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Whether you're planning ahead for Christmas, a birthday, or just looking for a special keepsake, commissioning a portrait with me is a straightforward process.
This guide will walk you through the different mediums you can choose from, how to place an order, framing options, and what to expect with timescales. My goal is to make sure you feel completely confident and excited about booking your special portrait with me.
Final booking dates for Christmas portraits:
Acrylics: UK Last order date: 16th November 2025 International: 9th November 2025 Coloured Pencils: UK (From 12" x 16" upwards) 16th November 2025 International: 9th November 2025 Coloured Pencils: UK (Upto 12" x 12" sizing) 30th November 2025 International: 23rd November 2025 Why Should You Book a Portrait with Me?
If you have come across my website, you may be considering the question, "Why should I book a portrait with you?" Your visit may be motivated by my proximity or my focus on pet portraits. Below, I provide some information about my work ethics to help you feel confident in selecting me to create a portrait that is truly meaningful to you.
I’m a self-taught artist with over 35 years’ experience in coloured pencils and more than 20 in acrylics. My focus is realism, but not in the sense of simply copying a photo. I take time to study the details that reveal character, posture, expression, the subtleties that make someone or something recognisable beyond the surface. This approach gives the portrait depth and meaning. It’s not just a likeness, it’s a considered interpretation. A photograph might capture a moment, but a portrait offers something more sentimental. It’s built with care, and made to last.
To create portraits that stand the test of time, it is vital to use only the finest archival, acid-free materials. Every step of my artistic process is infused with a commitment to quality. I carefully choose an array of archival and lightfast products, including GOLDEN acrylics, Caran d'Ache Luminance, and Derwent colored pencils, all paired with acid-free and archival surfaces. These intentional choices not only enhance the longevity of each piece but also amplify the vibrancy of colours. The rich hues you encounter in the finished artwork are crafted to remain brilliantly bright, preserving their depth and clarity for generations to come.
Which medium should I choose?
If you are interested in exploring the different mediums featured in my artwork and would like to gain insight into the detailed process involved in creating my portraits, I have included a selection of informative YouTube videos below. These videos demonstrate techniques such as the careful layering of vibrant coloured pencils and the dynamic application of acrylic paints.
These videos offer an in-depth exploration of each medium, illustrating not only the techniques I employ but also the thought and creativity that go into every piece. Both provide a rich and engaging insight into my artistic approach and the journey of bringing a portrait to life.
Feel free to subscribe to my You Tube channel if you wish to stay up-to-date on my latest work, behind-the-scenes content, and upcoming projects. How to Book Your Custom Portrait: A Simple GuideIf you’re considering booking a portrait with me, I am always available to answer any questions you may have. I’ve also provided comprehensive information here that will help you understand what to expect when commissioning a portrait with me.
Timescales
I don't follow a strict first-come, first-served queue. Instead, I manage my workload based on customer deadlines. My work is very detailed, so I can only take on a limited number of portraits each month.
I rotate between multiple pieces at once to keep my creative flow fresh and to ensure I can accommodate clients with urgent requests. This allows me to fit in a rush order without impacting the completion dates of other portraits. If you're in a hurry, consider a coloured pencil portrait. Unlike acrylics, they don't require any drying or varnishing time. Acrylic paintings need one to two weeks to fully dry and be varnished, which is a crucial step before framing. What happens next?
Once the details of your commission are agreed, a 50% deposit (payable by bank transfer or PayPal) secures your booking. When the portrait is underway, I’ll create a private page for you on this website and share the link, so you can follow progress as the work develops. You’re welcome to keep in touch during this stage if you’d like any adjustments made or simply have questions.
When the portrait is finished, I’ll upload an image to your page for your approval. Acrylic paintings are then varnished and, if you’ve chosen framing, prepared accordingly. Coloured pencil portraits are carefully packaged at this stage. Once the final balance has been settled, the portrait is securely packed and dispatched. Within the UK, delivery is via a tracked 24-hour service. International orders are sent by special delivery, with arrival typically within 5–7 working days. Do you Only Create Pet Portraits?
No. Alongside bespoke pet portraits, I also produce portraits of loved ones and special events. These make considered gifts for occasions such as birthdays, anniversaries, or weddings, and can offer a respectful way to commemorate those who are no longer with us.
Each piece is crafted with care and attention to detail, aiming not just to reflect appearance but also to convey personality, love, and treasured memories.
If you’d like to explore the possibility of a custom portrait, my online form is the best place to start. You can upload a favourite image or two and share your ideas, whether detailed or just a starting point. I’ll take a close look and get back to you with a no-obligation quote and a sense of how your vision could be brought to life. Alternatively, you’re welcome to get in touch directly or explore further details through the links below.
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I recently began working with oil pastels. After decades of creating highly detailed artwork with coloured pencils and acrylics, I wanted to try out a different medium that allows for greater flexibility and expressiveness, offering a complement to my traditional emphasis on realism. While my passion remains rooted in capturing realism, my oil pastel paintings reflect this focus, albeit with a different level of intricacy compared to my pencil drawings and acrylic paintings.
What are Oil Pastels?
Oil pastels are a fascinating art medium that consist of vibrant pigments, non-drying oils, and a wax binding agent. Their smooth and creamy texture makes them effortless to apply and blend, allowing for seamless transitions between colours. What sets them apart from traditional pastels is their ability to remain malleable and never fully dry, allowing the flexibility to apply various techniques for blending, shaping, and creating intricate details.
Haze - Black Labrador Oil Pastel Painting on Pastelbord
Featured below is a portrait of my beloved late black Labrador Retriever, Haze. This piece holds a truly special place in my heart, marking it as the very first pet portrait I created using oil pastels. It beautifully illustrates the depth, vibrancy and character that I love about this medium. For Haze's portrait, I chose Ampersand Pastelbord, a durable, archival surface ideal for works that, like this one, are best presented simply framed behind glass, without the need for a mount or additional features.
I find oil pastels offer incredible expressive freedom, creating artwork with both vibrant colour and a gentle way of defining shapes and textures, much like the classic allure of an oil painting. With Haze's comparison above, you can clearly see how this oil pastel painting goes beyond a simple copy of the photograph, instead highlighting and interpreting his unique features.
Storm - Oil Pastel Painting of a Yellow Labrador in a Field of Wheat
I painted a second oil pastel portrait of my much-missed yellow Labrador, Storm, specifically to hang alongside Haze's painting. Though its composition is notably different and carries a softer vibrancy, Storm's chosen stance truly complements his warm colouring and beautifully conveys the gentle nature of both him and the Labrador breed. This portrait, too, was created on the archival Ampersand Pastelbord. For their presentation, both Haze's and Storm's portraits are housed in matching wide, cream frames, complete with a protective spacer to keep the painting safely separated from the glass.
The History of the Oil Pastels
My Essential Art Supplies for Oil Pastel Painting
My oil pastel work relies on a blend of Sennelier and Caran d'Ache Neopastel oil pastels, plus a few essential blending tools and accessories. This approach enables the fine details that are difficult to achieve with pastels alone. The soft, creamy texture of Sennelier oil pastels is perfectly suited for foundational layers and impasto effects. In contrast, the firmer Caran d'Ache Neopastels excel at creating precise lines and subtle details. Occasionally, I also use coloured pencils for exceptionally fine details like whiskers or individual strands of hair.
My selection of painting surfaces depends on the desired framing presentation. I choose Ampersand Pastelbord for portraits designed to be framed similarly to traditional oil paintings, without a mount. For pieces that will be matted and framed like a pencil portrait, Pastelmat is my preferred surface. It's essential to frame all oil pastel paintings under glass, complete with a spacer, as the medium never completely dries, making the artwork vulnerable to dust and smudging.
While I truly enjoy creating pet portraits, my oil pastel paintings aren't limited to just animals. I offer bespoke portraits of many subjects, including cherished landscapes or even people. Every piece of art I create is unique, showing different levels of expressiveness. This is one of the great things about working with oil pastels. My goal isn't just to make a perfect copy. Instead, I aim for a custom result that captures the true character and life of the subject and its surroundings, always with my own artistic touch. Interested in Commissioning Your Own Portrait?
If you're interested in a unique, custom portrait, you can find details and pricing for my oil pastel portraits on the links below. If oil pastels aren't quite what you're looking for, I also create lifelike portraits in coloured pencil and vibrant acrylic paintings. Use the links below to explore my other styles, or feel free to contact me directly to discuss your ideas!
In this article, I am pleased to share my latest artworks. Three new acrylic paintings, which include a touching moment of a father embracing his son on his wedding day, a young girl named Lois riding her grey horse Vinnie, and Lois's sweet little black Cockapoochon. Additionally, I unveil my latest coloured pencil portraits, featuring a Golden Retriever surrounded by vibrant pink Hydrangeas, and two Boxer dogs that complement last Christmas's portraits. Each piece is crafted with meticulous attention to detail to capture the essence and personality of the subjects and each one was commissioned for friends and family members for various special occasions, including Christmas. Discover the inspiration behind each unique creation and watch how these portraits were brought to life through the time-lapse videos. For those interested in commissioning a personal portrait, more information can be found on my Commissions page. Jimmy & Craig - Portrait in AcrylicsGifted by Daniel to a friend after the recent loss of his father Daniel made a formal request for an acrylic painting measuring 12" by 16", depicting a heartfelt moment of a friend embracing his father during his wedding ceremony. This artwork was commissioned as a thoughtful gift to commemorate his friend's birthday in December. Daniel's initial request is detailed below: " I am considering getting a portrait commissioned (30x40 acrylic) on behalf of my friend whose father has recently passed. The picture I have is taken indoors, although well lit, when his father surprised us all by making it to his wedding day despite being critically ill. It was a pivotal moment in his life and I would love it captured by yourself and I think it would help him through the grieving process. " Portraiture is among my favourite subjects to create. As an artist, I find inspiration in challenges, and I consider portraits to be particularly demanding. While the majority of my work focuses on pets, I greatly appreciate the opportunity to diversify my portfolio when clients inquire about portrait commissions. Although I generally refrain from incorporating text into my paintings, I recognised the significance of this phrase to the recipient. As a result, I was able to integrate it in a way that maintains both cohesiveness and visual appeal. Below are two time-lapse videos that highlight two key stages of the painting process. The first video illustrates the detailing of the jackets, while the second video focuses on the completion of the face and head. Although the videos are brief, they each represent around 2 hours of work.
" Hi Karen, I have reviewed the painting and it's exactly how you promised it would be. I'm sure he'll love it." Daniel Merseyside, UK If you’d like to dive deeper into the process, feel free to visit the dedicated page for Jimmy & Craig’s portrait, where I share my personal insights and an in-depth overview. Two Acrylic Paintings of a Young Girl and her Horse plus her Cockapoochon dogGifted by Joan to her great-grand-daughter Lois The two portraits displayed below were commissioned by my lovely neighbour, Joan, as a thoughtful gift for her great-granddaughter, Lois, who is 13 years old. Initially, the request included Tux being featured in the portrait with Lois and her horse; however, it was ultimately decided to create two separate paintings. Both of these portraits were developed from physical photographs, which presents a greater challenge compared to digital images due to limited editing capabilities. While it is possible to adjust brightness and contrast in the scanned photo, extracting additional detail as one would with a digital file is not feasible, which added complexity to the process. Additionally, I designed a new background, as the original photo lacked visual appeal. In this case, the original image presented a concrete road, a few sparse trees, and a dreary overcast sky, which inspired me to explore ways to improve the scene. By transforming the background with lush greenery and a brighter sky, I turned a rather mundane setting into a more visually appealing landscape. For Tux's portrait, the 8" x 10" size was most appropriate. However, the reference photo was relatively small and lacked detail in several key areas. Since I only had the single photo to work from, I had to rely on online images of black Cockapoo dogs to enhance my understanding of the details in the eyes and to help differentiate the fur on the face, forehead, and ears. While this approach carries some risk of deviating from Tux's actual appearance, it was the only viable option. Both portraits were presented in matching silver-gold frames. I experimented with several ornate frames available in my studio; however, I realised that they did not enhance the paintings as intended and, in fact, detracted from their overall impact. Consequently, a simpler molding was more effective in this case. For further information regarding these paintings, please visit the dedicated page for Lois, Vinnie, and Tux, where I provide an in-depth overview of the process. A Coloured Pencil Memorial Drawing of Elsa, the Golden RetrieverIn memory of Elsa - October 2024 This was gifted from Melvin and Kay to two dear friends in honour of their cherished Golden Retriever (and ex guide dog), Elsa, who recently passed away. Due to the nature of this presentation as a surprise gift for the two recipients, the commissioner was only able to supply a limited selection of photos of Elsa. Although the available details were minimal, I was able to create a new composition based on one of the photos, featuring Elsa in a recognisable area of the garden, positioned beneath the Hydrangea bush with a tennis ball in front of her. " We are looking to place a commission for a portrait of a dog and we are very impressed with your body of work. The subject doesn’t belong to us but is very dear to us. The dog is named Elsa and she is a retired guide dog and she lives with two very special friends of ours. Very sadly, Elsa is coming to the end of her life and we are hoping a portrait will give our friends a lasting memory of Elsa." Elsa frequently found comfort beneath the hydrangea bush, highlighting the importance of creating a composition that would serve as a lasting tribute to her in her favourite spot in the garden. The portrait was developed using two distinct images, as the client was unable to provide a suitable photo of her in a lying position. I combined a photograph of Elsa's head with an image of the body from a different Golden Retriever to achieve a realistic representation of the desired pose. Additionally, I used other photographs of Elsa to ensure that the colouration accurately reflected her likeness, while also omitting any white hairs typical of her youthful age of eight years, in accordance with the client's request. As you might expect, the most time-consuming aspect of the portrait was meticulously crafting the leaves and petals of the flowers. I found myself consistently underestimating the amount of time this intricate detail required, often losing track of how many hours I dedicated to perfecting the background detail. To give you a sense of the labour involved, I’ve included a couple of time-lapse videos. These clips capture the painstaking process and reveal the hours of effort that went into each stage of the artwork, with each video spanning approximately two and a half to three hours of my work. As previously mentioned, I have a deep passion for tackling challenges, and I found immense satisfaction in the process.
" We cannot thank you enough for the amazing portrait you have produced and we are in awe of your artistic skill. It is a beautiful composition and it truly encapsulates Elsa in a very typical pose we have all witnessed many times." Melvin & Kay West Midlands, UK Maggot the Boxer dog in Coloured PencilsLast year, Jet commissioned coloured pencil portraits of her Boxer dogs. However, two additional Boxer dogs belonging to Jet and her friend Mark had not reached maturity at that time. To ensure their portraits could be displayed alongside the previously commissioned pieces, Jet decided it would be prudent to wait an extra year. Maggot is Jet's third Boxer dog, joining her other two, Carrot and Fungus. The framed examples are presented as a simulation for display purposes, but have yet to be framed. The portraits of all three dogs together are also showcased further down the page. Although the reference photograph was of exceptional detail, I used an additional reference image to make adjustments to the left ear, which was protruding and could potentially disrupt the balance of the overall presentation. It is uncommon for me to produce a portrait based solely on a single photograph; typically, I incorporate a combination of elements from multiple images to achieve the desired outcome. During certain periods in my creative process, I capture time-lapse recordings that provide viewers with an insight into the methodology behind my portrait creation. This video features a series of time-lapse recordings captured during key stages of my creative process, offering a detailed look at how my coloured pencil portraits are developed. Using Maggot as the subject, it illustrates the techniques and structure behind my approach to lifelike portraiture. The image above was taken during the final stages of completing Maggot's portrait. This process involved the meticulous addition of whiskers and final adjustments to ensure the artwork’s completion. At this stage, I proceed to sign the portrait, followed by the application of two to three layers of fixative spray to provide enhanced protection for the finished piece. The three portraits are showcased here through a simulation application that allows you to visualise how they may appear when framed and displayed together. To ensure consistency in size among the portraits, particularly since two of them were completed a year ago, I always maintain a printed reference image that allows me to accurately evaluate and align the dimensions of any subsequent portraits. Rooster the Boxer dog in Coloured PencilsThis Christmas, my friend Jet commissioned a second portrait as a gift for her friend Mark. This piece features Mark's now-matured male Boxer dog, Rooster, and is designed to complement the previously commissioned portrait of his brindle Boxer, Watson, which was created last year. The framed examples presented are simulations for display purposes, as the actual portraits have yet to be framed. Additionally, further down the page, both portraits of the dogs are showcased together. Throughout various stages of my creative process, I capture time-lapse recordings that give viewers a deeper understanding of the techniques involved in my portrait creation. The two videos featured here, though they are only a few seconds long, encapsulate a considerable amount of time and effort; each represents approximately 2 to 3 hours of meticulous work. These recordings serve not only to showcase the final product but also to highlight the intricate steps taken and the evolution of the artwork from initial concept to completion.
I began my first commission in July, and as I received more requests, I effectively adapted my schedule, working on each project every other day. This approach allowed me to prioritise those with upcoming deadlines and ensure timely completion. I coordinated the ordering of acrylic paintings and their frames at the same time as starting each portrait, which proved to be a smart strategy for ensuring everything was ready for the final varnishing. By mid-November, I was fully booked, leaving no room for additional commissions until Jet reached out to me with a photo of Rooster at the end of November. Drawing from my experience in creating Boxer dog illustrations, I was able to efficiently integrate this new project into my workflow and remarkably finished it in just eight days! The constrained timeframe presented an intriguing challenge, leading to the surprising realisation that I was able to complete a large 10" x 12" coloured pencil portrait in a remarkably short period. Typically, I would not work at such a pace for a piece of this size, making this experience a notable exception. If you are interested in commissioning a lifelike, custom-made coloured pencil portrait or an acrylic painting of your pet, a loved one, or any other subject, you can find out more on my commissions page or contact me via email at: [email protected] to discuss your ideas for the portrait. Additionally, I offer oil pastel portraits for those seeking a more expressive interpretation of your chosen subject.
Welcome to my latest blog post, where I document the progress of another of my coloured pencil drawing of a Boxer dog called Rooster. This blog showcases the process I use to create my lifelike pencil portrait of a Boxer dog, from the early stages to completion. I always begin my portrait process by meticulously rendering the eyes, as they are crucial for capturing the subject's unique personality and lifelike expression. From there, I move on to the nose, the progressively work outwards, building the portrait through a series of carefully applied layers of colour. My focus at this stage is on creating realistic depth and dimension. Each subsequent layer is precisely added to achieve the desired texture and tone, with particular attention paid to intricate details like Rooster's distinctive markings and individual strands of fur. Capturing the Boxer's Unique CharacterAs I begin to build up the layers, I employ a diverse palette of colours to meticulously sculpt the distinctive creases and contours of a Boxer's facial features. This intricate layering is essential for rendering their unique facial structure with accuracy and depth. One of the most enjoyable aspects of portraying a Boxer is creating the mouth. The significant definition around this area is crucial, as it profoundly contributes to revealing the true character and expression of the dog. With years of experience and numerous Boxer portraits under my belt, these techniques have become second nature, allowing me to fully capture each personality. My Artistic Process in MotionI enjoy recording time-lapse videos during my creative process; they effectively demonstrate how my coloured pencil drawings come to life. While seemingly brief, the two videos below condense just over three hours of drawing time, offering a comprehensive look at the intricate layering involved. My process typically begins with the eyes. This has become both an ingrained habit and a strategic choice developed over 40 years of working with coloured pencils. This initial focus allows for precision from the outset, making the rest of the portrait much easier to complete.
Crafting with Coloured Pencil: My Preferred Brands:I create my coloured pencil portraits using a carefully curated selection of lightfast pencils, predominantly Caran d'A'che Luminance, alongside Derwent's Lightfast, Coloursoft, and Drawing ranges. These are layered onto Bockingford hot-pressed paper, a high-quality, heavyweight British-made support specifically chosen for its capacity to handle numerous layers of pigment. This unique combination allows me to achieve the high level of detail you see in my art. Curious about how Caran d'Ache Luminance pencils contribute to the intricate detail in my work? Read the full article on my other website, www.stepbystepart.com. This is a website by artists, for artists, with articles, guides, hints and tips plus tutorials, aimed at artists of all calibre. Thanks for reading! If you're looking for a unique and personal piece of art, I create custom, lifelike portraits in both coloured pencil and acrylics, perfect for capturing the spirit of your pet, a loved one, or any other significant subject. Discover more about the commissioning process on my Commissions page, request a quote, or feel free to reach out directly via email to share your vision. For a more expressive artistic approach, consider my oil pastel portraits. Pet Portraits in Focus: The Progress of a Lifelike Coloured Pencil Portrait of Maggot the Boxer24/11/2024
This marks the fifth portrait I've completed in the past year for my friend Jet. She initially commissioned two portraits of her beautiful Boxer dogs, Carrot and Fungus, and decided to wait until her third pup matured before asking me to create another, named Maggot. Additionally, last year's commissions also included pencil portraits featuring her mother's dogs, Masuda and Kudu, as well as Watson, another Boxer dog belonging to her friend Mark. Each portrait has a dedicated progress page, accessible via the provided links, showcasing the creation process.
Planning the Composition for a Coloured Pencil DrawingJet possesses an extraordinary talent for photography, and her selections for reference photos will always represent the very best available. In this specific image, Maggot is engaging in direct eye contact with the viewer, creating a powerful connection. However, one ear appears slightly askew, which can distract from the primary focus on her eyes. Therefore, it was decided to adjust her ear to align it with the other one for a more cohesive look. An ear from a secondary photograph was superimposed onto the reference image, allowing for a simplified working process. It is important to recognise that there is no singular requirement for a reference image. Any photograph selected by me as the artist reflects the optimal stance and composition; however, the ideal reference photo is one that the pet owner believes captures the essence of their pet most accurately. It is important to preserve distinctive characteristics in a dog's portrait, such as a subtly raised lip or an unusually angled ear, in order to authentically represent their individuality. As a traditional artist specialising in lifelike portraiture, I always start with the eyes. They must be accurately rendered, as any discrepancy can compromise the entire portrait. It's much easier to begin anew at this early stage than to invest hours into a portrait, only to realise it just can't be salvaged. Despite having over 40 years of experience in the field, I continue to adhere to this rule. When using coloured pencils, it is crucial to recognise that, unlike other mediums, overworking any area, especially the eyes, can place undue pressure on the paper's surface, potentially leading to tears. Therefore, careful planning throughout the process is essential to avoid overworking these areas. Techniques & Colour PaletteBoth images above demonstrate the layering technique that I use in all of my coloured pencil drawings. By applying additional layers, I am able to enhance the details and achieve a more realistic representation in the artwork. The depiction of this area of the eye may involve the use of numerous colours, each consisting of five or six primary hues. Additionally, contrasts and highlights are incorporated using lighter and darker pigments from the same colour family. The extensive colour palette offered by the Caran d'Ache Luminance pencil range is the sole reason I favour this brand over many others.
The artwork is finalised when I apply the highlights with the most pressure, creating slight indentations in the paper that enhance the realism of the piece. This is why I advise customers to contact me during the drawing process if they wish to request any modifications.
Time-lapse video showing the creation of Maggot
Time-lapse videos serve as an effective means to illustrate the process involved in the creation of my coloured pencil portraits. Although these videos condense several hours of work into just a few seconds, they provide a clear view of the artistic journey.
At this stage, I am merely applying colours and providing some definition; however, I will return to these areas for further refinement, typically by adding highlights to eliminate the visibility of the paper grain, thereby enhancing the appearance to be more realistic and soft, akin fur.
After an additional two and a half hours, the fur appears shiny and more defined. Significantly, it now resembles actual fur in terms of realism.
If you're considering a unique, hand-drawn portrait created with coloured pencils, I'd love to hear from you! To learn more about commissioning your own portrait, please click on any of the links below. You'll find detailed information about the process, pricing, and what to expect.
I also offer acrylic paintings, which offer vibrant, bold colours and dynamic textures for a painterly finish, providing a distinct alternative to the detailed precision of coloured pencils. You can discover more about them in my acrylics gallery. There's absolutely no obligation to book, so why not drop me a line with your query? Simply email me at: [email protected]
After completing an oil pastel portrait of our beloved late black Labrador, Haze, I knew it was time to create one for our beautiful yellow Labrador, Storm. At 14 years old, every day with him is precious, and I wanted to capture his likeness in a piece of art that I could cherish forever. As Storm is very photogenic, we have so many stunning references of him, and finding the perfect photo was a challenge, but I thought this particular composition would make an ideal portrait, showcasing his gentle nature and unique character.
Read on and discover the step-by-step process behind my oil pastel painting of Storm. You'll gain a better understanding of how everything comes together and the techniques I use to achieve my results, particularly insightful if you are looking to book a portrait of your own. In loving memory of Storm
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| " Just wanted to let you know that I absolutely love BuBu. He has now gone for framing and I will send a picture to you when I get him back next week. Once Christmas is over and Shane has received the gift, you are more than welcome to Bu's progress and final image online. It is just amazing. " Joanne Keane Dublin, Ireland |
Update July 2025: At the moment, I’m unable to ship to the EU and Northern Ireland due to current GSPR regulations. You can find more information about this on my Terms & Service page.
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Karen M Berisford
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