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I recently began working with oil pastels. After decades of creating highly detailed artwork with coloured pencils and acrylics, I wanted to try out a different medium that allows for greater flexibility and expressiveness, offering a complement to my traditional emphasis on realism. While my passion remains rooted in capturing realism, my oil pastel paintings reflect this focus, albeit with a different level of intricacy compared to my pencil drawings and acrylic paintings.
An oil pastel painting of a Cavalier King Charles Spaniel - click the image to view progress of this portrait.
What are Oil Pastels?
Oil pastels are a fascinating art medium that consist of vibrant pigments, non-drying oils, and a wax binding agent. Their smooth and creamy texture makes them effortless to apply and blend, allowing for seamless transitions between colours. What sets them apart from traditional pastels is their ability to remain malleable and never fully dry, allowing the flexibility to apply various techniques for blending, shaping, and creating intricate details.
Haze - Black Labrador Oil Pastel Painting on Pastelbord
Featured below is a portrait of my beloved late black Labrador Retriever, Haze. This piece holds a truly special place in my heart, marking it as the very first pet portrait I created using oil pastels. It beautifully illustrates the depth, vibrancy and character that I love about this medium. For Haze's portrait, I chose Ampersand Pastelbord, a durable, archival surface ideal for works that, like this one, are best presented simply framed behind glass, without the need for a mount or additional features.
Comparing an oil pastel painting (left) to the original photograph (right)
I find oil pastels offer incredible expressive freedom, creating artwork with both vibrant colour and a gentle way of defining shapes and textures, much like the classic allure of an oil painting. With Haze's comparison above, you can clearly see how this oil pastel painting goes beyond a simple copy of the photograph, instead highlighting and interpreting his unique features.
Storm - Oil Pastel Painting of a Yellow Labrador in a Field of Wheat
I painted a second oil pastel portrait of my much-missed yellow Labrador, Storm, specifically to hang alongside Haze's painting. Though its composition is notably different and carries a softer vibrancy, Storm's chosen stance truly complements his warm colouring and beautifully conveys the gentle nature of both him and the Labrador breed. This portrait, too, was created on the archival Ampersand Pastelbord. For their presentation, both Haze's and Storm's portraits are housed in matching wide, cream frames, complete with a protective spacer to keep the painting safely separated from the glass.
The completed portrait of Storm - An oil pastel painting of a Yellow Labrador in a wheat field
The History of the Oil Pastels
My Essential Art Supplies for Oil Pastel Painting
My oil pastel work relies on a blend of Sennelier and Caran d'Ache Neopastel oil pastels, plus a few essential blending tools and accessories. This approach enables the fine details that are difficult to achieve with pastels alone. The soft, creamy texture of Sennelier oil pastels is perfectly suited for foundational layers and impasto effects. In contrast, the firmer Caran d'Ache Neopastels excel at creating precise lines and subtle details. Occasionally, I also use coloured pencils for exceptionally fine details like whiskers or individual strands of hair.
An oil pastel painting of a Cavalier King Charles Spaniel on Pastelmat
My selection of painting surfaces depends on the desired framing presentation. I choose Ampersand Pastelbord for portraits designed to be framed similarly to traditional oil paintings, without a mount. For pieces that will be matted and framed like a pencil portrait, Pastelmat is my preferred surface. It's essential to frame all oil pastel paintings under glass, complete with a spacer, as the medium never completely dries, making the artwork vulnerable to dust and smudging.
The 'Sycamore Gap' tree oil pastel painting on Pastelmat
While I truly enjoy creating pet portraits, my oil pastel paintings aren't limited to just animals. I offer bespoke portraits of many subjects, including cherished landscapes or even people. Every piece of art I create is unique, showing different levels of expressiveness. This is one of the great things about working with oil pastels. My goal isn't just to make a perfect copy. Instead, I aim for a custom result that captures the true character and life of the subject and its surroundings, always with my own artistic touch. Interested in Commissioning Your Own Portrait?
If you're interested in a unique, custom portrait, you can find details and pricing for my oil pastel portraits on the links below. If oil pastels aren't quite what you're looking for, I also create lifelike portraits in coloured pencil and vibrant acrylic paintings. Use the links below to explore my other styles, or feel free to contact me directly to discuss your ideas!
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In this article, I am pleased to share my latest artworks. Three new acrylic paintings, which include a touching moment of a father embracing his son on his wedding day, a young girl named Lois riding her grey horse Vinnie, and Lois's sweet little black Cockapoochon. Additionally, I unveil my latest coloured pencil portraits, featuring a Golden Retriever surrounded by vibrant pink Hydrangeas, and two Boxer dogs that complement last Christmas's portraits. Each piece is crafted with meticulous attention to detail to capture the essence and personality of the subjects and each one was commissioned for friends and family members for various special occasions, including Christmas. Discover the inspiration behind each unique creation and watch how these portraits were brought to life through the time-lapse videos. For those interested in commissioning a personal portrait, more information can be found on my Commissions page. Jimmy & Craig - Portrait in AcrylicsGifted by Daniel to a friend after the recent loss of his father Daniel made a formal request for an acrylic painting measuring 12" by 16", depicting a heartfelt moment of a friend embracing his father during his wedding ceremony. This artwork was commissioned as a thoughtful gift to commemorate his friend's birthday in December. Daniel's initial request is detailed below: " I am considering getting a portrait commissioned (30x40 acrylic) on behalf of my friend whose father has recently passed. The picture I have is taken indoors, although well lit, when his father surprised us all by making it to his wedding day despite being critically ill. It was a pivotal moment in his life and I would love it captured by yourself and I think it would help him through the grieving process. "  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Portraiture is among my favourite subjects to create. As an artist, I find inspiration in challenges, and I consider portraits to be particularly demanding. While the majority of my work focuses on pets, I greatly appreciate the opportunity to diversify my portfolio when clients inquire about portrait commissions. Although I generally refrain from incorporating text into my paintings, I recognised the significance of this phrase to the recipient. As a result, I was able to integrate it in a way that maintains both cohesiveness and visual appeal.  'Jimmy & Craig' Below are two time-lapse videos that highlight two key stages of the painting process. The first video illustrates the detailing of the jackets, while the second video focuses on the completion of the face and head. Although the videos are brief, they each represent around 2 hours of work.
" Hi Karen, I have reviewed the painting and it's exactly how you promised it would be. I'm sure he'll love it." Daniel Merseyside, UK If you’d like to dive deeper into the process, feel free to visit the dedicated page for Jimmy & Craig’s portrait, where I share my personal insights and an in-depth overview. Two Acrylic Paintings of a Young Girl and her Horse plus her Cockapoochon dogGifted by Joan to her great-grand-daughter Lois The two portraits displayed below were commissioned by my lovely neighbour, Joan, as a thoughtful gift for her great-granddaughter, Lois, who is 13 years old. Initially, the request included Tux being featured in the portrait with Lois and her horse; however, it was ultimately decided to create two separate paintings.  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Both of these portraits were developed from physical photographs, which presents a greater challenge compared to digital images due to limited editing capabilities. While it is possible to adjust brightness and contrast in the scanned photo, extracting additional detail as one would with a digital file is not feasible, which added complexity to the process. Additionally, I designed a new background, as the original photo lacked visual appeal.  In this case, the original image presented a concrete road, a few sparse trees, and a dreary overcast sky, which inspired me to explore ways to improve the scene. By transforming the background with lush greenery and a brighter sky, I turned a rather mundane setting into a more visually appealing landscape.  For Tux's portrait, the 8" x 10" size was most appropriate. However, the reference photo was relatively small and lacked detail in several key areas. Since I only had the single photo to work from, I had to rely on online images of black Cockapoo dogs to enhance my understanding of the details in the eyes and to help differentiate the fur on the face, forehead, and ears. While this approach carries some risk of deviating from Tux's actual appearance, it was the only viable option.  This image illustrates the chosen frame and painting, presented in a simulated display using the ArtStage app. Both portraits were presented in matching silver-gold frames. I experimented with several ornate frames available in my studio; however, I realised that they did not enhance the paintings as intended and, in fact, detracted from their overall impact. Consequently, a simpler molding was more effective in this case. For further information regarding these paintings, please visit the dedicated page for Lois, Vinnie, and Tux, where I provide an in-depth overview of the process. A Coloured Pencil Memorial Drawing of Elsa, the Golden RetrieverIn memory of Elsa - October 2024 This was gifted from Melvin and Kay to two dear friends in honour of their cherished Golden Retriever (and ex guide dog), Elsa, who recently passed away. Due to the nature of this presentation as a surprise gift for the two recipients, the commissioner was only able to supply a limited selection of photos of Elsa. Although the available details were minimal, I was able to create a new composition based on one of the photos, featuring Elsa in a recognisable area of the garden, positioned beneath the Hydrangea bush with a tennis ball in front of her. " We are looking to place a commission for a portrait of a dog and we are very impressed with your body of work. The subject doesn’t belong to us but is very dear to us. The dog is named Elsa and she is a retired guide dog and she lives with two very special friends of ours. Very sadly, Elsa is coming to the end of her life and we are hoping a portrait will give our friends a lasting memory of Elsa."  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Elsa frequently found comfort beneath the hydrangea bush, highlighting the importance of creating a composition that would serve as a lasting tribute to her in her favourite spot in the garden. The portrait was developed using two distinct images, as the client was unable to provide a suitable photo of her in a lying position. I combined a photograph of Elsa's head with an image of the body from a different Golden Retriever to achieve a realistic representation of the desired pose. Additionally, I used other photographs of Elsa to ensure that the colouration accurately reflected her likeness, while also omitting any white hairs typical of her youthful age of eight years, in accordance with the client's request.  As you might expect, the most time-consuming aspect of the portrait was meticulously crafting the leaves and petals of the flowers. I found myself consistently underestimating the amount of time this intricate detail required, often losing track of how many hours I dedicated to perfecting the background detail. To give you a sense of the labour involved, I’ve included a couple of time-lapse videos. These clips capture the painstaking process and reveal the hours of effort that went into each stage of the artwork, with each video spanning approximately two and a half to three hours of my work. As previously mentioned, I have a deep passion for tackling challenges, and I found immense satisfaction in the process.
" We cannot thank you enough for the amazing portrait you have produced and we are in awe of your artistic skill. It is a beautiful composition and it truly encapsulates Elsa in a very typical pose we have all witnessed many times." Melvin & Kay West Midlands, UK Maggot the Boxer dog in Coloured PencilsLast year, Jet commissioned coloured pencil portraits of her Boxer dogs. However, two additional Boxer dogs belonging to Jet and her friend Mark had not reached maturity at that time. To ensure their portraits could be displayed alongside the previously commissioned pieces, Jet decided it would be prudent to wait an extra year. Maggot is Jet's third Boxer dog, joining her other two, Carrot and Fungus. The framed examples are presented as a simulation for display purposes, but have yet to be framed. The portraits of all three dogs together are also showcased further down the page.  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Although the reference photograph was of exceptional detail, I used an additional reference image to make adjustments to the left ear, which was protruding and could potentially disrupt the balance of the overall presentation. It is uncommon for me to produce a portrait based solely on a single photograph; typically, I incorporate a combination of elements from multiple images to achieve the desired outcome. During certain periods in my creative process, I capture time-lapse recordings that provide viewers with an insight into the methodology behind my portrait creation. This video features a series of time-lapse recordings captured during key stages of my creative process, offering a detailed look at how my coloured pencil portraits are developed. Using Maggot as the subject, it illustrates the techniques and structure behind my approach to lifelike portraiture.  The image above was taken during the final stages of completing Maggot's portrait. This process involved the meticulous addition of whiskers and final adjustments to ensure the artwork’s completion. At this stage, I proceed to sign the portrait, followed by the application of two to three layers of fixative spray to provide enhanced protection for the finished piece.  This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app. The three portraits are showcased here through a simulation application that allows you to visualise how they may appear when framed and displayed together. To ensure consistency in size among the portraits, particularly since two of them were completed a year ago, I always maintain a printed reference image that allows me to accurately evaluate and align the dimensions of any subsequent portraits. Rooster the Boxer dog in Coloured PencilsThis Christmas, my friend Jet commissioned a second portrait as a gift for her friend Mark. This piece features Mark's now-matured male Boxer dog, Rooster, and is designed to complement the previously commissioned portrait of his brindle Boxer, Watson, which was created last year. The framed examples presented are simulations for display purposes, as the actual portraits have yet to be framed. Additionally, further down the page, both portraits of the dogs are showcased together.  This image illustrates the final drawing, with framing presented in a simulated display using the ArtStage app. Throughout various stages of my creative process, I capture time-lapse recordings that give viewers a deeper understanding of the techniques involved in my portrait creation. The two videos featured here, though they are only a few seconds long, encapsulate a considerable amount of time and effort; each represents approximately 2 to 3 hours of meticulous work. These recordings serve not only to showcase the final product but also to highlight the intricate steps taken and the evolution of the artwork from initial concept to completion.
I began my first commission in July, and as I received more requests, I effectively adapted my schedule, working on each project every other day. This approach allowed me to prioritise those with upcoming deadlines and ensure timely completion. I coordinated the ordering of acrylic paintings and their frames at the same time as starting each portrait, which proved to be a smart strategy for ensuring everything was ready for the final varnishing.  By mid-November, I was fully booked, leaving no room for additional commissions until Jet reached out to me with a photo of Rooster at the end of November. Drawing from my experience in creating Boxer dog illustrations, I was able to efficiently integrate this new project into my workflow and remarkably finished it in just eight days! The constrained timeframe presented an intriguing challenge, leading to the surprising realisation that I was able to complete a large 10" x 12" coloured pencil portrait in a remarkably short period. Typically, I would not work at such a pace for a piece of this size, making this experience a notable exception.  This image illustrates the final drawings, with all framing presented in a simulated display using the ArtStage app. If you are interested in commissioning a lifelike, custom-made coloured pencil portrait or an acrylic painting of your pet, a loved one, or any other subject, you can find out more on my commissions page or contact me via email at: [email protected] to discuss your ideas for the portrait. Additionally, I offer oil pastel portraits for those seeking a more expressive interpretation of your chosen subject. Spectres of the Past: My Acrylic Painting of The Lion Tower at Warkworth Castle, Northumberland, UK22/9/2024
I am pleased to share one of my recent acrylic paintings entitled 'Keeper of The Castle'. This piece showcases the 'Lion Tower' located at Warkworth Castle in Northumberland, UK.
In this blog post, I provide historical insights related to the subject of my painting, describe the creative process involved in its development, and discuss the reasons behind my choice of this captivating theme. Additionally, this painting is currently available for purchase through my Art Store.
Nestled along the banks of the River Coquet, Warkworth Castle stands as a silent sentinel—a testament to centuries past. Its ancient stones echo with whispers of battles, love, and intrigue.
And there, on the little stair, a Jackdaw perches—a spectral observer bridging the gap between now and then. 
About 'Keeper of the Castle' Acrylic Painting of Warkworth Castle
As an artist with a focus on birds, I find myself fascinated by the rich history embodied in locations such as Warkworth Castle. The feet that have walked those steps through the centuries, and the wildlife that has traversed those grounds over time, have both played a role. It is this intertwining of history and nature that inspired the creation of this specific composition. You can read more about the creation of this painting by following this link.
My goal is not only to express texture through the brushstrokes but also to incorporate detailed textures into my paintings by enriching compositions that require such intricacy. The ancient stone steps, weathered by time, were depicted with an added layer of textured medium. This technique allows you to not only see the stonework within the paint but also to perceive it through the painting's tactile, raised surfaces.
The Enigmatic Jackdaw
And then there’s the Jackdaw, a bird steeped in symbolism. Intelligent, curious, and mysterious, it perches on the stair, its coal-black feathers catching the light. While the bird is the central figure in the painting, the artwork primarily depicts the history of the castle and its adjacent structures. The Jackdaw appeared to trail me as I took photographs of the weathered stone steps and the window, thus becoming a symbol of a ghostly spectre of bygone days.
A Brief History of Warkworth Castle
Warkworth Castle, with its imposing keep and curtain walls, stands as a medieval masterpiece, perched atop a hill overlooking the River Coquet. It is one of northern England’s largest and most impressive castles. The castle’s origins are veiled in antiquity, possibly dating back to the Iron Age. The exact founding date remains uncertain, but its current form, including the 'Lion Tower', the subject of my latest acrylic painting, emerged in the 14th century under the patronage of the formidable Percy family.
Overview of the Lion Tower and its Historical Significance
The Lion Tower at Warkworth Castle boasts a captivating history. Constructed circa 1480 by the 4th Earl of Northumberland, it functioned as the principal entry to the newly established bailey residence. The tower is distinguished by its remarkable heraldic sculptures, featuring a striking lion that represents the Percy family's power and prestige. The Lion Tower was intended as a majestic gateway, leading to the great hall where the household would convene. This hall was a 15th-century renovation of a pre-existing edifice dating back to around 1200. The architectural and ornamental features of the tower were designed to display the family's dynastic achievements and elevated status.
For those fascinated by the history of Warkworth Castle in Northumberland, a valuable video from the YouTube channel Castles and Legends. has been included. Spanning 12 minutes, it delves into the captivating history of the castle.
" Warkworth Castle, a once majestic fortress steeped in drama and history located in Northumberland, England. Its story is one of power, betrayal, and enduring legacy. "
Did You Know?
Northumberland is renowned for its impressive collection of over 70 castle sites, the highest in the UK. This abundance is a testament to the region's rich history and its strategic position near the Scottish border, which has led to the construction of numerous fortifications over the years. 
Visualisation sample only
If you are looking to purchase this painting, please contact me direct. You can also discover more original paintings featuring the birds and wildlife of Northumberland, alongside pieces on various other subjects. Consider dropping by to see if something catches your eye, particularly with Christmas on the horizon.
To commission a personal portrait, please visit my Commissions page for more information. For a custom pet portrait, explore my work on the Pet Portraits page. Feel free to share your stories about your own trip to Warkworth Castle in the comments below.
After completing an oil pastel portrait of our beloved late black Labrador, Haze, I knew it was time to create one for our beautiful yellow Labrador, Storm. At 14 years old, every day with him is precious, and I wanted to capture his likeness in a piece of art that I could cherish forever. As Storm is very photogenic, we have so many stunning references of him, and finding the perfect photo was a challenge, but I thought this particular composition would make an ideal portrait, showcasing his gentle nature and unique character.
Read on and discover the step-by-step process behind my oil pastel painting of Storm. You'll gain a better understanding of how everything comes together and the techniques I use to achieve my results, particularly insightful if you are looking to book a portrait of your own. 
In loving memory of Storm
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A key detail in framing oil pastels on Ampersand Pastelbord, is including a spacer between the artwork and the glass. This thin strip creates a small gap to prevent the pastel from sticking to the glass, which could otherwise cause permanent damage. The spacer is discreet, barely noticeable unless you’re inspecting the frame up close, and it ensures the artwork stays pristine. For Haze’s portrait, I chose acrylic glass for its durability and lower risk of shattering compared to traditional glass. It’s a practical choice that doesn’t compromise on clarity, making it ideal for showcasing the rich textures of an oil pastel piece. For oil pastel paintings created on Pastelmat, a spacer is unnecessary because the mount serves as a protective barrier between the artwork and the glass.
Oil pastels are a wonderful medium for creating heartfelt, striking portraits that truly reflect the character of your subject. Whether it’s a pet, a loved one or a cherished memory, I welcome the chance to create a portrait in oil pastels that feels both personal and lasting.
If you’re interested in commissioning a portrait or would simply like to find out more about the process, please don’t hesitate to get in touch. I’m always happy to answer questions and to create something personal and meaningful.
If you’re interested in commissioning a portrait or would simply like to find out more about the process, please don’t hesitate to get in touch. I’m always happy to answer questions and to create something personal and meaningful.
BEN
Cocker Spaniel in Acrylics
Size: 9" x 12"
Completed: 16th December 2017
Completed: 16th December 2017
This article provides insight into the meticulous process of creating an acrylic painting portraying Ben, a Cocker Spaniel, from the initial photograph to the final framed piece. Sadly, Ben had died in January 2016, prompting Kathleen to contact me with a request to create a portrait of him as a Christmas gift for her niece. Continue reading for a detailed account of this process.
Kathleen only had physical photographs of Ben, and although I typically work with digital images, I understand that there are times when only physical photos are available. Ideally, it is best to scan these and email them to me, allowing me to determine if I can work from one of them. Since Kathleen did not have access to a scanner, she sent the photos directly to me via special delivery so that I could scan them. I kept the photos safe and returned them to her along with the painting.
Working from physical photographs
The image above served as the reference for Sam's portrait. As evident from the magnified version, it possesses almost no definition. Digital photographs provide me with the ability to enhance detail through adjustments. In contrast, physical photographs typically lack the level of detail found in digital images, so zooming in on a scanned file yields very little clarity. When I am creating a pet portrait and can access additional photographs of the same breed online, it almost always provides a beneficial solution.
In this case, I was able to provide a generalised interpretation of Sam, suggesting that a full-body portrait is the most feasible option due to the absence of fine detail. Although head-and-shoulders portraits are the most commonly requested format, full-body portraits deliver a more classical presentation. The background was chosen from my personal photographic collection, following a collaborative process with Kathleen to identify the most appropriate option.
Kathleen requested that the painting be framed to enhance the presentation of the portrait as a complete package. I presented her with a selection of frame samples for her consideration. She ultimately selected a teak moulding. Upon receiving her confirmation that no further modifications were required, I moved on to the varnishing stage. After ensuring safe packaging, I dispatched the item with a 24-hour express delivery service to ensure its arrival the following day.
 | " Portrait arrived safely and I am delighted with it. The likeness is amazing and I know my niece is going to love it. Here's wishing you a very Happy Christmas and a peaceful and healthy New Year! " Kathleen R |
For more information about my custom-made portraits, please explore the links below. You can view the complete collection of my work in the pet portraits gallery, which includes pieces created with Coloured Pencils as well as Oil Pastels.
Should you be interested in commissioning a custom portrait, find out more on the 'How to commission a portrait' link below.
Should you be interested in commissioning a custom portrait, find out more on the 'How to commission a portrait' link below.
This Christmas, I was inundated with commissions. I had to complete five within six weeks, presenting a significant challenge. Typically, a single portrait takes three to five weeks, so this period was exceptionally hectic. Nevertheless, all commissions were finished and dispatched to customers well within the deadline. Below, I have provided the details of each commission, the final portraits, and the accompanying customer testimonials.
Discover three bespoke commissions: two vibrant Springer Spaniels in acrylics and a heartwarming triple portrait featuring a couple and their adorable French Bulldog, meticulously rendered in coloured pencils.
Discover three bespoke commissions: two vibrant Springer Spaniels in acrylics and a heartwarming triple portrait featuring a couple and their adorable French Bulldog, meticulously rendered in coloured pencils.
Buddy - Springer Spaniel Portrait in Acrylics
The client, Esther, commissioned a portrait of her Springer Spaniel, Buddy, as a Christmas gift for her husband, Steve. She selected a favourite photo, and I created several mock-ups for her to choose from. The final reference was a composite of five images, body, head, tail, background, and flowers, all merged to form a cohesive scene. Balancing lighting across these sources was challenging, but the high-quality photos provided enough detail to achieve a natural, unified result.
The grass alone took the most time, with each blade applied in three layers to build depth. The chosen size allowed for a full-body portrait, which gave the piece its intended impact. For commissions with scenic backgrounds, I begin by painting the landscape in detail, then refine the areas where subject and setting meet. In Buddy’s portrait, I aimed for a richly textured foreground with a softly blurred background to draw focus to the subject.
You can discover more about the process of Buddy's portrait here.
You can discover more about the process of Buddy's portrait here.
The base layer - Very messy but important
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The final completed painting
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"I'm sitting looking at Buddy in pride of place on the wall, photo attached! It is absolutely lovely and it had the desired effect on Steve when he unwrapped - there were tears!! Everyone that has seen it has said how amazing it is with the amount of fine detail and so Buddy. If I manage to get a decent photo of Buddy next to it I will send it on! Thank you once again, it is lovely to have a painting of Buddy forever."
Esther
Dudley - Springer Spaniel Portrait in Acrylics
The client, Andrea, commissioned a portrait of Dudley as a Christmas gift for her mother. Although they provided a favourite photo, it was too small and pixelated to support the level of detail required. However, she was able to provide additional images which was taken in natural light, which allowed me to accurately capture Dudley's distinctive features, rich brown tones, and subtle markings. These references were essential in achieving a realistic and characterful result.
The early stages of an acrylic painting often appear chaotic. Acrylics dry quickly, which can be challenging at first, but with experience and control, this quality becomes an advantage. I find their fast drying time ideal for building detail with precision, allowing me to work efficiently and layer complex textures without delay. In Dudley's portrait, I spent particular care on the blades of grass, layering them to ensure the sunlight fell naturally and enhanced the warmth of the scene.
To learn more about how Dudley’s portrait came together, visit his page here.
To learn more about how Dudley’s portrait came together, visit his page here.
Finalising the painting with a tonal wash
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The final painting
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"Just wanted to let you know that mum loves her portrait and we all cried our eyes out when we first saw it. What you've done is so special and we couldn't have asked for a better painting to remember him by. It captures his brilliant personality so well. I'll definitely be recommending you to my spaniel loving friends!
Andrea xx."
Diarmid, Max & Kyla - A Couple and their French Bulldog Drawing in Coloured Pencils
Diarmid kindly sent over a lovely reference photo featuring himself, his partner Max, and their charming French Bulldog, Kyla, captured during a visit to Pennan in Aberdeenshire. They were standing in front of the iconic red telephone box made famous by the film Local Hero, a well-known landmark that adds a touch of cinematic history to the village. While the phone box itself was a strong compositional element, the remainder of the background offered little visual value, so we agreed to simplify the setting. To retain a sense of place without distraction, I inscribed ‘Pennan’ discreetly in the corner of the finished portrait, a subtle nod to the location that keeps the focus on the trio’s character and connection.
The original image, taken on a mobile phone, lacked clarity in some of the finer details, particularly around facial features and Kyla’s expression. Fortunately, the precision afforded by coloured pencils allowed me to restore the sharpness and bring out the individuality of each subject with care. I thoroughly enjoyed working on this piece, it was a pleasure to create such a meaningful moment into a highly realistic portrait. I always welcome a challenge, especially when it involves capturing the warmth and personality of both people and pets in a way that feels true to life.
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The final portrait treated with an application of UV fixative
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"Hi Karen , Hope you had a lovely Christmas. Wanted to drop you a note to say that Max absolutely loved the portrait! She couldn't believe how well you'd captured the detail from the photo and was thrilled to pieces! We've already recommended you to friends and family and am sure we'll use your amazing skills again in the the future. Have a great New Year!! Diarmid"
Pyppa & William - Bearded Collies in Coloured pencils
This portrait was commissioned by my friend Jet as a Christmas gift for her mum, Ann. At 11" x 17", it was a custom size chosen to accommodate a double portrait of her two Bearded Collies, Pyppa & William. Given the density and length of their coats, along with the need for anatomical accuracy, a larger format was essential to preserve detail and proportion.
For every portrait I create, I retain a printed outline of the composition. If a client later requests a second piece to match an earlier one, I can use that outline to ensure the sizing and layout remain consistent. This portrait was designed to match a second portrait of Ann’s two dogs, 8 years apart, created after she lost Pyppa and William. The two portraits are shown below in a virtual room setting created using the ArtStage app.
Kita - Akita dog in Acrylics
This Christmas commission was created from very limited reference material. Most of the photos were taken with flash, which distorted the colour and obscured finer details. Although the pose was strong, the image lacked clarity, so I researched the breed and used careful interpretation to guide the painting. Drawing on years of experience in pet portraiture, I added detail beyond what the photo provided. Each hair was painted with a fine brush, and through layered brushwork, I was able to enhance the realism and bring Kita’s likeness to life.
You can read more about his portrait and how it came together here.
You can read more about his portrait and how it came together here.
If you're considering a commission, whether it's a portrait of your pet, a loved one, or a landscape that holds meaning, for a special moment or event, you can explore each option by clicking the images below to learn more about what’s involved.
To request a no-obligation quote or book a portrait, you’re welcome to fill in the form or contact me directly.
To request a no-obligation quote or book a portrait, you’re welcome to fill in the form or contact me directly.
This article was first published in 2016 to document a graphite pencil commission of Wynyard Hall, it has been updated in 2025, to include current information about commissioning graphite portraits, particularly for weddings, engagements, and other milestone occasions.
Back in 2013, I was approached by a couple planning their wedding at Wynyard Hall, Billingham. They wanted a graphite pencil drawing of the venue to display on the day, something guests could sign around the mount as part of their celebration. It was a thoughtful idea, and one that turned into a striking centrepiece. Rather than being purely decorative, the drawing was integrated into the celebration itself.
A custom-ordered, non-standard-sized piece designed to commemorate a wedding day.
With no personal photographs available, I contacted Wynyard Hall directly and was granted permission to use one of their high-resolution images. After receiving approval, I commenced work on the portrait. The final piece measured 12 by 24 inches, tailored to suit the scale of the building and the couple’s plans for guest messages. Though I don’t routinely promote graphite commissions, it remains a selective option for architectural subjects where tonal control and detail are paramount.
Framed before the big day!
We worked through framing options to ensure the mount could accommodate handwritten notes, although the mount could have been wider due to the amount of people wanting to sign it on the day. The couple opted for a simple black frame, coupled with a dual mount and a silver plaque inset, engraved with the venue name and wedding date. These details made the piece personal without overwhelming the composition, especially as the messages would play such a large part.
The completed portrait featuring the well wishes of wedding guests inscribed on the mount.
The drawing was completed in just over three weeks, ahead of the couple’s collection date. Framing was arranged locally and finished in time for their trip to collect the portrait, just in time for their wedding. While large-scale commissions typically require more time, I will always do my best to accommodate specific deadlines, especially when the portrait is tied to a wedding or milestone event.
This Wynyard Hall commission remains one of the most emotionally resonant wedding pieces I’ve produced.
This Wynyard Hall commission remains one of the most emotionally resonant wedding pieces I’ve produced.
Custom-made wedding portraits and for other special ocassions
If you're considering a graphite pencil portrait as a gift, whether for a wedding, birthday, or simply to mark a meaningful moment, pricing and commission details are listed below. I’ve outlined the commissioning process in detail in ‘Portraits As Gifts: 'A Guide to Commissioning Meaningful Art’, or use the booking form to request a no-obligation quote. To get started, just send over a favourite photo, or message me if you'd like help choosing. This helps me understand the kind of portrait you're after and how best to approach it.
- Choose your favourite photo of the subject(s) - Need Help?
- Select your desired portrait size - See sizes & pricing above
- Decide on the background - Standard, tonal or scenic
- Click the link to request a quote or book your custom portrait
These are a small collection of my early graphite pencil portraits, completed between the 1990s and early 2010s. Subjects range from portraits of children, pets, and loved ones marking significant birthdays or milestones. Each piece was created with close attention to tone, likeness, and character, qualities I continue to prioritise in all current commissions.
If you're considering a colour portrait, I also work in coloured pencil, acrylic, and oil pastel. Each medium offers a distinct finish, but all are suited to highly realistic work. You can explore the links below to learn more about each option and how they might suit your subject.
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Karen M Berisford
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