|
A message from Karen:
While I have loved creating bespoke commissions over the years, I will soon be closing my books to custom pet and portraits work, though you can still place an order up until the end of August 2026. After decades of having the absolute privilege to paint your loved ones, I want to say a heartfelt thank you to every single customer who has trusted me with such deeply personal and special portraits over the years.
Whether you're planning ahead for a birthday, a special occasion or just looking for a special keepsake, commissioning a portrait with me is a straightforward process.
This guide will walk you through the different mediums you can choose from, how to place an order, framing options, and what to expect with timescales. My goal is to make sure you feel completely confident and excited about booking your special portrait with me. 
Northumberland artist Karen M Berisford at the easel, working on a coloured pencil drawing of her Springer Spaniel, Casper
Why Should You Book a Portrait with Me?
If you have come across my website, you may be considering the question, "Why should I book a portrait with you?" Your visit may be motivated by my proximity or my focus on pet portraits. Below, I provide some information about my work ethics to help you feel confident in selecting me to create a portrait that is truly meaningful to you.
I’m a self-taught artist with over 35 years’ experience in coloured pencils and more than 20 in acrylics. My focus is realism, but not in the sense of simply copying a photo. I take time to study the details that reveal character, posture, expression, the subtleties that make someone or something recognisable beyond the surface. This approach gives the portrait depth and meaning. It’s not just a likeness, it’s a considered interpretation. A photograph might capture a moment, but a portrait offers something more sentimental. It’s built with care, and made to last. 
Triple portraits of Boxer dogs created in coloured pencils
To create portraits that stand the test of time, it is vital to use only the finest archival, acid-free materials. Every step of my artistic process is infused with a commitment to quality. I carefully choose an array of archival and lightfast products, including GOLDEN acrylics, Caran d'Ache Luminance, and Derwent coloured pencils, all paired with acid-free and archival surfaces. These intentional choices not only enhance the longevity of each piece but also amplify the vibrancy of colours. The rich hues you encounter in the finished artwork are crafted to remain brilliantly bright, preserving their depth and clarity for generations to come.
An acrylic painting of a yellow labrador retriever
How to Book Your Custom Portrait: A Simple GuideIf you’re considering booking a portrait with me, I am always available to answer any questions you may have. I’ve also provided comprehensive information here that will help you understand what to expect when commissioning a portrait with me.
Timescales
I don't follow a strict first-come, first-served queue. Instead, I manage my workload based on customer deadlines. My work is very detailed, so I can only take on a limited number of portraits each month.
I rotate between multiple pieces at once to keep my creative flow fresh and to ensure I can accommodate clients with urgent requests. This allows me to fit in a rush order without impacting the completion dates of other portraits. If you're in a hurry, consider a coloured pencil portrait. Unlike acrylics, they don't require any drying or varnishing time. Acrylic paintings need one to two weeks to fully dry and be varnished, which is a crucial step before framing. 
An acrylic painting in progress of a young girl and her grey horse
What happens next?
Once the details of your commission are agreed, a 50% deposit (payable by bank transfer or PayPal) secures your booking. When the portrait is underway, I’ll create a private page for you on this website and share the link, so you can follow progress as the work develops. You’re welcome to keep in touch during this stage if you’d like any adjustments made or simply have questions.
When the portrait is finished, I’ll upload an image to your page for your approval. Acrylic paintings are then varnished and, if you’ve chosen framing, prepared accordingly. Coloured pencil portraits are carefully packaged at this stage. Once the final balance has been settled, the portrait is securely packed and dispatched. Within the UK, delivery is via a tracked 24-hour service. International orders are sent by special delivery, with arrival typically within 5–7 working days. 
An acrylic painting commissioned of a father and son embracing at his wedding
Do you Only Create Pet Portraits?
No. Alongside bespoke pet portraits, I also produce portraits of loved ones and special events. These make considered gifts for occasions such as birthdays, anniversaries, or weddings, and can offer a respectful way to commemorate those who are no longer with us.
Each piece is crafted with care and attention to detail, aiming not just to reflect appearance but also to convey personality, love, and treasured memories.
If you’d like to explore the possibility of a custom portrait, my online form is the best place to start. You can upload a favourite image or two and share your ideas, whether detailed or just a starting point. I’ll take a close look and get back to you with a no-obligation quote and a sense of how your vision could be brought to life. Alternatively, you’re welcome to get in touch directly or explore further details through the links below.
0 Comments
As a coloured pencil artist, I’m always curious about new brands entering the market, as well as popular ranges I’ve yet to explore myself. With so many options available, not every pencil suits the way I work. I rely on materials that support realism, whether I’m building soft transitions, refining anatomical detail, or layering for tonal depth. The pencils I choose have a direct impact on the results I can achieve, so I’m selective about what earns a place in my studio.
Alongside this website, I also run a second one that offers a wide range of articles and tutorials for artists at all levels. In early 2025, I revisited one of the most popular articles on that site: an in-depth comparison of coloured pencil brands. I selected 18 ranges, including Derwent, Caran d’Ache and Prismacolor, and put each one through a series of practical tests to see how they perform in areas like blending, layering and opacity. Rather than relying on manufacturer claims or surface-level reviews, I wanted to see how these pencils behave under scrutiny.
The guide is designed for artists who want clarity when choosing materials, whether you're looking for the brand that offers the most suitable range for building soft transitions, refining detail, or working with complex layering. It’s not about picking a single winner, but about understanding which pencils suit which techniques. I’ve tested both well-known and lesser-known ranges on consistent surfaces, so you can see how they stack up across key criteria. If you're expanding your pencil collection or starting from scratch, this guide offers clear, practical insight from an artist with over 40 years' experience working in coloured pencil and includes the following brands:
You’ll also find links in this article to other content on the Step by Step Art website, including guides, tutorials and resources. It’s a good way to explore what’s available. If you find it useful, feel free to bookmark the site and check back from time to time as new material is added regularly.
Pigmentation and Coverage on Dark Surfaces
One of the first tests looks at pigmentation and coverage on black paper. This reveals how strong each colour appears when applied over a dark base, and how the core texture, whether soft or firm, affects opacity and control. For artists who rely on contrast or work on toned surfaces, this section is especially useful.
Article of interest: If you're looking to improve your coloured pencil technique or want to learn how to build realistic detail on textured paper, the Snow Leopard Eye tutorial walks you through it step by step. Click the image above to give it a go.
How Well Do These Pencils Blend?
The blendability test focuses on how smoothly each pencil transitions between tones. Using a heavyweight paper, I assessed how the core softness influences blending and whether the pencils allow for seamless tonal shifts. If you work with fur, skin, or subtle gradients, this test offers practical insight.
Article of interest: Need help with blending coloured pencils? This article breaks down the products designed to help you achieve smoother blends in your pencil work. Click the image above to read more.
Opacity and Core Strength Under Layered Applications
Opacity and core strength are also examined. I tested how well white pigment holds up when layered over darker tones, and how much smudging occurs during blending. A neutral grey base was used to ensure both light and dark pigments were fairly represented. This section is ideal for artists who need clean transitions or who prefer pencils that resist smudging during fine detail work.
Article of interest: Need practical storage for your coloured pencils? The KX Pencil Rack by Creations by Rod (Kent, UK) offers a smart, space-saving solution. Click the image above to read the article and find out how you can purchase one.
Which Brands Handle Layering Best?
Layering capacity is another key area. I trialled each brand to see how well they perform under multiple applications. Some pencils build beautifully without breaking down, while others struggle to maintain clarity after several layers. If you rely on layering to achieve depth and realism, this test will help you identify which brands support that approach.
Article of interest: Just starting out with coloured pencils? This beginners guide covers the essentials to help you get started. Click the image above to read more.
Finding the Whitest White for High-Contrast Work
The Whitest White test stands out for good reason. I used a black 300gsm paper to see which pencils produce the strongest results without any adjustments. What you see is exactly what the pencil puts down. The contrast is deliberately low to show how each one performs in real use. If you rely on white for highlights, fur texture or sharp accents, this section is worth a look.
Article of interest: With the right approach, even low-cost, unbranded pencils can produce strong results, especially when paired with the brightest white. The WHSmith colouring pencil article shows how. Click the image above to read more.
Click the image below to go to the full Comparing Coloured Pencils article. It covers the results in detail, showing how each pencil performed across the tests. If you're weighing up options or just curious to see how your favourites held up, it's worth a look.
Click through to read the article
As you read through, you’ll find links to individual articles for each pencil brand, so you can explore further a particular range catches your interest. It’s about finding the pencils that suit your way of working, ones that deliver when you need quality and strong, reliable colour. The resource will keep expanding as more brands are added, so feel free to bookmark it and check back now and then.
You can also visit the main pages on the www.stepbystepart.co.uk website, by clicking any of the images below. 
Do you have a go-to pencil for blending or layering?
Or maybe a favourite that’s not on the list? What makes your favourite brand stand out from the rest? Feel free to share your thoughts, questions or favourites in the comments below. In this article, I am pleased to share my latest artworks. Three new acrylic paintings, which include a touching moment of a father embracing his son on his wedding day, and a young girl named Lois riding her grey horse Vinnie. Additionally, I unveil my latest coloured pencil portraits, featuring a Golden Retriever surrounded by vibrant pink Hydrangeas, and two Boxer dogs that complement last Christmas's portraits. Each piece is crafted with meticulous attention to detail to capture the essence and personality of the subjects and each one was commissioned for friends and family members for various special occasions, including Christmas. Discover the inspiration behind each unique creation and watch how these portraits were brought to life through the time-lapse videos. For those interested in commissioning a personal portrait, more information can be found on my Commissions page. Jimmy & Craig - Portrait in AcrylicsGifted by Daniel to a friend after the recent loss of his father Daniel made a formal request for an acrylic painting measuring 12" by 16", depicting a heartfelt moment of a friend embracing his father during his wedding ceremony. This artwork was commissioned as a thoughtful gift to commemorate his friend's birthday in December. Daniel's initial request is detailed below: " I am considering getting a portrait commissioned (30x40 acrylic) on behalf of my friend whose father has recently passed. The picture I have is taken indoors, although well lit, when his father surprised us all by making it to his wedding day despite being critically ill. It was a pivotal moment in his life and I would love it captured by yourself and I think it would help him through the grieving process. "  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Portraiture is among my favourite subjects to create. As an artist, I find inspiration in challenges, and I consider portraits to be particularly demanding. While the majority of my work focuses on pets, I greatly appreciate the opportunity to diversify my portfolio when clients inquire about portrait commissions. Although I generally refrain from incorporating text into my paintings, I recognised the significance of this phrase to the recipient. As a result, I was able to integrate it in a way that maintains both cohesiveness and visual appeal.  'Jimmy & Craig' Below are two time-lapse videos that highlight two key stages of the painting process. The first video illustrates the detailing of the jackets, while the second video focuses on the completion of the face and head. Although the videos are brief, they each represent around 2 hours of work.
" Hi Karen, I have reviewed the painting and it's exactly how you promised it would be. I'm sure he'll love it." Daniel Merseyside, UK If you’d like to dive deeper into the process, feel free to visit the dedicated page for Jimmy & Craig’s portrait, where I share my personal insights and an in-depth overview. Acrylic Painting of a Young Girl and her HorseGifted by Joan to her great-grand-daughter Lois This acrylic portrait was commissioned by my lovely neighbour, Joan, as a thoughtful gift for her great-granddaughter, Lois, who is 13 years old.  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. This portrait was created from a physical photograph, which presents a greater challenge compared to digital images due to limited editing capabilities. While it is possible to adjust brightness and contrast in the scanned photo, extracting additional detail as one would with a digital file is not feasible, which added complexity to the process. Additionally, I designed a new background, as the original photo lacked visual appeal.  In this case, the original image presented a concrete road, a few sparse trees, and a dreary overcast sky, which inspired me to explore ways to improve the scene. By transforming the background with lush greenery and a brighter sky, I turned a rather mundane setting into a more visually appealing landscape. A Coloured Pencil Memorial Drawing of Elsa, the Golden RetrieverIn memory of Elsa - October 2024 This was gifted from Melvin and Kay to two dear friends in honour of their cherished Golden Retriever (and ex guide dog), Elsa, who recently passed away. Due to the nature of this presentation as a surprise gift for the two recipients, the commissioner was only able to supply a limited selection of photos of Elsa. Although the available details were minimal, I was able to create a new composition based on one of the photos, featuring Elsa in a recognisable area of the garden, positioned beneath the Hydrangea bush with a tennis ball in front of her. " We are looking to place a commission for a portrait of a dog and we are very impressed with your body of work. The subject doesn’t belong to us but is very dear to us. The dog is named Elsa and she is a retired guide dog and she lives with two very special friends of ours. Very sadly, Elsa is coming to the end of her life and we are hoping a portrait will give our friends a lasting memory of Elsa."  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Elsa frequently found comfort beneath the hydrangea bush, highlighting the importance of creating a composition that would serve as a lasting tribute to her in her favourite spot in the garden. The portrait was developed using two distinct images, as the client was unable to provide a suitable photo of her in a lying position. I combined a photograph of Elsa's head with an image of the body from a different Golden Retriever to achieve a realistic representation of the desired pose. Additionally, I used other photographs of Elsa to ensure that the colouration accurately reflected her likeness, while also omitting any white hairs typical of her youthful age of eight years, in accordance with the client's request.  As you might expect, the most time-consuming aspect of the portrait was meticulously crafting the leaves and petals of the flowers. I found myself consistently underestimating the amount of time this intricate detail required, often losing track of how many hours I dedicated to perfecting the background detail. To give you a sense of the labour involved, I’ve included a couple of time-lapse videos. These clips capture the painstaking process and reveal the hours of effort that went into each stage of the artwork, with each video spanning approximately two and a half to three hours of my work. As previously mentioned, I have a deep passion for tackling challenges, and I found immense satisfaction in the process.
" We cannot thank you enough for the amazing portrait you have produced and we are in awe of your artistic skill. It is a beautiful composition and it truly encapsulates Elsa in a very typical pose we have all witnessed many times." Melvin & Kay West Midlands, UK Maggot the Boxer dog in Coloured PencilsLast year, Jet commissioned coloured pencil portraits of her Boxer dogs. However, two additional Boxer dogs belonging to Jet and her friend Mark had not reached maturity at that time. To ensure their portraits could be displayed alongside the previously commissioned pieces, Jet decided it would be prudent to wait an extra year. Maggot is Jet's third Boxer dog, joining her other two, Carrot and Fungus. The framed examples are presented as a simulation for display purposes, but have yet to be framed. The portraits of all three dogs together are also showcased further down the page.  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Although the reference photograph was of exceptional detail, I used an additional reference image to make adjustments to the left ear, which was protruding and could potentially disrupt the balance of the overall presentation. It is uncommon for me to produce a portrait based solely on a single photograph; typically, I incorporate a combination of elements from multiple images to achieve the desired outcome.  The image above was taken during the final stages of completing Maggot's portrait. This process involved the meticulous addition of whiskers and final adjustments to ensure the artwork’s completion. At this stage, I proceed to sign the portrait, followed by the application of two to three layers of fixative spray to provide enhanced protection for the finished piece. This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app. The three portraits are showcased here through a simulation application that allows you to visualise how they may appear when framed and displayed together. To ensure consistency in size among the portraits, particularly since two of them were completed a year ago, I always maintain a printed reference image that allows me to accurately evaluate and align the dimensions of any subsequent portraits. Rooster the Boxer dog in Coloured PencilsThis Christmas, my friend Jet commissioned a second portrait as a gift for her friend Mark. This piece features Mark's now-matured male Boxer dog, Rooster, and is designed to complement the previously commissioned portrait of his brindle Boxer, Watson, which was created last year. The framed examples presented are simulations for display purposes, as the actual portraits have yet to be framed. Additionally, further down the page, both portraits of the dogs are showcased together.  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Throughout various stages of my creative process, I capture time-lapse recordings that give viewers a deeper understanding of the techniques involved in my portrait creation. The two videos featured here, though they are only a few seconds long, encapsulate a considerable amount of time and effort; each represents approximately 2 to 3 hours of meticulous work. These recordings serve not only to showcase the final product but also to highlight the intricate steps taken and the evolution of the artwork from initial concept to completion.
I began my first commission in July, and as I received more requests, I effectively adapted my schedule, working on each project every other day. This approach allowed me to prioritise those with upcoming deadlines and ensure timely completion. I coordinated the ordering of acrylic paintings and their frames at the same time as starting each portrait, which proved to be a smart strategy for ensuring everything was ready for the final varnishing.  By mid-November, I was fully booked, leaving no room for additional commissions until Jet reached out to me with a photo of Rooster at the end of November. Drawing from my experience in creating Boxer dog illustrations, I was able to efficiently integrate this new project into my workflow and remarkably finished it in just eight days! The constrained timeframe presented an intriguing challenge, leading to the surprising realisation that I was able to complete a large 10" x 12" coloured pencil portrait in a remarkably short period. Typically, I would not work at such a pace for a piece of this size, making this experience a notable exception.  This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app. If you are interested in commissioning a lifelike, custom-made coloured pencil portrait or an acrylic painting of your pet, a loved one, or any other subject, you can find out more on my commissions page or contact me via email at: [email protected] to discuss your ideas for the portrait. Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer24/11/2024 
This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process.
Planning the Composition for a Coloured Pencil DrawingJet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process. It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality. 
The early stages of the layering process with more layers yet to add.
As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas.
Techniques & Colour PaletteBoth images above demonstrate the layering technique that I use in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others.
The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications.
At this stage, I am merely applying colours and providing some definition; however, I will return to these areas for further refinement, typically by adding highlights to eliminate the visibility of the paper grain, thereby enhancing the appearance to be more realistic and soft, akin fur.
After an additional two and a half hours, the fur appears shiny and more defined. Significantly, it now resembles actual fur in terms of realism.
If you're considering a unique, hand-drawn portrait created with coloured pencils, I'd love to hear from you! To learn more about commissioning your own portrait, please click on any of the links below. You'll find detailed information about the process, pricing, and what to expect.
I also offer acrylic paintings, which offer vibrant, bold colours and dynamic textures for a painterly finish, providing a distinct alternative to the detailed precision of coloured pencils. You can discover more about them in my acrylics gallery. There's absolutely no obligation to book, so why not drop me a line with your query? Simply email me at: [email protected]
When I first wrote this article, it marked three decades of working with coloured pencils. Time has moved on, and I now look back on over forty years with the medium. Four decades of practice have given me the chance to test countless tools, papers, and techniques, and to refine my approach through both successes and mistakes. This update brings those extra years of experience into focus, sharing what has endured, what has changed, and the lessons I would pass on to anyone serious about coloured pencil art.
Alongside my own practice, I also run Step by Step Art, a website created for artists looking for practical help and advice. While it leans strongly towards coloured pencils, it also offers articles covering graphite pencils, soft pastels, oil pastels and acrylics. It’s designed as a resource for anyone wanting to explore different mediums with clear, approachable guidance.
As I look ahead, I’m excited to continue exploring new materials and sharing what I learn, both here and through Step by Step Art, while remembering that the most valuable lessons are often the simplest ones: to slow down, to observe closely, and to enjoy the process.
Coloured pencils have been my constant companion for more than forty years. The tools have evolved, the papers have diversified, and my own methods have matured, but the fundamentals remain the same: patience, experimentation, and respect for the medium. Every drawing is still a challenge and a joy, and that is what keeps me returning to the pencils day after day.
I dedicate a significant portion of my time to creating custom made portraits for clients both in the UK and internationally, in addition to running my Step by Step Art website that focus on a range of mediums such as pastels, paints and graphite pencils, as well as coloured pencils. About the art products I use
For my coloured pencil artwork, I consistently use heavyweight, acid-free, and archival paper. A weight of around 300gsm is ideal as it accommodates multiple layers and guarantees durability. Initially, I exclusively utilised tonal papers, particularly the grey and tan tones, because they provide a neutral starting point that enhances both highlights and shadows. Black paper is also a favourite, as it contributes to an atmospheric finish and necessitates fewer layers for a significant effect. For larger works, I opt for a robust heavyweight paper like Colourfix, which is more widely used by pastel artists.
A coloured pencil drawing of a Snow Leopard created on black Colourfix paper
This Snow Leopard was created on black Colourfix paper, known for its texture and typically reserved for pastel works. For this drawing, I used a variety of coloured pencils from ranges such as Karismacolor, Derwent Coloursoft, and Caran d'Ache Luminance.
I find Colourfix paper to be a fascinating medium for coloured pencils. While the texture of the paper limits the number of layers I can apply compared to standard cotton papers, a few layers are enough to attain a comparable level of realism. It was delightful to work on this piece, and although its larger dimensions of 20" x 30" exceed my usual scope, I enjoyed the challenge.
Coarse paper may cause pencils to wear down more rapidly, especially those with softer cores like Prismacolor. However, its textured surface holds pigment well, reducing the need for multiple layers to achieve similar levels of detail. Moreover, it allows for the incorporation of mixed media, like acrylics. Adapting to different paper textures can be a challenge if you're accustomed to smooth surfaces. I would recommend that you experiment with the paper before committing your artwork to it.
Handcrafted Pencil Storage Chest - Discover more and where to purchase yours.
Previously, I owned a vast collection of coloured pencils, many of them lacked the quality of todays brands and currently use just two brands: Caran d'Ache Luminance and Derwent Coloursoft. The Luminance pencils exhibit a slightly firm texture, making them well-suited for intricate details. In contrast, the Derwent Coloursoft pencils feature softer cores, making them ideal for creating soft backgrounds and layered tones.
TIP: Before investing in a new range of pencils, I always test the black and white ones first. This allows me to assess their opacity, application, and how they compare against other favoured brands. If they meet my standards, I'll either purchase individual pencils from open stock, choosing colours I frequently use, or opt for a starter set. The white pencil holds significant importance in my artwork as it must provide the luminosity needed for catchlights and highlights. Additionally, it serves as a tool to lighten other colours, thereby expanding the range of my colour palette.
Free Tutorials: Learn Realistic Drawing Techniques with Coloured Pencils
The concluding section of this article provides a brief overview of how I crafted this Snow Leopard's eye using coloured pencils on black Art Spectrum Colourfix paper. I maintain a specialised website featuring this tutorial, among others, covering various subjects and mediums for artists to explore. To access the page and attempt the tutorial, click on the image above.
I'd love to hear about your own individual insights and approaches to work. In the comments section, please share your own preferred products that contribute to your most successful outcomes. Spectres of the Past: My Acrylic Painting of The Lion Tower at Warkworth Castle, Northumberland, UK22/9/2024
I am pleased to share one of my recent acrylic paintings entitled 'Keeper of The Castle'. This piece showcases the 'Lion Tower' located at Warkworth Castle in Northumberland, UK.
In this blog post, I provide historical insights related to the subject of my painting, describe the creative process involved in its development, and discuss the reasons behind my choice of this captivating theme. Additionally, this painting is currently available for purchase through my Art Store.
Nestled along the banks of the River Coquet, Warkworth Castle stands as a silent sentinel—a testament to centuries past. Its ancient stones echo with whispers of battles, love, and intrigue.
And there, on the little stair, a Jackdaw perches—a spectral observer bridging the gap between now and then. 
About 'Keeper of the Castle' Acrylic Painting of Warkworth Castle
As an artist with a focus on birds, I find myself fascinated by the rich history embodied in locations such as Warkworth Castle. The feet that have walked those steps through the centuries, and the wildlife that has traversed those grounds over time, have both played a role. It is this intertwining of history and nature that inspired the creation of this specific composition. You can read more about the creation of this painting by following this link.
My goal is not only to express texture through the brushstrokes but also to incorporate detailed textures into my paintings by enriching compositions that require such intricacy. The ancient stone steps, weathered by time, were depicted with an added layer of textured medium. This technique allows you to not only see the stonework within the paint but also to perceive it through the painting's tactile, raised surfaces.
The Enigmatic Jackdaw
And then there’s the Jackdaw, a bird steeped in symbolism. Intelligent, curious, and mysterious, it perches on the stair, its coal-black feathers catching the light. While the bird is the central figure in the painting, the artwork primarily depicts the history of the castle and its adjacent structures. The Jackdaw appeared to trail me as I took photographs of the weathered stone steps and the window, thus becoming a symbol of a ghostly spectre of bygone days.
A Brief History of Warkworth Castle
Warkworth Castle, with its imposing keep and curtain walls, stands as a medieval masterpiece, perched atop a hill overlooking the River Coquet. It is one of northern England’s largest and most impressive castles. The castle’s origins are veiled in antiquity, possibly dating back to the Iron Age. The exact founding date remains uncertain, but its current form, including the 'Lion Tower', the subject of my latest acrylic painting, emerged in the 14th century under the patronage of the formidable Percy family.
Overview of the Lion Tower and its Historical Significance
The Lion Tower at Warkworth Castle boasts a captivating history. Constructed circa 1480 by the 4th Earl of Northumberland, it functioned as the principal entry to the newly established bailey residence. The tower is distinguished by its remarkable heraldic sculptures, featuring a striking lion that represents the Percy family's power and prestige. The Lion Tower was intended as a majestic gateway, leading to the great hall where the household would convene. This hall was a 15th-century renovation of a pre-existing edifice dating back to around 1200. The architectural and ornamental features of the tower were designed to display the family's dynastic achievements and elevated status.
For those fascinated by the history of Warkworth Castle in Northumberland, a valuable video from the YouTube channel Castles and Legends. has been included. Spanning 12 minutes, it delves into the captivating history of the castle.
" Warkworth Castle, a once majestic fortress steeped in drama and history located in Northumberland, England. Its story is one of power, betrayal, and enduring legacy. "
Did You Know?
Northumberland is renowned for its impressive collection of over 70 castle sites, the highest in the UK. This abundance is a testament to the region's rich history and its strategic position near the Scottish border, which has led to the construction of numerous fortifications over the years. 
Visualisation sample only
If you are looking to purchase this painting, please contact me direct. You can also discover more original paintings featuring the birds and wildlife of Northumberland, alongside pieces on various other subjects. Consider dropping by to see if something catches your eye, particularly with Christmas on the horizon.
To commission a personal portrait, please visit my Commissions page for more information. Feel free to share your stories about your own trip to Warkworth Castle in the comments below. 
For an artist, there is always a high level of excitement that comes with unwrapping a package filled with freshly acquired art supplies. However, the opportunity to receive a package containing coloured pencils from a discontinued line dating back to 2005 dwindles with each passing year, making it increasingly unlikely to acquire such coveted items.
Fortunately, auction sites like eBay occasionally list Berol Karismacolor pencils, and I was extremely fortunate to discover a couple of sellers who are currently selling off stock from a craft supply clearance, allowing me to acquire some brand new stock. It was quite a surprise to discover some of the rarer colours in the collection as well. Pencils, both coded and non-coded, plus some discontinued colours can be found through these sellers. Links can be found in the article link at the bottom of this page.
What are Karismacolor pencils?Karismacolor pencils were the European counterpart to the widely favoured Prismacolor Premier pencils. The original Prismacolor pencils debuted in 1938, while Karismacolor emerged in the late 1980s in England. In 1995, ownership of the company transferred and production shifted to the USA. The emergence of new European pencil brands likely contributed to the dwindling sales of Karismacolor pencils, and coupled with elevated shipping costs, led to their discontinuation in 2005. 
The Karismacolor pencils were originally offered in 72 colours, with each pencil prominently showcasing the designated colour name on the barrel. Over time, the colour palette expanded, and colour codes were introduced to align with the Prismacolor range. Throughout the production period, a total of 129 colours were created, but due to discontinuations, the largest available set consisted of 108 colours.
Can you still buy the Berol Karismacolor pencils?Should you wish to acquire some of these pencils, the links that direct to the sellers of the Karismacolor pencils can be found below. I have written a comprehensive article about these pencils, which can be accessed on my Step by Step Art website by clicking this link.
Please be aware that I am not affiliated with these sellers. I am aware of the challenges in finding these pencils, and having had a positive buying experience myself, I wanted to pass on this information to others.
If you have fond memories of the Berol Karismacolor pencils, please leave me a comment below. I would love to hear from you! In October 2023, my friend Jet asked me to create four coloured pencil portraits. One portrait was intended as a gift for Jet's friend, another for her mother, and the other two were portraits of her beloved Boxer dogs. I have known Jet for over three decades, and during this time, I have had the pleasure of creating pencil portraits of her dogs on several occasions. Here are all four portraits displayed with additional information about each individual. You can access a link below each image to learn more. A Coloured Pencil Drawing of a White Boxer DogFor this particular portrait, I had to be a little creative with the dog's body. Since the reference photo had limited detail, I used a photo from a gallery I've built up over the years of the client's other white Boxer dogs. This approach allowed me to complete the piece accurately and create a final portrait that was a true representation of the subject. It's a technique I've used successfully on a number of pet portraits to ensure the finished artwork is as complete and detailed as possible.  A coloured pencil drawing of a white Boxer dog called Carrot - Framing is simulated using the ArtStage app While the concept of drawing a white dog on white paper may appear challenging, the key lies in understanding that white fur is not a singular tone, but a composition of subtle grey shades and shadows. The white paper itself serves as the highlight, providing the perfect foundation to build upon.
A Coloured Pencil Drawing of a Brindle Boxer DogThe reference photo for this portrait of Watson showed him wearing a thick blue collar, but it was cropped tightly, leaving very little of his body visible. To fulfil the client's request to have the collar removed and to create a complete and accurate portrait, I needed additional reference material. I was able to use a second photo of Watson, taken from a similar pose, which provided the necessary detail to accurately capture his body's form and extend the composition beyond the original image.  A coloured pencil drawing of a brindle Boxer dog presented in a simulated display using the ArtStage app While it is possible to remove a collar during the portrait creation process, it adds a layer of complexity. The best way to ensure a seamless and accurate final piece is for the client to take the reference photograph without the collar if they do not wish for it to be included in the portrait. A clear, collar-free photo allows me to focus on the fine details of the dog's fur and form, resulting in a more natural and authentic piece of art from the very beginning. A Coloured Pencil Drawing of a Fawn Boxer DogThe reference photo of Fungus provided by his owner, Jet, was ideal for this portrait. It was a large, high-resolution file with incredible detailing that remained sharp even when zoomed in. Taken outdoors in natural daylight, it had a perfect balance of light and shadow, which is always the best option for capturing a pet's true likeness. Although the photo was excellent, I needed to get creative with a few areas. Fungus was wearing a collar, so his chest wasn't fully visible. To ensure the finished portrait was as accurate as possible, I used a second image of him to fill in these missing details, as I did with the other portraits.  A coloured pencil drawing of a fawn Boxer dog in a walnut frame, presented in a simulated display using the ArtStage app This video offers a rare, behind-the-scenes look at three Boxer dog portraits, displayed side-by-side on the studio shelf. Without any sound or commentary, the focus is entirely on the finished artwork. The video invites you to simply observe the details of each piece, and showcasing them together highlights the unique character of each dog while also displaying the consistent style and meticulous detail applied across all three drawings. A Coloured Pencil Drawing of two Mixed Breed Rescue DogsCreating this portrait presented a unique challenge, particularly with the smaller, grey dog, Kudu. The main reference photo showed him wearing a full harness that obscured a significant portion of his body, leaving many of the details of his fur and form to be filled in. To ensure as much accuracy as possible, I had to use a variety of other photos to complete the drawing. This was made even more difficult by the fact that both dogs were mixed breeds, meaning I couldn't rely on typical breed-specific research to inform the details.  A coloured pencil drawing of two mixed breed dogs in a white frame, presented in a simulated display using the ArtStage app I discussed these challenges with my friend beforehand, and she understood that the final piece may not be a perfect representation of Kudu due to the lack of clear reference material. Jet allowed me to approach the portrait with a bit more artistic freedom, and ultimately, I was able to create a piece that captures the spirit of both dogs, using the available photos to bring their personalities to life.
Final ThoughtsAll the dogs in the photos wore either a collar or a harness, which were removed in the drawing as per Jet's request. Fortunately, Jet provided me with a collection of photos of each dog to make the process relatively easy. The photos were incredibly helpful as they provided me with a clear view of the intricate details that were obscured by the collars in the reference photos. However, there may be instances where the removal of collars, especially harnesses, is a difficult task, especially if they hide crucial details. In such a scenario, removing them can only be considered if additional photographs are made available.  All four coloured pencil drawings in a grey wood frames, presented in a simulated display using the ArtStage app If you're interested in a custom coloured pencil portrait, I'd be delighted to discuss your ideas. Whether you have a beloved pet, a cherished family member, or another subject in mind, please get in touch! You can learn more by visiting my commissions page, or feel free to email me directly at to start the conversation. I want to share my recent art commissions with you. The portraits feature Mindy, a lovely Calico shorthair with one eye. A loving husband commissioned them as a special gift for his wife on their golden wedding anniversary, which is today. I am hoping that Maureen will cherish them. " I commissioned Karen to paint two acrylic portraits of our one-eyed rescue cat, Mindy, based upon photos that I had taken. These were a surprise Golden Wedding Anniversary present for my wife & we were both absolutely delighted with the final results; my wife described them as being absolutely stunning & was amazed by their detail & accurate colours, with every hair & whisker clearly visible. Karen kept me fully informed as the paintings progressed, via emails & a specially designed website, so that I could be part of each step of the process. She also compiled a video to help me select suitable frames, which perfectly complemented the colours of the completed paintings. I thoroughly recommend Karen to anyone wanting a very special piece of artwork; she is incredibly talented. " Michael I Harrison UK 
I spent about seven weeks creating these paintings using GOLDEN heavy body acrylics on Ampersand Gessobord. I am very detail-oriented and used a sword liner to apply every strand of fur, from short hairs to long whiskers. I worked on both paintings intermittently in between other tasks.   The painting is 12" x 12" in size and was framed in the beautiful Windermere Bronze moulding. An acrylic painting is not framed behind glass, but a couple of protective layers were applied, to preserve it for many years to come.   This is the final painting of the second portrait of Mindy, which measures 12" x 16" and is painted with acrylic. Mindy's owner, Michael, provided me with numerous high-quality digital photos of Mindy. These photos were used as a reference for creating the portrait, ensuring that every detail and colour was accurately represented.   The completed paintings were carefully wrapped and packed with two certificates of authenticity and a sheet on how to care for acrylic paintings. I'm sure these paintings will be appreciated for many years to come. Happy anniversary to Michael and Maureen If you’d like to commission your own portrait, explore the galleries below to learn more about the process and view my portfolio. You’re also welcome to request a no-obligation quote or contact me directly. I’ve recently completed a commissioned portrait of Dougal, a Red Fox Labrador, and I’m delighted with the result. Pet portraits are the cornerstone of my work, and this particular piece was commissioned by a returning client who wanted to give a thoughtful birthday gift to a family member. As with every commission, I approached Dougal’s portrait with care and attention to detail, working to reflect not only his physical markings but the personality that shines through them. It’s always a privilege to be entrusted with such a task, knowing how much these portraits mean to the families who request them.  The primary reference photograph provided had a strong composition, with Dougal looking every inch the proud Labrador, but it lacked natural colour and detail. Fortunately, the client supplied additional photographs, which proved invaluable for teasing out the finer details, such as the warmth in Dougal’s eyes and the rich, russet hues of his coat. I chose to omit the leash from the final portrait, as it distracted from his presence and added little to the overall effect. Living in Northumberland, Labradors are a common sight, and as the owner of two myself, I regularly see Red Fox Labradors while walking my dogs. Their distinctive reddish coats are a hallmark of the breed, and this familiarity helped me ensure Dougal’s portrait was authentic. The original photograph’s unnatural hue required careful adjustment to reflect the true vibrancy of his colouring. To ensure accuracy, I supplemented this with online research, studying images of other Red Fox Labradors to capture the breed’s unique characteristics.  For me, a pet portrait is never just a copy of a photograph, it’s a study in character. Capturing the essence of a Labrador means honouring that quiet loyalty, gentle warmth, and the subtle expressions that make them such cherished companions. This particular commission was a genuine pleasure to undertake, from the initial reference selection to the final pencil strokes. I aimed to reflect not only the physical likeness but the personality so well known and loved by the family and I hope the portrait brings joy to the recipient for many years to come. Not long after delivery, I received this thoughtful testimonial from the client:
Accompanying the testimonial is Dougal’s portrait, expertly framed by a local artisan in a style that matches the earlier portraits of Seamus and Rua, Dougal’s sister. While I do not provide framing as part of my pencil portrait service due to the potential risk of damage during transit, it is always gratifying to see the finished artwork beautifully presented and ready to be cherished in its new home. It’s always lovely to receive feedback from clients. Every commission is created with care, and it’s impossible not to become attached to the pet you're portraying. You know you’ll likely never meet them in person, yet after hours spent studying their features, every tiny marking and (im)perfection, you could pick them out in a crowd.  The photograph above shows all three Labrador portraits I created for Mike and his family. The top two feature Rua and Sseamus, completed last year as a birthday gift for Mike’s father. Although each was drawn independently from individual reference images, it’s rewarding to see them displayed together as a complete trio. If you're interested in commissioning a pet portrait, the image links below will take you to the relevant pages. Each section offers a different route, whether you're browsing more of my work, exploring portrait options, or wish to request a quote or make a booking, or get in touch direct. I recently completed this stunning portrait of Willow the Springer Spaniel, as a surprise gift from a husband to his wife for their first wedding anniversary. The reference photo was excellently composed, which made the painting process even more enjoyable.  My acrylic paintings are designed to exude vibrancy and, where possible, texture. For the tennis ball at the forefront of the painting, I incorporated a moulding paste into the paints to replicate the ball's fluffy texture. Similarly, I used the moulding paste to add texture to Willow's fur, creating an intriguing effect when the painting is viewed from various angles.  The image above represents the preliminary phase of the artwork, where I establish the foundational colour tones. At this juncture, the appearance may seem quite chaotic, which can be somewhat disconcerting, particularly for the customer, but it does improve as the image below shows. Observe how the details have been further refined and the contrasts are now also being established.   Fine detail in the face The Ampersand Gessobord's smooth surface is ideal for the fine detail I prefer in my acrylic portraits. This portrait was created on a 22mm Gessobord, designed for frameless displaying. The edges have also been painted edges so it can be displayed without a frame. It has been preserved with multiple coats of Satin Varnish and enhanced with two wall protector feet on the reverse side's lower corners for extra protection.
The beauty of these 22mm board portraits is the flexibility they offer; you can decide to frame them later for a classic look or leave them unframed for a modern aesthetic. Crafting this portrait was a joy, and learning that Willow's owner was delighted with her unexpected gift made it even more rewarding.  Northumberland artist Karen M Berisford with her painting of Willow Karen, I was the lucky one to receive this beautiful painting. I can't tell you what a lovely gift it is, thank you so much for capturing Willow's character so well. I absolutely love it, it's beautiful and one to be treasured for many years to come. Are you looking to commission a custom-made portrait?For those interested in commissioning a custom-made portrait of their pet or another subject, further details are available on the commissions page. Additionally, you can view my galleries featuring a variety of subjects. Available mediums for portraits include acrylics and coloured pencils.
The creation process of my acrylic pet paintingsI'd like to share the process involved in creating my acrylic paintings. Even when I have several dog portraits on the easel, my method remains consistent, however, I may choose to enhance the artwork by incorporating different mediums or adding specialist colours. Here are two of my latest dog portraits: one features a Springer Spaniel swimming, and the other, a young female white Boxer. Springer Spaniel - Acrylic Painting on Ampersand Gessobord - Size: 11" x 14"Creating an acrylic portrait involves significant transformations of the artwork. I make it a point to photograph the painting at various stages. Observing the evolution of the painting is not only intriguing but also serves as a valuable tool to demonstrate its progression to others. In this segment, I will detail the process behind the creation of a painting featuring our Springer Spaniel, Casper. This piece is one of a quartet, each illustrating our dogs in water, which will be displayed together upon completion. 
Laying the Groundwork: Tonal Foundations and ContrastIn all my artwork, I begin with the foundational layers, starting by establishing tones and introducing contrasts. Initially, it may appear quite chaotic, but this process is essential for building upon these initial layers. This stage is critical for establishing tonal values and focusing on the different elements that make up the subject. 
Refining the Subject: Enhancing Form and PrecisionAt this current stage, the detail is somewhat lacking in precision, however, it could potentially be perceived as a more exaggerated interpretation of a subject. As an artist who relishes a challenge, I then move forward to further refine the painting in order to render the main subject with a greater sense of realism, ameliorating both the finer details and overall appearance. 
Balancing Realism and Interpretation in Photo-Based WorkMy paintings maintain a realistic quality whether viewed from afar or up close. However, not all of my works require the same level of precision; at times, a more relaxed interpretation yields a better result. Working from photographs often means dealing with images that aren't high-resolution and may lack essential details. This propels me into the exciting challenge of finding a balance between realism and artistic interpretation. 
Achieving the correct contrast can give a painting a three-dimensional appearance, even when viewed from a flat angle.
Now, let's explore the creation of another acrylic painting, featuring a charming little white Boxer puppy named Sprout. White Boxer Pup - Acrylic Painting on Ampersand Gessobord - Size: 8" x 8"At 8" x 8", this small painting is perfect for an intimate depiction of a nine-month-old Boxer puppy named Sprout. Recently welcomed into her new home with four other Boxer dogs, Sprout, like many puppies, dozed off in an unusual spot, snug in the bend of a friend's arm, with her little head resting in their hand. Choosing to craft a monochromatic portrait against a stark black backdrop guarantees that the attention is solely on the subject. 
Establishing Fur Flow and Tonal StructureDuring this preliminary phase, I carefully incorporate the fur details in a general manner to illustrate the flow and texture of the fur. Furthermore, I tentatively arrange the highlights and shadows, laying the groundwork for the meticulous addition of more intricate details in the next phase. 
Layering Detail with Precision BrushworkHere, the two stages are evident: the first with a thicker application, followed by a second with a finer touch. Each hair is individually painted using an ultra-fine brush, with a rigger brush being the perfect tool for such detailed work. To achieve a natural flow in the application of each hair, I rotate the canvas board as needed, even working upside down at times. 
Refining Contours and Preparing for Final VarnishHere, the fineness of the fur is evident. Although the painting is incomplete, the meticulous addition of each hair strand showcases the intricate contours of the Boxer dog's mouth and nose region. The concluding phase involves meticulously detailing the hand, and upon completion, the painting will be sealed with two layers of varnish for maximum preservation.
Thank you for exploring my article on how I create my acrylic paintings. Should you wish to commission a custom portrait, you can click any of the links below to visit the pages of interest. There, you can peruse my previous works, learn about the commissioning process, and either request a quote or book directly using the form. Alternatively, you can contact me direct at: [email protected]
My dad and brother visited Northumberland this week for a few days, so I took some time off work to enjoy as many outings as we could squeeze into four days. Our journey began with Bamburgh Castle on the first day, making a stop at Seahouses along the way. On Wednesday, we visited Holy Island (Lindisfarne), and the afternoon featured a boat trip to the Farne Islands. Thursday concluded with a journey to Hadrian's Wall and a return to Woodhorn's QEII Park for tea. To our surprise, we found a female Mallard duck nesting in a hanging basket at the pub's entrance. How she managed to get up there and raise her ducklings is beyond me! The week has been wonderful, with plenty of sunshine, so I hope you enjoy this selection of photos from our travels (there are hundreds more, but I'll keep this post brief!). 
A New StudioJohn, a fully qualified joiner, is in the midst of designing a new studio in the spare room. This will provide a larger workspace, ample storage for art products, and the ability to continue delivering the high-quality I strive to achieve in all my artwork.   I feel lucky that as well as meeting my life partner, I also take on his four beautiful dogs. I'm uncertain about I manage them by myself during walks, even though they are trained. However, I love dogs, and I know that we'll share many wonderful experiences together.  Thanks to everyone for their well wishes, I'll see you very soon!
Karen Padley Gorge is a profound river gorge located within the Peak District of Derbyshire. This valley traverses a scenic ancient oak woodland, offering an exceptional environment for outdoor enthusiasts, photographers, and nature aficionados.  If you were to ask me about my favourite time of year, especially after a walk through Padley Gorge with my good friend and photographer, Mike Barber, today, I'd have to choose autumn! The colours are what I love, and Padley Gorge offers a breathtaking photographic opportunity at every turn. To my delight, I spotted a Dipper darting about, but sadly, I couldn't capture it on camera. I consider myself lucky to live near such a stunning part of the UK. Here are a few of the photos I captured, showcasing the beauty of the place for those who have never visited.  When the sunlight disappears behind the clouds - Padley Gorge becomes quite mystical  Walk along the stone path that winds through the ancient wooded gorge, where centuries of history resonate underfoot and above. Padley Gorge stands as a prime example of the oak and birch woodlands that once spread across numerous valleys of the Dark Peak.  Beneath, Burbage Brook, the most significant watercourse within Longshaw Estate, cascades over the colossal boulders. It's a favoured destination for walkers, picnickers, and families throughout the year, and it serves as a vital habitat for various small creatures, from uncommon birds to hairy ants, which have led to its recognition as a Site of Special Scientific Interest. Burbage Brook is the largest water course running through Longshaw and has cut into the main valley side to create Padley Gorge. Its source is 1,400ft (427m) up on the Hathersage and Burbage Moors.   |
AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
Follow my YouTube Channel
Find me on Pinterest
Categories
All
Archives
July 2025
|
|
|
Looking for something specific?
|
|
|
Images and text within this website are Copyright of Karen M Berisford 2010 - 2026
No content should be used, copied or distributed in any way without express consent from Karen M Berisford
No content should be used, copied or distributed in any way without express consent from Karen M Berisford