Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer24/11/2024 This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process. Jet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process. It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality. As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas. Both images above demonstrate the layering technique that I utilise in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others. The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications. Time-lapse videos of the creation of Maggot
This portrait is a work in progress, and updates will be added to this blog as it nears completion. Additionally, a brief time-lapse showcasing the detailed creation of the left eye will also be shared here in the upcoming days.
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I have recently expanded my repertoire of artistic mediums to include oil pastels. After decades of creating highly detailed artwork with coloured pencils and acrylics, I wanted to provide an additional medium that allows for greater flexibility and expressiveness, offering a complement to my traditional emphasis on realism. While my passion remains rooted in capturing realism, my oil pastel paintings reflect this focus, albeit with a different level of intricacy compared to my pencil drawings and acrylic paintings. What are oil pastels?Oil pastels are a fascinating art medium that consist of vibrant pigments, non-drying oils, and a wax binding agent. Their smooth and creamy texture makes them effortless to apply and blend, allowing for seamless transitions between colours. What sets them apart from traditional pastels is their ability to remain malleable and never fully dry, allowing the flexibility to apply various techniques for blending, shaping, and creating intricate details. Haze the black Labrador Retriever with his squeaky raspberry dog toyOil pastels are suitable for a wide range of subjects, offering an expressive interpretation that provides vibrancy and a gentle delineation of form and texture, reminiscent of the allure of an oil painting. The following comparison of a black Labrador Retriever emphasises the unique features of my oil pastel paintings in relation to the physical subject depicted in the photograph, enabling you to explore these characteristics firsthand. The History of the Oil Pastel
Storm the yellow Labrador Retriever in a field of wheatIn the world of photography, there are certain images that appear incredibly well-suited for artistic representation. This specific photograph beautifully captured our late Labrador, Storm, in a field of wheat. The reference image was taken during a leisurely walk with our two other sadly departed dogs, Haze and Casper. The backdrop of wheat was of perfect height and its colour spectrum harmonised flawlessly with Storm's distinctive features, resulting in an exceptionally balanced composition. Storm was always a natural in front of the camera, and for me, this photo is a poignant portrayal of his happy character. The products I useI employ a combination of Sennelier and Neopastel oil pastels, complemented by blending tools and accessories, which enable me to incorporate fine details that are unachievable with oil pastels alone. The Sennelier oil pastels' soft and creamy texture is ideal for applying base layers and impasto techniques. In contrast, the slightly harder Caran d'Ache Neopastels are perfect for creating fine lines and delicate details. Occasionally, I also use coloured pencils to add the tiniest details, like whiskers and fine hairs. Each artwork I produce presents a unique conclusion, with varying degrees of expressiveness inherent to them. This exemplifies the advantages of using oil pastels. The objective is not merely to achieve a replica; rather, it is to provide a customised outcome that reflects the character and vibrancy of both the subject and its environment, complemented by a touch of creative interpretation. To discover more about my oil pastel artwork, you can explore my oil pastel gallery, learn about commissioning a unique oil pastel painting, or reach out to me directly to discuss your ideas. Observe the journey from preliminary sketches to the intricate fur details, of a coloured pencil drawing through images and enthralling time-lapse videos that unveil the stages of crafting a lifelike portrait of Carrot, a white Boxer dog.
Other pencil portraits in progressCreating Realistic Pet Portraits: Dougal A Red Fox Labrador in Coloured Pencils - Private Commission4/3/2022 The latest commission on the easel is this stunning Red Fox Labrador called Dougal. For this 10" x 12" drawing of Dougal, I am using the lightfast coloured pencils, Caran d'Ache Luminance on Strathmore Bristol Vellum paper. I create my drawings using a layering process, which help to create the depth and realism that can be seen in all my work. This process starts from the lighter tones and builds up to heavy and bold applications. The realism is created at the end, when I use both light and dark tones to manipulate the layers and create the final pieces you see within the pages of my website. Creating a drawing like this can take many hours and to ensure I stay fully focused on each piece, I work on other drawings and paintings in between sessions. The length of time it takes to create a portrait depends entirely on the complexity of the composition, but a 4 - 6 week timescale is normal, unless a specific timeframe is requested. This is the current stage of Dougal's portrait. There is still much to do on the colouration, but you can see how soft his fur now looks from the first post above, after numerous layers have been applied. You can view Dougal's progress page HERE. I also completed a portrait of a Red Fox Labrador last year. This is Rua, who is Dougal's sister. You can view her portrait HERE. If you are looking to commission your own portrait, visit one of the galleries below to find out more about each medium.
I was recently commissioned to create a stunning coloured pencil drawing of an English Bulldog for a client. This client, Carol, had previously asked me to create two beautiful portraits of her beloved pets: a red English Bulldog named Buster and a white English Bulldog named Reggie. Now, she has another adorable Bulldog named Rufus, and she wanted a third portrait to join the collection, creating a lovely trio of coloured pencil portraits to display in her home. Prior to working on the portraits of Buster and Reggie, I had not had the opportunity to create a pet portrait of an English Bulldog. Their unique character is truly remarkable, with the distinctive wrinkles and folds in their faces that are somewhat reminiscent of those of the Boxer dog. Having completed over 40 portraits of the Boxer dog breed, I have always thoroughly enjoyed the creative process for each one. My extensive experience in creating Boxer dog portraits, coupled with the excellent reference photograph provided, greatly simplified the process. The realism of my coloured pencil portraits is greatly influenced by the quality of the photographs provided. High-resolution images enable me to capture even the minutest details by zooming in. Working from subjects photographed in natural light is significantly easier, as it eliminates the need to interpret details lost to overexposure or distortion from artificial lighting conditions. The precision of my pencil work will reveal the areas in the photograph that may lack essential detail, which can lead to a less refined portrait. With more than 35 years of experience in working with coloured pencils, I gravitate towards high realism because I relish the challenge it presents. If you're considering commissioning a custom pet portrait of your English Bulldog or another breed, I will provide useful links for you to learn more about the process before contacting me.
You're welcome to reach out directly as your initial inquiry, but if you're just looking to gather information before deciding, feel free to explore my Art Gallery and/or Pet Portraits Gallery to view the range of portraits I've crafted over the years. In addition to Coloured Pencils, I also work with Acrylics and Oil Pastels, each providing unique finishes. You can visit each gallery by clicking on the provided links. Additionally, comprehensive details about the commissioning process are available via this link. During the challenging days of the UK lockdown, I am focusing on the completion of several artistic projects that have been pending in my studio. One notable piece is a self-portrait that also incorporates our beloved family dog, Cindy. She was a cherished member of our household who passed away in 2009 at the age of 16. As a crossbreed between a Labrador and a Collie, she was renowned for her gentle temperament and held a special place in the hearts of our family, particularly my mum. You can find more of my acrylic paintings in my online art gallery
Bespoke commissions are available to book. I've completed a stunning pet portrait of a Rottweiler named Kira. The reference photo was rather small, and the black fur lacked detail, but after researching online for similar images of the breed, I managed to produce a highly detailed 12" x 16" coloured pencil portrait. Today, Kira's portrait made its way home and will be presented as a birthday gift to the commissioner's husband later this month. I trust that both will cherish Kira's portrait for many years. You can learn more about the completion process on her dedicated page here. You can explore a variety of Pet Portraits I've completed throughout the years. My work includes Acrylic Paintings, Oil Pastel Paintings, and Coloured Pencil Drawings, each offering a unique finish to suit your preferences.
For more information on my custom-made portraits, please follow the commissions link. Additionally, you're invited to browse my full gallery, showcasing a diverse array of subjects beyond pet portraits. JETSON Newfoundland Pup Coloured Pencil Portrait PORTRAIT COMPLETED: November 2018 Portrait size: 11" x 14" I was recently contacted by a client named Mel, who was asked by a close friend to facilitate the creation of a pencil portrait of their nine-month-old Newfoundland puppy, Jetson, as a Christmas gift from husband to wife. Mel kindly provided several photographs of Jetson, allowing me to select the most suitable reference image. One particular photo prominently featured a charming detail of Jetson with his tongue playfully sticking out, which I felt would make an excellent choice for the portrait. Photographing dogs with dark fur can present significant challenges, primarily due to issues related to contrast. Often, the shadows lack detail, and overexposure can occur when adjustments are made to enhance the image. However, utilising a high-resolution digital image proved to be highly beneficial in overcoming these issues. As a result, I used several photographs to guarantee that the portrait I created had the proper balance of highlights and contrasts. I utilise Caran d'Ache Luminance coloured pencils for all my pencil portraits. Employing professional-grade pencils is crucial due to their high pigmentation, which enables effective layering. This technique enables me to overlay highlights on darker base tones, which helps maintain accurate perspectives, especially in compositions that feature extensive dark pigmentation. " Aww Karen... You wonderful, lovely girl. He’s gorgeous. Must confess, might have shed a little tear... THANK YOU SO SO much " Should you consider commissioning a portrait, whatever the subject may be, you can find out how the process works on my Commissions page or drop me an email at: [email protected]
I provide three mediums, each offering a distinctive finish: Coloured Pencils, Acrylics, and Oil Pastels. More of my work is available for viewing on my Art Gallery page and in the Pet Portraits Gallery. Ernie is a little Shih Poo dog. A Shih poo is a cross between a Shih Tzu and a Poodle He is a very sweet and affectionate dog and whenever I visited, I would offer him a treat. He would eagerly stand on his hind legs with his paws up, waiting for me to feed him. Ernie had been living with my auntie since he was a puppy, but when she sadly died in 2018, he found a new home with a very kind lady. During a visit to my aunt, I brought my camera along to capture pictures of Ernie. Unfortunately, the weather was dismal, and I couldn't get any satisfactory shots. However, I managed to take one photo that had a certain appeal, even though it could have been better. I planned to edit it and transform it into a beautiful painting as a surprise gift for my aunt, who was going through some health issues. For this particular painting, I opted for a simple background and used large brushstrokes to create the initial layers. This served as a foundation for adding finer details. It's worth noting that not all my acrylic paintings are created the same - some require a looser style, while others need more intricate details. The canvas size also plays a role in determining the painting style. Fortunately, I had an extra Ashgate frame in my studio that matched the portrait flawlessly. The warm, golden hues of the frame perfectly complemented the painting's tones. When I showed the artwork to my aunt, she became emotional. She cherished the artwork and hung it in her kitchen. When she passed away, I requested that the painting be returned to me to keep that memory alive. He now hangs in my studio as a memory of that precious moment that made my auntie happy when she was so ill.
In 2017, I began receiving Christmas orders as early as September, which kept me occupied for the entire season. Starting in mid-October, I dedicated 10-12 hours daily to work, organizing a daily schedule to guarantee the timely completion of all portraits. With some orders coming from overseas, it was crucial to secure any needed frames well ahead of time, considering the high demand framers face during the holidays. My aim was to complete all orders a week before my trip to Chesterfield, yet I found myself working late into the night preceding my departure. Everything proceeded without a hitch, and the individual who commissioned the piece met me at the Chesterfield train station to pick up the portrait of Star the Chow Chow. The painting travelled with me for six hours via various modes of transport, safely tucked inside my suitcase. The lady who requested the painting presented me with a beautiful bouquet of flowers. It was heartwarming to read the recipients' joyful remarks on Christmas Day upon receiving the portrait of their cherished pet. You can view the progress of Star's portrait on this page. I've completed all the Christmas commissions and took a well-deserved break to recharge. Now, I'm back in the studio, creating new articles for my Step by Step Art website. There are numerous tasks to accomplish behind the scenes. If you're interested in booking a personalised commission or are an artist searching for helpful articles, and mini-tutorials, click on the links below to visit my website.
Here's hoping 2018 is a wonderful year for you! Karen BEN |
AuthorKaren M Berisford Choose tags below to search the news blog directory, or quickly find each blog through the News Blog Archives page.
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