reflect the character of your subject. Whether it’s a pet, a loved one or a cherished memory, I welcome the chance to create a portrait in oil pastels that feels both personal and lasting.

If you’re interested in commissioning a portrait or would simply like to find out more about the process, please don’t hesitate to get in touch. I’m always happy to answer questions and to create something personal and meaningful.

READ HAZE'S STORY HERE

oil pastel painting of a 1956 Mercury Montclair and driver wearing green high-heels

Cavalier King Charles Spaniel oil pastel painting

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Exploring Art Materials: Derwent Chromaflow, Sennelier Oil Pastels, plus: Soft Pastel Poppy Fields Tutorial

26/2/2023

Note: This article was originally published in 2023 and has been updated in 2025 to expand the tutorial and product review write-ups, and include new information about our downloadable resources.

Whether you're exploring new materials or refining your technique, this blog offers practical insights into coloured pencils, oil pastels, and a soft pastel tutorial, all designed to support your creative development. Originally published in 2023, this post has been updated in 2025 to reflect new resources, expanded content, and additional ways to stay connected.

Here, you'll find detailed reviews of popular art products, step-by-step tutorials, and links to downloadable resources that cater to artists at every stage. Each article is crafted to offer clarity, accuracy, and hands-on value, not just surface impressions.
If you're looking for reliable guidance and a place to deepen your understanding of art materials and techniques, you're in the right place.

Derwent Chromaflow Coloured Pencils

Derwent’s Chromaflow range, released in 2021, offers a bold and affordable option for artists seeking vibrant colour and smooth application. In our review, we analyse the overall quality and usability of the pencils, comparing Derwent’s marketing claims with our own hands-on experience. We also examine their lightfastness ratings, discuss how they perform in practice, and include feedback from other artists to provide a balanced perspective.

Chromaflow pencils are particularly well-suited to artists who enjoy expressive colour work or are transitioning from student-grade materials. Their soft core makes them ideal for quick coverage and rich saturation, though they may require a lighter touch when working on detailed areas. Chromaflow is positioned as a softer, more saturated alternative within Derwent’s coloured pencil lineup, and we explore how it compares to the Prismacolor Premier range in terms of handling, layering, and suitability for detailed work. If you're looking for a pencil that balances affordability with performance, this article offers practical insights and side-by-side comparisons to guide your choice.

Read the full review for performance tests, comparisons, and user feedback.

Sennelier Oil Pastels

Sennelier’s oil pastels are renowned for their buttery texture and intense pigmentation, making them a favourite among mixed media artists and those working in expressive styles. In this article, we explore the history of the brand and its development of this unique medium, offering context for its enduring popularity among artists. Unlike traditional dry pastels, oil pastels do not require fixative and can be used on a variety of surfaces including paper, canvas, and even wood.

We share practical hints and tips for working with oil pastels, including how to achieve painterly effects, manage layering, and blend effectively using recommended accessories. This article is especially useful for artists exploring oil pastels for the first time, or those seeking to expand their toolkit with a medium that offers both painterly effects and direct mark-making. The review also covers lightfastness ratings, surface compatibility, and customer feedback, helping you understand what these pastels can realistically achieve and how best to use them.

Explore the full review for swatches, layering tests, and practical advice on working with this vibrant medium.

Poppy Field - Soft Pastels Tutorial

This tutorial guides you through the creation of a vibrant poppy field using soft pastels, with a focus on tonal layering, atmospheric depth, and colour harmony. Designed for beginners and intermediate artists alike, the tutorial breaks down each stage of the process with clear, actionable steps.

We cover how to block in major shapes, build tonal contrast, and use blending techniques to create a sense of movement and light. The tutorial also includes guidance on choosing suitable paper, managing pastel dust, and refining details without overworking the surface.
Whether you're new to soft pastels or looking to improve your landscape work, this tutorial offers a structured approach that encourages experimentation while building confidence. It’s a great way to explore colour relationships and develop your understanding of composition.
Access the full tutorial and follow along with step-by-step images and practical tips.

Mungyo Inscribe half stick soft pastels article

This tutorial features Colourfix black paper and Mungyo Inscribe half-stick pastels, but you're welcome to use materials you already have on hand. A dark, textured surface will give you the best results. Inscribe pastels are student-grade, with pigments that tend to be less opaque than professional options such as Sennelier or Unison, though exact colour matching isn’t required. In fact, it’s a chance to experiment and develop a pastel piece that reflects your own choices and style.

About Step by Step Art

Step by Step Art is an independent educational resource for artists who value precision and practical instruction. Whether you're working in coloured pencils, oil pastels, soft pastels, acrylics, or graphite, it offers structured tutorials, product reviews, and downloadable tools to help you build confidence and improve your results.
The site is designed to be accessible and informative, with content tailored to both beginners and experienced artists. You’ll find:

In-depth tutorials that break down complex subjects into manageable stages
Reviews on a multitude of products, based on real-world use, not promotional fluff
Downloadable resources including colour charts, reference packs, and technique sheets in our kofi shop

Every article is written with editorial care and tested experience, so you can trust the information to be accurate, relevant, and free from marketing bias. Step by Step Art is not affiliated with any manufacturer, reviews and recommendations are based solely on performance and usability.

step by step art kofi community and shop link

2025 Updates: What’s New on SBSA

Since this blog was first published in 2023, Step by Step Art has continued to grow, with new resources added to support artists across a range of mediums. In 2025, we’ve expanded our downloadable content, refined tutorial layouts, and introduced new ways to stay connected. Recent additions include a shop with downloadable content, both free and premium.

Our Ko-fi page is the social hub for Step by Step Art, a streamlined space where you can follow the latest updates, access exclusive downloads, and support the site if you wish.
What you’ll find there:

Free digital downloads: tutorial outlines, colour charts, and reference images
Premium packs: curated royalty-free image sets and technique guides
eBooks: in development for oil pastels, coloured pencils, graphite, soft pastels, and acrylics
Blog posts and video updates: insights and new releases

Unlike traditional social media platforms, Ko-fi offers a distraction-free experience focused entirely on art education and resources. You won’t encounter ads (which we hate as much as you do), or unrelated content, just clear, timely updates and tools to support your practice.

Ko-fi Page: Follow, Download, Support

If you’d like to stay informed or access new materials as they’re released, following the Ko-fi page is the simplest way to do so. You’re welcome to follow us on our other social media platforms via the links below. While these pages are still in the early stages, we’re actively working to populate them with useful content and updates. You can also find us on other social media sites, with links available below.

Find us on YouTube

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Thanks for reading, we hope this expanded blog has offered useful insights and helped you discover new tools and techniques to support your art practice. Whether you're here for tutorials, reviews, or downloadable resources, Step by Step Art is committed to providing clear, practical guidance for artists at every stage.

If you’ve tried any of the materials or tutorials mentioned, or have suggestions for future content, feel free to leave a comment below. Your feedback helps shape the direction of future articles and ensures the site continues to meet the needs of its readers.

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Charming Calico Cat Duo: Acrylic Pet Portraits for a Golden Wedding Anniversary

9/8/2022