In October 2023, my friend Jet asked me to create four coloured pencil portraits. One portrait was intended as a gift for Jet's friend, another for her mother, and the other two were portraits of her beloved Boxer dogs. I have known Jet for over three decades, and during this time, I have had the pleasure of creating pencil portraits of her dogs on several occasions. Here are all four portraits displayed with additional information about each individual. You can access a link below each image to learn more. CarrotCreating a drawing of a white dog on white paper may seem challenging at first, but it's quite easy. Since white fur is composed of shades of grey, white paper provides the perfect base for such a portrait. Drawing this particular portrait of a white boxer dog required a bit of creative problem-solving regarding the body. Still, I was able to use a different dog's body to complete the portrait. If you're interested in learning more about this portrait, you can click on the link below. WatsonThe reference photo for the portrait depicted Watson wearing a thick blue collar. However, the photo was cropped short, leaving little of his body visible. Additional images were required, particularly in a similar pose, to complete the body and ensure accuracy. I also used some artistic license too. If you want to learn more about this portrait, please follow the link below. FungusJet's reference photo of Fungus was ideal. The image was a large, high-resolution file with incredible detailing that remained sharp even when zooming in. Taken outdoors, it had a perfect balance of light thanks to natural daylight, which is always the best option for pet photos. The collar, which was present in the photo but not included in the drawing, covered the throat area. To ensure accuracy, I referenced a second image of Fungus. Also, the chest area was not fully visible in the photo, so I had to extend it to complete the image. Click the link below to read more. This video shows the three drawings side by side. There is no sound. Kudu (Left) and MasudaCreating this drawing was difficult, especially Kudu, the little grey dog. In the reference image, Kudu was wearing a harness that covered most of his body, so much of the details were missing. To ensure precision, I had to use other reference photos. Ordinarily, I may research a breed before embarking on such a challenging drawing. However, in this case, both dogs were mixed breeds, which made it even more difficult. Despite this, my friend was aware of the difficulties involved and graciously accepted that the final result may not be an accurate representation. THE PROBLEMS WITH REMOVING COLLARSAll the dogs in the photos wore either a collar or a harness, which were removed in the drawing as per Jet's request. Fortunately, Jet provided me with a collection of photos of each dog to make the process relatively easy. The photos were incredibly helpful as they provided me with a clear view of the intricate details that were obscured by the collars in the reference photos. However, there may be instances where the removal of collars, especially harnesses, is a difficult task, especially if they hide crucial details. In such a scenario, removing them can only be considered if additional photographs are made available. If you're interested in a custom portrait of your pet, a loved one, or any other subject, you can visit my commissions page or send me an email at: karenmberisfordart@gmail.com to share your ideas for the portrait.
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Having recently finished an oil pastel painting of our late black Labrador, Haze, I decided to create one of our beautiful Yellow Labrador Storm. Since Storm is 14, every day with him is precious. I have not yet completed his portrait, so I thought this composition would make the perfect portrait. Read on and discover the step-by-step process behind my oil pastel painting of Storm. You'll gain a better understanding of how everything comes together and the techniques I use to achieve my results, particularly insightful if you are looking to book a portrait of your own. When it comes to my oil pastel paintings, I prefer a loose style that is reminiscent of traditional oil paintings. These highly pigmented pastels boast a vibrant and striking colour palette, and help to create a textured finish that adds depth and character to the overall composition. My goal is to accentuate the unique features of each subject through careful layering and definition, ultimately bringing the portrait to life in a way that feels both authentic and captivating. I loosely apply the base colours, ensuring they are blended smoothly for a soft finish. Using paper stumps of varying sizes proves to be extremely helpful in manipulating the pastels. I usually work with large and small oil pastels from Sennelier, so I can quickly cover different areas. For my paintings, I exclusively use artist-quality, lightfast oil pastels from Sennelier and Neopastels by Caran d'Ache. I use a surface by Ampersand Art called Pastelbord, which is an archival medium-textured and highly absorbent surface coated with an acid-free clay and gesso ground with a marble dust finish. To explore the products mentioned and learn more about them, you can easily access their individual pages on my other website Step by Step Art. If you are an artist, you may find the articles helpful. If you are interested in my oil pastel paintings, I invite you to my oil pastel commissions page. There, you will discover my other pastel works. I am always happy to collaborate with new clients and create a unique portrait that captures their vision. Please contact me if you have any questions or want to discuss your ideas further.
I enjoy using oil pastels to create portraits in addition to coloured pencils and acrylics, and I find it to be one of the most versatile mediums available. When it comes to creating beautiful and unique works of art, oil pastels offer an unmatched finish that can be applied to any subject with ease. One of my latest portraits is of our late black Labrador Haze. When creating my oil pastel paintings, I use professional pastel brands such as Sennelier and Caran d'Ache. One of the most significant advantages of using Sennelier and other soft pastel brands is their superior coverage and pigmentation. These pastels offer a rich and vibrant color that makes each stroke stand out and come to life. On the other hand, harder pastels such as Neopastel enable me to produce fine lines, which is essential when creating intricate details and textures in my portraits. When it comes time to store or frame my oil pastel portraits, I always take great care to ensure that they are protected. Since oil pastels never dry, it is highly recommended to store them in a secure location until they are framed. When framing, I highly recommend using glass to prevent debris such as hair and dust particles from damaging the painting's surface. Improper removal of debris can damage the painting's surface, but using glass can prevent this from happening. It is important that a spacer is present between the painting and glass. This is done to prevent them from touching and adhering to each other, which can cause irreversible damage to the artwork. The spacer is a thin strip that adheres to the glass surface, creating a gap between it and the glass. When viewed from a close distance and at an angle, the spacer can be seen, but it is designed to be discreet and does not detract from the artwork itself. The material used for this oil pastel painting is known as acrylic glass. This particular product boasts exceptional durability and a reduced risk of breakage. Overall, oil pastels are an incredibly versatile and beautiful medium that can create stunning works of art. Should you wish to inquire about ordering an oil pastel portrait, please get in touch. Feel free to share this post via your social media or email someone who may find this article of interest. |
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